Stumped, by Gary Pettigrew

"Stumped," by  Gary Pettigrew, in Mystery Weekly Magazine, September 2019.

A charming historical mystery this week.  Let's read the first paragraph...

The summer of 1927 was as idyllic as ever remembered in the South of England.  Old John Ayres had decided to retire to spend more time with his family in Dorset and so the council of Lower Dunston was forced to choose a new village policeman; by popular opinion, George Mahoney was the first name suggested.  Fred Hurst nominated himself, of course, but this was quickly discarded because of the obvious reasons that nobody talked about...

And there is the gaff, the hook.  Are we going to find out "the obvious reasons" or is this just a casual element thrown in to suggest that the village knows too much about its residents?

It turns out to be the former. 

The new copper is found dead two days later and Fred Hurst, obvious reasons and all, finds himself a rookie officer struggling with a murder.  He isn't getting a lot of help from the higher-ups who, when he asks for immediate help, respond "basically, that Mr. Mahoney would not be any deader tomorrow."

And he gets no respect from his fellow villagers, who are at least willing to tell him what he's doing wrong. 

Will Fred solve the crime?  And if he does, considering those annoying "reasons," will he even remember the solution?

The Dead Man in the Pearl Gray Hat,by Bruce W. Most

"The Dead Man in the Pearl Gray Hat," by Bruce W. Most, in Mystery Weekly Magazine, August 2019.

Lillian de la Torre was the pioneer, as far as I know. In the 1940s she started writing stories about "Samuel Johnson, detector."  This was the earliest example I am aware of of mystery writers using real people as their protagonists.  Nowadays you can find everyone from Eleanor Roosevelt to Barack Obama starring in crime novels.

In this case the main character is Weegee the Famous, who was indeed a famous photographer, specializing in street scenes of New York City.

Unlike de la Torre's Johnson, Weegee is not shown as a detective here.  His connection to crime is photographing it, and in the era of Murder, Inc., there is plenty of death to document.  In fact, that is the problem he faces in the story.  Jaded reader are getting tired of his photos of countless thugs and gangsters shot to death.  Editors have stopped buying?  What to do?

Weegee finds a solution.  It is perfectly legal, and as near as I can surmise, it doesn't even violate journalistic canons (unlike his habit of rearranging props at the murder scene to make a more interesting shot).  But boy, it does seem unethical in the extreme.

I have no idea whether Most is describing something that actually happened to Weegee or making it up.  But it's an interesting story that makes you think.   

Niall Nelson is on my Flight, by Jim Fusilli

"Niall Nelson is on my Flight," by Jim Fusilli, in Alfred Hitchcock Mystery Magazine, September/October 2019.

This is the second appearance here by Jim Fusilli.

Betty's point: You don't send money back.  You don't negotiate out of insecurity.  You push hard.  You demand.
My question: Do they really want me?

Paul has written a treatment for a movie based on the life of musician Nick Drake and now he is flying to France to talk to a studio interested in  making the flick.  He is afraid he is not good enough.  His much-younger wife Betty clearly thinks he is not ambitious enough.  (He suspects she only stays married to him to provide a father figure for her son.)  And it turns out a famous A-list actor is on their flight, someone Betty thinks he should find a way to talk to...

That's all I will tell you about the plot.  There are two things that made this story stand out for me.

One is Fusilli's use of real people and institutions.  I think most writers would have had their fictional characters fly on Paris Airlines to talk to executives at Seine Studio, but he just flat out says Air France and Canal+.  And Nick Drake too, was a real-life person.  Niall Nelson, of course, is not real, but you don't have to be an addict of Hollywood gossip shows to guess what sixty-ish Irish action star Fusilli is invoking.

The second element is a very blunt form of foreshadowing.  Early twentieth-century crime writer Mary Roberts Rinehard is credited/blamed with being the queen of the "Had I But Known" school of writing, in which suspense is created by lamenting bad decisions.

Fusilli doesn't do the lamenting but he simply warns us that bad things are about to happen.  It was one of those men, I later learned, who set out to harm us.  That's the first of several notes.

I feel like it shouldn't work but it certainly does.  Good story.

The Surrogate Initiative, by Brian Cox

"The Surrogate Initiative," by Brian Cox, in Alfred Hitchcock's Mystery Magazine, September/October 2019.

One of the many things I like about AHMM is that they are willing to push genre boundaries.  They occasionally publish a western, science fiction, or even fantasy story if it has a strong crime element.

Take this tale as an example.  It tells of the first criminal case decided by a jury of AI surrogates.  Nobody wants to be called to jury duty so computer programs are developed with the personalities of potential jurors.  Unlike their real life counterparts they never get sick, or bored, they automatically understand all the technical jargon of expert witnesses and their biases can be tuned by the judge. 

Could it ever happen?  Probably not.  But it's fascinating to think about it, and Cox's story provides several twists along the way to what might be justice.

Do Not Disturb, by Steve Hockensmith

"Do Not Disturb," by Steve Hockensmith, in Ellery Queen Mystery Magazine, July/August 2019.

This is the fourth appearance in this column by my friend and fellow SleuthSayer Steve Hockensmith.  And it's a very different story from him. I expect shorter,usually comic pieces but this is a straight-forward novella. And while he often writes about the old west this is, I think, the first time I have read him delving into the 1940s.

In fact it is 1940 in New York.  Colleen Flynn, a former cop, is an assistant hotel detective at the Grand American, a second-string house.  "The guys from Ford and Metro-Goldwyn-Mayer and General Foods stayed elsewhere.  The Grand American got Studebaker and Republic Pictures and Dr. Ross's Dog and Cat Food."

And the hotel also got a death.  Longtime guest Laurence Kaufman hung himself in the shower.  Except one of the maids, a Polish refugee, informs Colleen that he was probably murdered.  Colleen investigates although her boss points out that her boss points out that bringing bad guys to justice is no longer her job.

Actually, the boss is one of the pleasant surprises in this story, since he goes quite against type.

I wonder if this is to be part of a series because we are definitely left wondering about our heroine.  What's her backstory?  Why did she leave the force?

Ah, so many mysteries.

Get a Life, by Judith Janeway

"Get a Life," by Judith Janeway, in Fault Lines: Stories by Northern California Crime Writers, edited by Margaret Lucke, 2019.

This is a books of stories by members of the Northern California chapter of Sisters in Crime.

Our narrator is an identity thief and she cheerfully explains all the tricks of her trade.  She's verygood at it but she gets a little too obsessed with her latest conquest, if I may use that term.  She not only steals Nadine Gale's credit cards and steals her money, but she starts dressing like her.  Even though, she insists, it's nothing personal.

Nadine, the original Nadine, oddly enough, gets quite grumpy about all this.  She even tracks her copy down but is unable to get any restitution.  But she doesn't quit easily.

Watch out, Nadine.  Nadine is on your trail.  I didn't see what was coming in this twisty tale.

Black Cow, by Linda Joffe Hull

"Black Cow," by Linda Joffe Hull, in Die Behind the Wheel, edited by Brian Thornton, Down and Out Books, 2019.

All the stories in this book are inspired by Steely Dan songs.  I must confess I am not a huge fan of the band, having their greatest hits album and no more.  Had never heard "Black Cow" as far as I know.  But the story is good.

In French black is noir, and this story certainly qualifies.  To review: in essence noir is the American Dream curdled and spoiled.  A person of no importance tries to Make Something of Himself (could be a herself, but it usually isn't), but his plan is inherently flawed, since it involves robbing a bank, or killing his girlfriend's husband, or...  Bad things happen.

So, this story is classic noir.  It is also in second person singular, which I find annoying.  As I have said before, first versus third is a choice.  Second is always a gimmick.  But it didn't bother me this time.

Our protagonist, "You," meets Debra in a bar.  She is an attractive woman, and very upset because she just discovered her husband Kenny is cheating on her.

You should be asking yourself why you're willing to exploit a woman in such a fragile state, but instead find yourself wondering how Cheatin' Kenny makes bank.

So, You are in the market for a little adulterous fun and it turns out Debra is too.  It would be wise if You left it at that but noir doesn't work like that.  Instead You become obsessed and arrange to meet Debra again. And again...

If you have read much noir you can already list a few ways this story can turn out.  If any of the classic angles  had been used this story would probably not be my pick of the week.  Hull has found a new and original hole to drop her protagonist into and I liked it a lot.