Stretching Fifteen, by Angel Luis Colón

"Stretching Fifteen," by Angel Luis Colón, in Protectors 2: Heroes, edited by Thomas Pluck,  Goombah Gumbo Press, 2015.

Excuse me while I get professorial for a minute. Time to distinguish apples from oranges.

Every twist ending is a surprise.  Not every surprise ending is a twist.  A twist ending is one that makes you rethink everything that happened before.  The Sixth Sense or The Usual Suspects, for example.

This story is a good example of a surprise ending that is not a twist, not that there is anything wrong with that.  Colón takes his tale in clever and unexpected directions.. 

Second point:  You can describe anyone you want as "my hero," meaning that you admire and wish to emulate the person.  But if you call someone "a hero" you should be describing someone who risked a lot (typically life but I would settle for freedom or fortune) for a worthy cause. Merely saving one's own life doesn't qualify - even if you save other lives at the same time.

Take, for instance, Chesley Sullenberger who successfully landed a jet on the Hudson River, saving the lives of everyone on board.  Was that heroism?  Nope.  Incredible cool-headedness and fantastic skill, but he was not heroic, because he did not volunteer for the job.  He just happened to be the guy in the cockpit, and we are all glad he was.

But - and it's a big but - after the jet landed, Sullenberger stayed in the plane, counting heads, to make sure everyone was safely out before leaving himself.  And that makes him a hero. 

Which brings us, I am sure you are delighted to know, to this week's story.  Chris does something quick and decisive which saves his own life and perhaps that of many others.  He is praised as a hero as only modern America can.

At first he seems to react well.  He knows it's only fifteen minutes of fame and resists the temptation to turn into a media slut.  But when the attention fades away he can't get back into his normal life (could there be PTSD involved?) and starts looking for a way to get the glory back.

I predicted three or four ways the story could turn out and Colón completely fooled me.  Like I said, surprise ending.  And a thought-provoking and satisfying story.

The Discovery, by Meg Opperman

"The Discovery," by Meg Opperman, in Sherlock Holmes Mystery Magazine, Issue 18, 2015.

Celeste is a young woman studying at a university in her native Venezuela.  She meets an American professor named Robert, marries him, and moves to Washington, D.C.  Things go downhill from there.

Robert is  a classic abusive, controlling, husband.  Celeste's every move is watched, her phone calls monitored.  When her bus home is late she is beaten. 

My favorite line in the story?  Reaching into a hand-carved box, I sort through the gold jewelry and select Robert's latest apology.

But what makes this story more than just a tale of domestic misery is that each scene is prefaced with a quotation from Christopher Columbus's letters or logbooks, describing his encounters with the natives of the new world.  It is no accident that Celeste and Robert get married on Columbus Day.  I can't imagine how much work went into finding the appropriate texts for each scene.

Very moving story.  

Knock-Out Whist, by David Levien

"Knock-Out Whist," by David Levien, in in Dark City Lights, edited by Lawrence Block, Three Rooms Press, 2015.

This is a story about the levels of life in New York City, and those going up versus those going down.  Jerry Riser - a riser is, of course, one who rises; it is also the part of a step that doesn't get stepped on - is a disgraced ex-cop, reborn as a shady private eye. 

He has just finished a big case for one of the people at the top, causing major trouble for another one, a mayoral candidate.  The politician sends thugs around to find out who hired Riser, and they offer his choice of a beating or a payoff.

He could also use the cash.  On the other hand it was a question of honor, the old vintage.  There were still a few bottles of it left around, and once it was uncorked, it was sticky stuff.

One of the best P.I. stories I have read this year.

Bowery Station, 3:15 A.M., by Warren Moore

"Bowery Station, 3:15 A.M.," by Warren Moore, in Dark City Lights, edited by Lawrence Block, Three Rooms Press, 2015.

A little snippet of  a story, but a memorable one.  The nameless narrator is hanging around one of the least used subway stations in the middle of the night, when...

I saw the girl standing on the Brooklyn bound side of the platform.  You might not have noticed anything, but I saw the firsts clenched at her sides and I saw her lips moving, and I knew what she was gearing up to do.

Can he prevent her from taking her own life?  And if he does, what will happen next?

Worth finding out.

An Invisible Minus Sign, by Denise Mina

"An Invisible Minus Sign," by Denise Mina, in Deadly Housewives, edited by Christine Matthews, HarperCollins e-books, 2015.

Many of the stories I have read in this collection have been jollyish tales of women trying to kill errant husbands, so this detour to noir stands out for contrast.

Moira is a housewife, sick of making no impression on the world.

She no longer knew if she liked strong cheddar or the boys did, whether France was somewhere she wanted to go on holiday or David's choice.  And she didn't even think she liked the hidden Moira enough to send out a search party.

After trying to revive herself with an affair "and a hundred other suburban redemptions," she decides to kill herself.

Of course, she doesn't.  Something else happens and I can't tell you what, but it is worth finding out.  But the main attraction in this story is the language, as demonstrated above.