The Puzzle Master, by David Morrell

"The Puzzle Master," by David Morrell, in Playing Games, edited by Lawrence Block, LB Productions, 2023.

 This is the second story by Morrell to appear here. 

Quentin has just finished his latest mystery novel and is getting antsy waiting for his editor's reaction.  His wife Beth suggests they kill some time putting a jigsaw puzzle together.  

The illustration on [the box] showed what looked like a square in a New England village, with rustic shops, Victorian houses behind them, and a tree-covered hill in the distance.  A farmer's market was in progress.  Smiling families paused at tables that displayed tomatoes, peppers, apples, and jars of what a sign said was strawberry jam.

Sounds charming, doesn't it?

They have such a good time that they start working on another puzzle, created by the same artist.  Is this the same village?  Are they seeing some of the same people?  And is something... wrong with this picture somehow?

There are seven puzzles and if you work them in the order they were created (you need to put them together because you can't see all the details from the box cover), they seem to tell a story.  Or so Quentin, the mystery writer suspects.  

Clever story, cleverly told.

 I don't usually talk about runners-up, but the proceeding story in the book, "Lightning Round," by Warren Moore, made it hard to choose.

 

The Soiled Dove of Shallow Hollow, by Sean McCluskey

 

"The Soiled Dove of Shallow Hollow," by Sean McCluskey, in Ellery Queen's Mystery Magazine, January/February 2023.

It is rare that a first story makes my best-of-the-week list, rarer still when that first story  is a long, possibly novelette-length piece.  This is one.

And it's a private eye story, of sorts.  What's a private eye story?  If you say a story about a private eye you are clearly unaware of what I call the Scudder exception.

When the Private Eye Writers of America were creating the rules for their Shamus Awards one of the very best characters in the field was Lawrence Block's Matt Scudder.  For most of his career he had no P.I. licence.  So it is not surprising that the rules said, essentially, that a P.I. story had to be about someone who investigates crimes for pay, but doesn't work for the government.  

So a lawyer or journalist would qualify but not  a cop or a spy.  And people like Scudder who, as he put it, did favors for friends who then bought him gifts, was eligible. 

Which brings us to Shane Caine, the narrator of our tale.  One night in a bar in Georgia he brags about some crimes he solved, not a P.I., but as a person who  "just sort of stumble[d] into things."

A man named McDounagh overhears him and is desperate for his help.  He lost his wallet to a couple of con artists in a  badger game.  The wallet contains a top-security I.D. card and if he doesn't get it back by 8 A.M. he will lose his job.

Caine immediately recognizes that  the badger game was not the usual variety.  Something odd is going on, something beyond a casual theft.  What follows is a long but fast investigation that ends in a trail of blood.

I enjoyed the adventure and hope Shane Caine stumbles into some more of them.

The Snake, by Mike McHone

 "The Snake," by Mike McHone, in Mystery Magazine, February, 2023.

Certain themes or premises show up so often in any genre that they more or less make up a subgenre of their own.

Janet Hutchings, editor of Ellery Queen Mystery magazine, has said that the type of story she sees the most often is someone plotting to kill their spouse.  An overlapping story is the hitman. 

So how do you create something new and original in this category?  As Charles M. Schulz said, drawing a comic strip means doing the same thing every day, but doing it different.

McHone manages it.  

David is hiring a hitman to kill his wife.  Here's the opening:

"I want you to listen because this is the only time I 'm going to say it.  You don't think you can go through with this, you think you're going to crack up when the cops come, I walk.  Hear me?  And before you think to ask, no, you won't get your down payment back.  Period."

That's good writing.  Good dialog is personality and we know a lot about the hitman just from his voice.  This story is something like 80% dialog, more if you count David's inner monologue.

So, the writing keeps us reading, but do we get anywhere interesting?  Most definitely.  McHone has come up with more than one original twist on the classic premise.

Elvis Duty, by Matthew Wilson

 "Elvis Duty," by Matthew Wilson in Alfred Hitchcock's Mystery Magazine, January/February 2023.

First of all: great title.  

This is Wilson's second appearance in this blog. It is also the second appearance by his main character, although this one takes place a decade before the first.  

Hans Burg is a police detective in Bad Kissington, West Germany, in 1959..  He is trying to solve the death of a doctor who appears to have died of a drug injection in a cheap hotel.  This problem is complicated by another duty he is assigned; helping to protect Elvis Presley, already a music sensation, who is serving his army tour in Germany.

The two cases come together in ways that are logical and sad.  A well-written story.

The Grown-Ups Table, by Steve Hockensmith

 

"The Grown-Ups Table," by Steve Hockensmith, in Alfred Hitchcock's Mystery Magazine, January/February 2023.

This is my  first review of a story published in 2023.  That seems like a good opportunity to remind you that authors/editors/publishers are welcome to send me books or magazines for consideration, paper or electronic.  I promise to  read at least the start of every story sent and review the best I read each week.

Speaking of which, we have here the seventh appearance by my friend and fellow SluethSayer Steve Hockensmilth.   If I understand this essay correctly he is writing a novel in stories and this is the third chapter. 

All the stories relate to the closing of the Monkeyberry Toy Store in River City.  This particular tale shows us the Christmas dinner of the family that owned the store, and a classically dysfunctional family it is.

We have Uncle Dan who can't stop spouting the philosophy of his favorite right-wing radio host.  And there is Cryptique who, until we turned goth a few months ago, was named Bobby.  (He's drinking coffee because it is "the only available beverage that is black.")

But the main character is Tia who has just graduated to the Grown-Ups Table.  And she is carefully orchestrating the ditnner conversation to reveal who murdered the family matriarch, Gammy Bibi.   

For me the hardest part of writing a story is the plot - as opposed to premise, characters, dialog, etc  This is especially true in the type of story in which clues are revealed.  I admire how Tia/Hockensmith reveal the pieces of the puzzle until only one suspect is left.  Clever and satisfying.   

The Best of the Year

 

My selection of the best stories of 2022 is up now for your inspection at SleuthSayers.

Monday, Tuesday, Thursday, Wednesday, by Sean McCluskey

"Monday, Tuesday, Thursday, Wednesday," by Sean McCluskey,  in Mickey Finn, Volume 3, edited by Michael Bracken, Down and Out Books, 2022.

Some stories are mostly about the telling, by which I mean a tale which might seem ordinary if presented in the usual manner takes on extra merit by being given an unusual structure.  As the title of this story implies, we have an example today.

In effect, we are going to find out how the adventure ends and then return to see what led up to it.  I am reminded of Richard Stark's novels about the thief Parker .  Stark's books  are usually told in four parts, three of which are seen from Parker's point of view.  Part Three shifts to another character, often ending with him being fatally surprised by Parker's reappearance.  Then in Part Four we find out what our protagonist had been up to.

Alon Schulman's daughter has been kidnapped by bad guys who want in on his smuggling operation.  (The way he learns of the kidnapping is one of the cleverest parts of the story.)  Schulman contacts a law firm who sends Crenshaw who they  describe as efficient and discreet.  He also turns out to be deadly as heck.

One reason this story is best told out of order is that several people turn out to have schemes of their own, and can't be trusted  But you will enjoy it and you can trust me on that.

The Delivery, by Andrew Welsh-Huggins

"The Delivery," by Andrew Welsh-Huggins, in Mickey Finn, Volume 3, edited by Michael Bracken, Down and Out Books, 2022.

This is the fifth story by Welsh-Huggins to appear on this page, and the third about Mercury Carter.  Mr. Carter is a deliveryman but he doesn't work for Fed Ex.  He's the guy you call when someone else would like to get their hands on the package, and is willing to kill for it.

In that case the clients are an elderly couple and even before he reaches their house he has good reason to suspect the bad guys are waiting for him.  There's several of them and Carter is just one relatively small guy.  The kind people tend to underestimate.  

It's a good suspense story, with one flaw in my opinion: the author gives Carter a convenient ability so unlikely it leans toward super power territory.  I enjoyed it anyway.

Burying Oliver, by John M. Floyd

"Burying Oliver," by John M. Floyd, in Mickey Finn, Volume 3, edited by Michael Bracken, Down and Out Books, 2022.

 This is the third appearance here by my fellow SleuthSayer.

 When our story begins Bucky Harper is digging what seems to be a grave.  Sheriff Morton arrives and demands to know what he's doing.  Bucky says he is burying his dog Oliver.  The lawman doesn't recall any such dog and thinks Bucky might be doing something quite different, and even suggests a motive.

What follows is more or less the opposite of a twist plot. Instead things happen step by step with the inevitability of Greek tragedy.  And at the center of the tale is calm, phlegmatic, Bucky, just taking it all one shovel-load at a time.

Clever and satisfying.

The Sounds of Silence, by Gabriel Valjan

 "The Sounds of Silence," by Gabriel Valjan, in Paranoia Blues: Crime Fiction Inspired by the Songs of Paul Simon, edited by Josh Pachter, Down and Out Books, 2022.

It is New York City in 1977, the summer of Sam.  There is a murderer loose; not the Son of Sam.  This killer is targeting Asians in subway tunnels.  Police Detective Joseph Burrow figures out what's going on, largely because of his experiences during the Vietnam War. 

But the war has left him with more than just useful experience: it has damaged his hearing.  Can he can keep his career as a cop wearing hearing aids?  Can he function without them?  What if even they don't help?

A clever story of a man trying to solve a life-and-death problem while coping with his own crisis.

This Night in Question, by Tod Goldberg

"This Night in Question," by Tod Goldberg,in Witnesses for the Dead, edited by Gary Phillips and Gar Anthony Haywood, Soho Press, 2022. 

This is Goldberg's third appearance in this column.

Cecil, the narrator, is a third generation mobster in California.  The police show him a video of his daughter being beaten by an ex-lover, who then takes her and her own daughter away.  

Cecil assumes his child is dead.  The police are searching for the culprit and the child but Cecil has his own investigation to conduct, and it's not limited by any rulebook.  

This is a grim story but it is believable and well-written.

Spiders and Fly, by Gary Phillips

 

"Spiders and Fly," by Gary Phillips, in Witnesses for the Dead, edited by Gary Phillips and Gar Anthony Haywood, Soho Press, 2022. 

This is the second time Phillips has appeared on this site.

A nice suspense story, told in an interesting manner.  We start in media res, to get all fancy, with Cresston running for his life.  Then we see how he got into that mess.  And then what led to that.  After that we return to his desperate chase.

Seems Cresston saw something nobody was supposed to see.  A murder.  And worse, the killers were cops.  Better keep running, pal.

He winds up with a surprising (and surprisingly resourceful) ally.  And then the story takes a turn I never expected.

 

Street Versus the Stalker, by Pam Barnsley

 

"Street Versus the Stalker," by Pam Barnsley, in Ellery Queen's Mystery Magazine, November/December 2022.

A modest little story that gets most things right.

Gina is an inner-city teacher and a genuinely nice person, the kind who makes friends easily with people you and I might cross the street to avoid.

When some of these folks notice a van following her in a suspicious manner they react, much like antibodies to an infection.  But they are busy and not the best organized crowd, so it is not certain whether the good guys will win...

Nice writing, too. Here is a description of the woman who runs a produce store:

Ava rattled off the math for the oranges under her breath, offered a discount, entered the amount in the cash register, loaded oranges into Gina's cloth bag, nudged a box of apples back into place with her hip, held the portable credit-card machine for Gina to swipe, scratched her shin with her running shoe, and tilted her head to watch the street.

No wonder her grandson says she has ADHD.

I enjoyed this tale a lot.

More Than Suspicion, by Joseph S. Walker

"More Than Suspicion," by Joseph S. Walker, in A Hint of Hitchcock, edited by Cameron Trost, Black Beacon Books, 2022.

First of all: great cover.

This is the  sixth story I have reviewed by Walker, and the second this year. 

The place is a small town in Colorado.  The time is just after Pearl Harbor.

Hannah is the projectionist in the town's movie theatre.  She is also the de facto manager since her boss ran off and enlisted.

Supply chain issues leave her running Hitchcock's classic movie Suspicion over and over.  You would not expect it to maintain much of an audience, but one newcomer returns to view it almost every night.  

Darlene's obsession is based on her dislike of the film's ending, in which the husband turns out to be innocent and the wife merely imaging the danger she is in.  "The end is the only part that's a lie.  A pretty lie, but still.  He kills her.  Of course he kills her."

Clearly Darlene has a secret.  It turns out Hannah has one as well - beautifully foreshadowed - and it is one she would love to reveal to Darlene, if she could gather the nerve.  

You won't be surprised that Darlene's past comes calling and the two women have to work together if they want to survive into the future.  A terrific story.

The Other French Detective, by O'Neil De Noux

 "The Other French Detective," by O'Neil De Noux, in Alfred Hitchcock's Mystery Magazine, November/ December 2022.

My friend and fellow Sleuthsayer, O'Neil De Noux, has series characters at work in different periods of New Orleans history.  Sometimes they will investigate crimes in the same building, a century apart.

In this clever story it is 1877 and police detective Jacques Dugas is in demand because he is one of the few officers in the mostly-Irish force who speaks French.  Galjour, a police inspector from Paris, has just arrived.  He speaks no English but he is seeking a French prostitute who killed the wife of a government official and is believed to have escaped to Louisiana.

Dugas helps the French cop search the city's brothels but things get more complicated the next day when another Frenchman arrives, also claiming to be Inspector Galjour.  Of course, this is long before the days of photo I.D.s and instant indetity checks via the Internet.  And then it turns out that the woman both men are after may be a victim rather than a killer...

A twisty story I enjoyed a lot.

A Rat Tale, by Mark Thielman

"A Rat Tale," by Mark Thielman, in Alfred Hitchcock's Mystery Magazine, November/December 2022.

 Mark Thielman, my fellow SleuthSayer, is having a good year  This is his third appearance on my list in 2022 and his ninth overall, which I believe has him tied at the top.  It is also the second story in this series to make my best-of-the-week list. 

Bernard de Vallenchin is a sixteenth century French attorney with an odd specialty.  Medieval law allowed animals to be tried for their alleged crimes.In this case the farmers of a region are demanding that rats be punished for ravishing their crops.  Our advocate faces penalties if he can't find an adequate defense.

What follows is what they refer to in TV legal dramas as "winning on a technicality," as de Vallenchin embraces the skewed logic that says rodents can be taken to court.  A very funny story, based on an actual case. 

Paying the Ferryman, by E.J. Wagner

 

"Paying the Ferryman," by E.J. Wagner, in Jewish Noir II, edited by Kenneth Wishnia and Chantelle Aimee Osman, PM Press, 2022.

I have said before that my favorite short stories tend to have at least one of these characteristics: great characters, a twist ending, a great concept, or heightened language.

By heightened language I mean that the words do more than get you from the title to the last page.  In effect, they express a world view. This could be  style as flat as Hemingway or as Baroque as Faulkner.

Which brings us to the opening of Wagner's story.

He tells Judith that he loves her. 

They face each other across the butcher'-block counter, the one made fifteen years ago in the first months of their marriage.  She slices sweet peppers for their dinner -- the peppers are bright green, red, and yellow, and she loves the look of them as she slides them into a big white bowl...

He tells her that he truly loves her, and has since they met, but that he -- and here he smiles sadly -- he has fallen deeply, desperately, passionately in live with Hadassah Sharon, the Israeli graduate student he is mentoring, and that he simply can't control his feelings because they're overwhelming.  It is bashert -- predestined.

I skipped a few paragraphs but this gives you some idea of what Wagner is doing.  The rich detail.  The oblivious egotism of the husband.  

Imagine if this story in the more customary style: past tense, with the husband's words in quotation marks.  Some of the magic vanishes.  The story becomes ordinary.

The rest of the story tells how Judith responds to hubby's announcement.  It is a neat tale, neatly told. 

You may wonder why a story in Jewish Noir II has a title referring to Greek mythology.  Well, there are at least two links, as you will see if you read it.  And I hope you do.

 

Do-Ye0n Performs a Cost-Benefit Analysis, by Mark Niemann-Ross

"Do-Ye0n Performs a Cost-Benefit Analysis on a Career Based on Questionable Activities," by Mark Niemann-Ross, in Crooked 2,  edited by Jessie Kwak, Bad Intentions Press, 2022.

Oddly enough, this is the second story I reviewed this month which qualifies as science fiction.  Both are set in the near future and involve a society in which one's access to resources is strictly regimented by one's activities.  

In Thielman's story your ability to progress depends on your perceived good citizenship. In Niemann-Ross's world it depends on what job you can get.

And Do-Ye0n is stuck at Level One because of a screw-up he made at his last position.  His automated job coach tells him he can get a job in "corporate network penetrative testing," which is to say ransomware.  

It is highly lucrative, and legal.  Well, sort of legal.  Unless some agency, or some other entity decides it would be better to make it temporarily illegal...

Robert Heinlein wrote a novella called "If This Goes On--" and that is one of my favorite types of science fiction: the one that extrapolates from what the author sees as a growing trend in our society.  Niemann-Ross has written an interesting example.

The Relentless Flow of the Amazon, by Jonathan Stone

"The Relentless Flow of the Amazon," by Jonathan Stone, in Mystery Writers of America Presents: Crime Hits Home,  edited by S.J. Rozan, Hanover Square Press, 2022.

I have said before that sometimes a story begins so strongly, with fine writing and a clever concept, that by the end of the first page I am rooting for the writer: Don't screw this up.  We have an example of that today.

It is the beginning of the great lockdown, "the time of boxes.  Everything delivered." Annie and Tom,  new to their suburban neighborhood, are getting tons of boxes which they leave in their garage to give the virus time to wander off.

One day they get an Amazon box they are not expecting.  It contains two plastic but clearly real guns.  How the hell did that get delivered?  Why?  Should Annie and Tom tell the cops, trying to explain what happened?  And who wants cops wandering around their house, breathing their bugs on them?

Maybe they can just put the guns away and forget about them. Besides, as Tom points out, it's not like there's any ammunition.

I bet you can guess what arrives in the next load of packages.

Things get wilder and I won't give anything away.  I had a ball.

The Cost of Something Priceless, by Elizabeth Zelvin

"The Cost of Something Priceless," by Elizabeth Zelvin, in Jewish Noir II, edited by Kenneth Wishnia and Chantelle Aimee Osman, PM Press, 2022.

This is the second appearance here by my fellow SleuthSayer. Zelvin has written other novels and stories about the Mendozas, a fictional family of Sephardic Jews, some of whom sailed with Columbus. 

 And this tale combines two generations widely divided by time.  The story begins as a letter from a modern Mendoza bequeathing to her granddaughter the family's most precious treasures: a necklace and the documents proving it belongs to them.  But there is a lot more to her history than that.

Intertwined with this tale is the third-person story of how Rachel Mendoza really acquired the necklace half a millennium ago.  Let's say that both women found their way through considerable difficulties.

My favorite part of the story is Grandma trying to explain life in the 1950s to her grandchild, and especially what it meant for her to marry a WASP.

People say so glibly that two people come from different worlds.  Everyone said it about Foster and me.  I laughed it off.  I had no idea what it meant.  Take "going to Princeton."  When a Jewish boy went to New York went to Princeton, it meant he was exceptionally smart.  He'd competed successfully in academics, athletics, and an array of showy "extracurricular activities," to make the extremely small quota of New York Jews the university was prepared to tolerate.  When Foster Gale Bentbridge IV went to Princeton, it means that Foster Gale Bentbridge I, II, and III had gone to Princeton. Period.

A skillful story with a powerful ending.

 

Future Tense, by Mark Thielman

"Future Tense," by Mark Thielman, in Black Cat Magazine, #57. 2022. 

This marks the eighth appearance by my fellow SleuthSayer, Mark Thielman, this time with a story set in the near future.  I assume it was inspired by this program.

Terran Korb and his pregnant wife want to move to a better apartment in a safer neighborhood.  But that requires more Citizenship Points.  The cameras of the Panopticon are constantly on watch, looking for good and bad behavior.  Pick up litter?  Good.  Fail to smile at your neighbors?  Bad. 

It doesn't seem like Korb will ever score enough points to get what he wants.  But there are rumors about brokers, people who have learned to work the system, and can set you up with the points you need.  But when you make a deal like that there is always a price to be paid...

This story is  a treat.

Banana Island, by Susan Breen

"Banana Island," by Susan Breen, in Mystery Writers of America Presents: Crime Hits Home,  edited by S.J. Rozan, Hanover Square Press, 2022.

This is the third appearance in this space by Susan Breen, and her second this year.  That's a rare thing.

Marly is a scam baiter for the IRS.  I knew there were amateurs doing this work for fun, but are there really professionals?  Cool.  Marly engages with scam artists, ideally to catch them, but at least to keep them busy so they are not robbing the gullible.

 Marly has been spending a lot of time on the phone with a Nigerian who she believes is a con artist, but she can't quite convince him to ask for money.  In fact, he seems a bit of a charmer.  To raise the stakes she tells him about the situation her family is facing: Most of the members live in Long Island City, where homes are shooting up in value. A realtor just made a blind offer of two million dollars for Marly's house.  Her Nigerian pal urges her to take it, of course.

But the family turns out to have bigger problems than the real estate boom.  And as things get more dangerous Marly has a harder time figuring who the good guys are.  I very much enjoyed this twisty tale.

The Golden Coffin, by Emory Holmes II

 

"The Golden Coffin," by Emory Holmes II, in South Central Noir, edited by Gary Phillips, Akashic Press, 2022.

The publisher sent me a free copy of this book.

I occasionally lament the lack of historical mysteries in Akashic's Noir Cities series.  This is a good one.

It's 1935.  Prometheus Drummond, a young teenager, has hopped freight trains from his collapsed home in hopes of living with his Uncle Balthazar, the manager of a high-class Negro hotel in Los Angeles.  His uncle gives him the post of factotum. "That mean, every damn thing I say is a fact.  And if I point to a heap of satchels yonder but the elevator, I expects you to hop up and tote 'em where they needs to go.  Fact-tote-um -- get me?"

Dialog is one of the strengths of the story. Another is the depth of detail Holmes gives us about life in South Central in the time.

As for crime, someone is murdering young Black women. Prometheus discovered one of the victims.  The city and the police force isn't much interested, but a smart Negro cop named Kimbrow has figured out the pattern.  Can they catch the bad guy before he kills again?

I have written enough historical mysteries to know how hard it is to avoid anachronisms but I have to say: according to the Google Ngram Viewer the phrase "media outlet" didn't arrive until decades after the time this story is set in.  But that's about the only criticism I can make of this fine tale.

 

Cold Case, by Bev Vincent

 

"Cold Case," by Bev Vincent, in Black Cat Mystery Magazine, Issue 12, 2022.

This is the second story by Vincent to make my best-of list.

I think it might have been my friend Michael Mallory who predicted that an increasing number of mysteries would be set in the pre-cell phone era, because those modern marvels make so many tropes of our field ridiculous.  (It's bad enough for the hero to enter the villain's lair without back-up, but when he can get help just by reaching into his pocket...)

Bev Vincent, on the other hand, demonstrates how you can make use of recent technology (and current events) to build a story.

Roger is a retired chemist living in Texas in the recent record-breaking cold spell.  One frosty morning he finds a dead man sitting on his porch. When the police arrive he refuses to let them into the house, due to COVID fears, which does not endear him to the shivering constabulatory.  So Roger, with plenty of time on his hands, decides to investigate.

Let's try to count the tech involved in this tale: cell phones, Google, Zoom, video doorbells, NextDoor... I may have missed some.  Not bad for a retired guy.

On top of that the story is witty. When a neighbor comes over dressed for the cold weather we get this:

"Is that really you in there?" he asked.

"I can see you," she said. "Undressing me with your eyes."

"That'd be a job," Roger said, hoping she couldn't see him blush.

The story is  a treat.

Deconstruction, by David Dean

"Deconstruction," by David Dean, in Ellery Queen Mystery Magazine, September/October 2022.

 This is the sixth appearance by my fellow SleuthSayer on this page. 

Bruce is terribly excited to get his first permanent job as an electrician for a construction company.  But problems start piling up.  His coworker/roommate is a pothead who seems to only keep his job because the boss is his uncle.  And then there is a lot of equipment from other contractors going missing.  By the way, whatever happened to the guy Bruce replaced?

From the very beginning you can guess where this story is going but you will enjoy the trip.