Canary, by Matthew J. Hockey

"Canary," by Matthew J. Hockey, in Thuglit, 18, 2015.

There is a streak of puritanism running through some noir literature.  Take one step off the straight-and-narrow and you are inevitably doomed.  Things keep getting worse and every attempt you make to correct your path only drags you inexorably toward the pit.

Which brings us to Booster, a fireman with a chemistry degree, which earns him the dubious privilege of being the first into a meth lab gone deadly.  He's the one who enters first in full HAZMAT gear and has to determine if all the idiots inside were killed by the poisonous brew they created or whether there might be survivors.

And this time he finds  a bag stuffed with four hundred grand.  Obviously he ought to leave it where it lies, but who will know if he doesn't?  And so he takes one step off the straight-and-narrow...

Excellent story that kept surprising me.

Mr. Kill-Me, by David Dean

"Mr. Kill-Me, by David Dean, in Ellery Queen's Mystery Magazine, August 2015.

With this story by my SleuthSayers blogmate David Dean, it seems unnecessary to ask: where did you get your idea?  Anyone who has ever had a close call on the road will probably think they can guess.

Larry is a real estate agent in a shore town.  One day he backs his BMW out of a driveway and almost hits a man on a bicycle; a strange homeless-looking guy with angry eyes and a weird smile.  The biker disappears before Larry can confront him. 

A few days later, driving down the road, the biker pulls out in front of him again, seeming to demand to be run over.

What the hell is going on?  Is Larry imaging things?  Is someone plotting against him?  If so, what the hell is the purpose?

I should say I saw the end pages before it arrived, but it's a hell of a tale, and worth the trip.

Knock-Out Whist, by David Levien

"Knock-Out Whist," by David Levien, in in Dark City Lights, edited by Lawrence Block, Three Rooms Press, 2015.

This is a story about the levels of life in New York City, and those going up versus those going down.  Jerry Riser - a riser is, of course, one who rises; it is also the part of a step that doesn't get stepped on - is a disgraced ex-cop, reborn as a shady private eye. 

He has just finished a big case for one of the people at the top, causing major trouble for another one, a mayoral candidate.  The politician sends thugs around to find out who hired Riser, and they offer his choice of a beating or a payoff.

He could also use the cash.  On the other hand it was a question of honor, the old vintage.  There were still a few bottles of it left around, and once it was uncorked, it was sticky stuff.

One of the best P.I. stories I have read this year.

Red's White F-150 Blues, by Scott Montgomery

"Red's White F-150 Blues," by Scott Montgomery, in Murder on Wheels, Eleven Tales of Crime on the Move, presented by the Austin Mystery Writers, Wildside Press, 2015.  

The editors sent me a free copy of this book.

Red Clark spends a lot of time taking care of his baby son, because the factory put him on half time and Britney has had to take on more nursing shifts at the hospital.  One day his old friend Billy Ray - part-time drug dealer and non-stop trouble -- shows up to ask a favor.  The bank wants to repossess his truck.  Can he hide it in Red's garage for a while?

Of course, Red says yes.   Of course, Britney gets mad.  While they're arguing about it - and about meatloaf and other affairs of state -- the TV announces that a guard was killed in a bank robbery.  Police are looking for a certain truck.

Uh oh.

What follows are a lot of bad decisions, some startling secrets and - oh yes - a beheading.  This is pretty much what Texas noir means to me. 

Bowery Station, 3:15 A.M., by Warren Moore

"Bowery Station, 3:15 A.M.," by Warren Moore, in Dark City Lights, edited by Lawrence Block, Three Rooms Press, 2015.

A little snippet of  a story, but a memorable one.  The nameless narrator is hanging around one of the least used subway stations in the middle of the night, when...

I saw the girl standing on the Brooklyn bound side of the platform.  You might not have noticed anything, but I saw the firsts clenched at her sides and I saw her lips moving, and I knew what she was gearing up to do.

Can he prevent her from taking her own life?  And if he does, what will happen next?

Worth finding out.

Drone, by Rob Hart

"Drone," by Rob Hart, in Thuglit, Issue 16.

I can't find the name of the comedian who complained, approximately: "You always hear on the news about drug deals that went wrong.  Why don't they ever talk about the thousands of drug deals that went right?"

Because they aren't newsworthy, of course.  And they wouldn't make very good fiction.

So you can be pretty sure something is going to go pear-shaped in this tale of three crooks who come up with a brilliant new way to move cocaine around the city.

Melinda is the bright one, and she has built a drone capable of flying five pounds of product.  Billy the narrator, and his short-on-impulse-control brother Richie have the connections with a major drug dealer with the not-at-all-ominous name of T. Rex..  All they need is to demonstrate what inventors call "proof of concept" and they are in for a very profitable partnership.

What could go wrong?  Oh, something or other.  Take it away, Richie:

"Well, there was a wrench up on the roof, and I hit him with it, and that all turned into a thing."

Yeah, I hate it when that happens.  Good story.

Dyed to Death, by K.G. McAbee

K.G. McAbee. "Dyed to Death," in Alfred Hitchcock's Mystery Magazine, July/August 2015. 

Last week I said my favorite story was all about setting.  And here we are again.

McAbee's story won the Black Orchid Novella Award, given each year bu AHMM and the Wolfe Pack for a novella that best carries on the Rex Stout  tradition.  The winners usually have a Nero Wolfe/Archie Goodwin format, meaning a great detective and an assistant narrates the story.  This is true in "Dyed to Death," but as I said, it is the setting that is the true main character.

It is the late twenties in a company town somewhere in the south.  Our narrator is Sam, a boy in his late teens.  He never recovered from an injury in the cotton mill when he was fifteen (the same mill killed his father) so he works at the company store.  His boss is Guy Henson who, beside running the store is also the village constable.  He also is a former millworker, but  experiences in the Great War left him unable to tolerate loud noises.

When Sam finds a woman drowned in the river, dyed purple from the weekly dumping of a mill vat, Henson has to find out what happened.  Sam, a dedicated reader of Black Mask, is thrilled to be able to participate.

I should say I didn't think the ending of this story was as strong as the rest of it.  But McAbee gives us a strong sense of what life was like in a town where the mill owner set the rules and could throw you out of your home on a whim.  I hope to see more of Guy and Sam.