Boo Radley College Prep, by Karen Harrington

 

"Boo Radley College Prep," by Karen Harrington, in Ellery Queen's Mystery Magazine, January/February 2021.

As I have said before, sometimes I read the first page of a story and find myself silently telling the author: You got something good here.  Don't screw it up.  Harrington, it turns out,  is not a screw-up.

Which is more than we can say about Tony Reyes.  He is fifteen years old, short on luck and, he will tell you, short on brains.  A hurricane has forced him and his mother to move in with the brother of his deceased father, and it isn't a happy or healthy home.

Right down the block, however, is what his uncle calls "the Boo Radley house," a spooky looking joint whose owner never seems to appear in public.  Curiosity - and the hopes of earning chore money - causes Tony to visit.

And there he meets a grouchy old man with a lot of brains and a good reason to hide from the public.

Two desperate souls in situations that are only getting worse.  Can they help each other somehow?

Hell of a story.

 

   

Flinders' Flit, by H.L. Fullerton

"Flinders' Flit," by H.L. Fullerton, in Mystery Weekly Magazine, February 2021.

The defining experience of Cassie's life was her father abandoning the family when she was eight years old. So when her husband disappears one day leaving behind "drawers upended, hall closet ransacked, its door drooping off its track, books and belongings scattered to the four winds..." it doesn't occur to her that he might not have left of his own accord.  

The police find that suspicious, to say the least.  

Your husband was gone, your house was a disaster and you didn't call the police?

I figured he left in a hurry.

There is a mystery here and Cassie works out in a satisfactory manner.

A Family Matter, by Barb Goffman,

"A Family Matter," by Barb Goffman, Alfred Hitchcock Mystery Magazine, January/February 2021. 

I corrected a bad typo in my original entry.  My apologies.

This is the third appearance here by my fellow SleuthSayer Barb Goffman.

I have said before that I like stories in which a character has a chance at redemption, whether they wind up taking it or not.  Here is an example.

It's 1962 and Doris lives in a very nice suburb called The Glen.  Most of her friends are married to men who work for the big pharmaceutical company in town.  The place has standards.  

And the new neighbors, Ginny and Bill do not meet them.  They raise chickens.  They hang up their laundry in the yard.  Doris is determined that these offensive violations of the norms will not stand.

But when she realizes another very different norm is being broken she has to determine what really matters in her neighborhood.  And that may offer a bit of redemption.

A classy story.

The Underneath, by Stephen Ross

 "The Underneath," by Stephen Ross, in Alfred Hitchcock's Mystery Magazine, January/February 2021.

 This is the second appearance by my fellow Sleuthsayer, Stephen Ross.  It's a quicky, but clever. 

William is a seventy-two-year-old retired zookeeper, a bachelor (or widower, depending on which page you believe...oops).    One of his few pleasures in life is riding the bus to town on Friday mornings with his neighbor, the charming young Julie. 

But one Thursday night William hears her arguing with her husband, Doug.  The next day: no Julie on the bus.  Hmm...

The suspicious neighbor is a set-up we have read many times but, as usual, what matters is what you do with the set-up.  I won't give anything away but in just a few pages William conducts his investigation and makes a very clever plan.

The Best of 2020.

 At SleuthSayers today I provide my twelfth annual list of the best short stories.  

Just A Little Before Winter's Set In, by Larry Tyler

"Just A Little Before Winter's Set In," by Larry Tyler, in Masthead: Best New England Crime Stories, edited by Verena Rose, Harriette Sackler, and Shawn Reilly Simmons, Level Best Books, 2020.

Let's start with a little whining, shall we?  First, as I say every time I recommend a story from this series, to call an anthology the "best" implies that its contents are selected from already published stories, which these are not.  Second, should there really be an apostrophe-S in that title?  I don't see it myself.

Okay, moving on.

In most stories you want the structure to be transparent.  By this I mean that the reader shouldn't be aware of how the tale is organized; it should flow as much like reality as possible.  But some stories are translucent: the structure filters the events.  Think of William Faulkner's "A Rose For Emily," in which the narrator is we, the whole community.  Tell the tale differently and it would be a very different story. It's not that one way is better than the other; just a different choice.

This story is translucent.

The narrator is essentially a hermit (although that word never appears), living alone in the Maine woods.  After describing his life he switches to third person, describing an encounter  a hermit (hmm...) named Teddy Seay  has with Elliot Kayman, a wealthy banker.

Kayman is fleeing (or flying) from the law, hoping to get to Canada as the first step in his escape to no-extradition land.  Alas, his plane crashes and no one is around to help him but the greedy Teddy Seay who won't help him without being paid and paid often.

One suspects where this story is going but you will definitely want to find out for sure.

Cahoots, by C.C. Guthrie

"Cahoots," by C.C. Guthrie, in Cozy Villages of Death, edited by Lyn Worthen, Camden Park Press, 2020.

Alan Peterson is a banker, and son of the wealthiest man in a small East Texas town.  The story opens with him running into Beulah's diner in a panic because his beautiful wife TeriLyn has disappeared.  

Scary stuff but things don't seem to add up.  She's only been gone a few hours.  And isn't Alan supposed to be out of town?  And why is he claiming she has been having mental problems?

Very suspicious.  Beulah tells us the details of the search that goes on for weeks, and the reaction of the town's residents.  My favorite are the two gossips known  as the mover and the shaker.

A well-structured story with a very satisfactory climax.

Camberwell Crackers, by Anthony Horowitz

  "Camberwell Crackers," by Anthony Horowitz, in California Schemin', edited by Art Taylor, Wildside Press, 2020.

This is a very silly story.  That's certainly not a demerit as far as I'm concerned.  More problematic for some readers might be that the subject is Christmas crackers, a British holiday custom which, like pantomimes, has never really caught on on this side of the pond (south of the Great Lakes at least).

Camberwell Crackers is a long-established family company that manufactures these novelties.  It seems a very cheerful place to work.  But a man named Osborne was planning to take over the company, and now he has been murdered.  The inexperienced Detective Inspector is hoping to make his reputation by solving the crime, but he can't seem to make sense of the clues.  And, oh, there are clues...

I think I'll stop there.

 

Clickbait, by Mark R. Kehl

"Clickbait," by Mark R. Kehl, in Mickey Finn, volume 1, edited by Michael Bracken, Down & Out Books, 2020.

The night of the home invasion, Bobby Lyon was busy jabbing a seventy-three-old index finger at his smart phone, reading reactions to the day's auction.

 That's how we start.  Lyon is a washed-up action movie star, now in a wheelchair, waiting to be moved into a senior home after his possessions were sold to pay ex-wives, the IRS, etc.  But now he may be getting more action than he wants...

I guessed where this story was going, but not every good tale needs a surprise ending.  This one is mostly about heightened language.

The despair that had grown familiar since the world had started tearing away his life in increasingly larger and bloodier chunks embraced him like a ravenous ghost.

Another sound, heavy but muffled, like Frankenstein's monster in bunny slippers.

...words and low laughs, both respectful and irreverent at the same time, like atheists in church.

Mr. Kehl is a master of similes.

The Mailman, by Andrew Welsh-Huggins

 "The Mailman," by Andrew Welsh-Huggins, in Mickey Finn, volume 1, edited by Michael Bracken, Down & Out Books, 2020.

This is the author's third appearance on this page.  

When was the last time I reviewed a good 'ol suspense story?  Been a while, I think.

The nameless protagonist is a deliveryman.  He tells his contact that he has never lost a package.

"A package?" his contact replies.  "Jesus Christ, we're talking about a woman.  A mother and child."

As the story goes on we learn more about why the couple is on the run, and the danger they face.  Because some of the rules get broken the deliveryman finds himself in deep trouble: one small man with no gun up against two bigger, heavily armed toughs.  

Will he find a way to deliver the goods?  I'm rooting for him.  You will find the outcome satisfactory.