"No Honor Among Thieves," by Rob Hart, in Lockdown: Stories of Crime, Terror, and Hope During a Pandemic, edited by Nick Kolakowski and Steve Weddle, PolisBooks, 2020.
The proceeds for this book go to the Book Industry Charitable Foundation, a very worthy cause.
This is the third appearance in this column by Rob Hart.
Roger is a banker. He is working from home due to Covid but he needs to get some files he can't access electronically. Why aren't they available digitally? Because they contain data you don't dare expose to hackers, stuff that could get people sent to jail.
It turns out other people want those files too. People who are more determined than he is...
A nice bad guy versus worse guy story.
By the way, Ann Davila Cardinal has a very nice ghost story in this book, but I don't review ghost stories.
Showing posts with label Hart. Show all posts
Showing posts with label Hart. Show all posts
Sunday, July 12, 2020
Monday, April 25, 2016
Creampuff, by Rob Hart.
"Creampuff," by Rob Hart, in Unloaded, edited by Eric Beetner, Down and Out Books, 2016.
Clever concept for an anthology: crime stories without guns. Profits will go to States United to Prevent Gun Violence.
As for Mr. Hart, making his second appearance in this space, while his story features a violent crime, it feels more mainstream than genre. It's a sort of character study or slice-of-life (slice-of-death?) piece about the titular character.
The big man they call Creampuff has a job that could only exist in a city as big and crazy as New York. He is a bouncer in a bakery. You see, the chef has come up with a baked treat so popular that people line up before opening to buy one, and they are all gone before nine A.M. And since they are so trendy, a whole of Important People feel they should be able to cut in line to get theirs.
Creampuff disagrees. And he can make it stick because "[h]e was huge, like a recurring childhood nightmare."
Here is our hero at work:
There were the Richie Riches who would stride up to him and wave a bill under his nose. Usually a twenty, sometimes a hundred. Creampuff would take it, stick it in a pouch on his belt that read "donations for charity," and cross his arms.
No one ever asked for their money back.
An enjoyable and well-written piece.
Clever concept for an anthology: crime stories without guns. Profits will go to States United to Prevent Gun Violence.
As for Mr. Hart, making his second appearance in this space, while his story features a violent crime, it feels more mainstream than genre. It's a sort of character study or slice-of-life (slice-of-death?) piece about the titular character.
The big man they call Creampuff has a job that could only exist in a city as big and crazy as New York. He is a bouncer in a bakery. You see, the chef has come up with a baked treat so popular that people line up before opening to buy one, and they are all gone before nine A.M. And since they are so trendy, a whole of Important People feel they should be able to cut in line to get theirs.
Creampuff disagrees. And he can make it stick because "[h]e was huge, like a recurring childhood nightmare."
Here is our hero at work:
There were the Richie Riches who would stride up to him and wave a bill under his nose. Usually a twenty, sometimes a hundred. Creampuff would take it, stick it in a pouch on his belt that read "donations for charity," and cross his arms.
No one ever asked for their money back.
An enjoyable and well-written piece.
Sunday, June 14, 2015
Drone, by Rob Hart
"Drone," by Rob Hart, in Thuglit, Issue 16.
I can't find the name of the comedian who complained, approximately: "You always hear on the news about drug deals that went wrong. Why don't they ever talk about the thousands of drug deals that went right?"
Because they aren't newsworthy, of course. And they wouldn't make very good fiction.
So you can be pretty sure something is going to go pear-shaped in this tale of three crooks who come up with a brilliant new way to move cocaine around the city.
Melinda is the bright one, and she has built a drone capable of flying five pounds of product. Billy the narrator, and his short-on-impulse-control brother Richie have the connections with a major drug dealer with the not-at-all-ominous name of T. Rex.. All they need is to demonstrate what inventors call "proof of concept" and they are in for a very profitable partnership.
What could go wrong? Oh, something or other. Take it away, Richie:
"Well, there was a wrench up on the roof, and I hit him with it, and that all turned into a thing."
Yeah, I hate it when that happens. Good story.
I can't find the name of the comedian who complained, approximately: "You always hear on the news about drug deals that went wrong. Why don't they ever talk about the thousands of drug deals that went right?"
Because they aren't newsworthy, of course. And they wouldn't make very good fiction.
So you can be pretty sure something is going to go pear-shaped in this tale of three crooks who come up with a brilliant new way to move cocaine around the city.
Melinda is the bright one, and she has built a drone capable of flying five pounds of product. Billy the narrator, and his short-on-impulse-control brother Richie have the connections with a major drug dealer with the not-at-all-ominous name of T. Rex.. All they need is to demonstrate what inventors call "proof of concept" and they are in for a very profitable partnership.
What could go wrong? Oh, something or other. Take it away, Richie:
"Well, there was a wrench up on the roof, and I hit him with it, and that all turned into a thing."
Yeah, I hate it when that happens. Good story.
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