Black Friday, by Steve Brewer

"Black Friday," by Steve Brewer, in Beast Without A Name, edited by Brian Thornton, Down and Out Books, 2019.

On the day of the latest stock market crash, twenty-two people plunged to their deaths from New York City skyscrapers.  One of them was pushed.

That's a nice opening, don'tcha think?

Alan Webster, our narrator, was part of a gang that robbed a casino.  Everything went perfect except the casino turned out to be owned by the mob and the mob doesn't collect their insurance and shrug it off when that sort of thing happens.

So they all went into hiding.  Alan is in Australia when he hears that Fred supposedly jumped out a window.  He doesn't believe it so he decides to be proactive, so to speak, by heading back to New York and convincing the mob that he is too much trouble to kill.

There is, it seems to me, a significant plot hole in the story (how did X find out about Y?) but it didn't keep me from enjoying it. 

Hard Return, by Art Taylor

"Hard Return," by Art Taylor, in Crime Travel, edited by Barb Goffman, Wildside Press, 2019.

This is the second appearance by my fellow SleuthSayer Art Taylor on this page.

All the stories in this book involve crime and time travel, as you can probably guess from the title.  If you are going to write about time travel the first thing you may need to decide is the method involved: science or some form of magic?  Of course, you don't need to go into detail; when he was trying to sell Star Trek Gene Roddenberry pointed out that a starship captain doesn't need to explain his vehicle's propulsion system anymore than the star of a Western needs to describe the anatomy of a horse.  But it's nice if you indicate whether your hero has built a machine, or has supernatural powers, or is simply in the right (?) place at the right (ahem) time.

In Taylor's story the transportation system is a deep psychological truth.  In fact, I think the whole story is a metaphor for certain human interactions.  But hey, no spoilers.

The man and the woman had reached that stage where their relationship would either turn more serious or slowly begin to dissolve.  The seriousness wasn't about sex, a threshold they'd already crossed, but a step into some deeper, more emotional intimacy.

That's how our story begins.  Nice style, isn't it?  We never find out the names of the characters, because those don't matter.

What does matter is that the man asks his lover to tell him something special about herself.  And she does, about something that hurt her badly, a long time ago...

This fine story gives you a lot to think about.


 

See Humble and Die, by RIchard Helms

"See Humble and Die," by Richard Helms, in The Eyes of Texas, edited by Michael Bracken, Down and Out Books, 2019.

Helms is making his fourth appearance on this page, with a pretty straight-forward private eye story.

Huck Spence retired after thirty-some years in the Texas Rangers, got bored, and applied for a PI license.  Most of his work turned out to be serving subpoenas.  Usually not a very challenging gig.

One day he goes to Humble, not far from Houston,  to serve a guy named Ralph Oakley who skipped out on jury duty on the very day that "the district judge's diverticulitis was flaring up.  Judge was in the mood to knock broomsticks up some asses."

Our hero tracks luckless Ralph down and then somebody gets murdered and Huck's Ranger instincts take over.  He wants to know whodunit and whether he was partly responsible.

A neatly plotted little tale.

Chasing the Straight, by Trey R. Barker

"Chasing the Straight," by Trey R. Barker, in The Eyes of Texas, edited by Michael Bracken, Down and Out Books, 2019.

It is fashionable today for private eyes (and a lot of other protagonists) to have personal problems that affect their cases.  Derrick Kruse has them, in spades.  And that last part was an unintentional pun, as you shall see.

Kruse appears to be autistic and has OCD, which manifests as an obsession ith numbers.  He is bad at poker because he is so desperate for straights, five numbers in a row.  No doubt contributing to his problems is the fact that his father was an abusive monster who, naturally, picked on the kid who was different.

When Kruse spots a burglar in the middle of the night he encounters a woman with an abusive husband who has made off with her daughter, his stepchild.  Naturally, this is not a case he can leave in the hands of the cops. 

There are some unexpected twists an turns in this one.

Click, by Dana Haynes

"Click," by Dana Haynes, in Denim, Diamonds, and Death, edited by Rick Ollerman, Down and Out Books, 2019.

Here's a pro tip for all you professional criminals out there: When an old buddy tells you that a crime is so easy that "This thing steals itself," you probably want to get the hell out of there.

But our narrator, Rush, is visiting an old friend who is dying of emphysema, and he permits Jack to tell him about a crime he planned but doesn't have the time/strength to commit.

The crime may be easy but it isn't simple.  It involves stealing the retirement plan of a Mafiosi after he turns it over to a crooked FBI agent in return for a get-out-of-prison free card.  And to do that Rush will have to con another mobster, kill a bodyguard, and sweet-talk somebody's ex-girlfriend.  Easy, no?

Anyone who reads this kind of stuff is already saying: No.

You will enjoy the twists and turns.
 

Blue Skies, by Keith Snyder

"Blue Skies," by Keith Snyder, in Black Cat Mystery Magazine #5, 2019.

Tom Krol put out an ad for some land-moving equipment he wants to sell.  He also advertised for someone to kill his wife.  The man who shows up at his doorstep is interested in both ads, which is a bit disturbing since no one was supposed to be able to tie him to the second one.

But the gentleman in the red shirt is not your standard customer. Or hit man.  He wants to explain to Krol why hiring an assassin is a bad idea and he has a better plan to recommend.  At some points it's hard to tell whether he's offering the deal of a lifetime, or threatening the other guy's life.  Maybe a little of both...

There are many layers in this cheerfully convoluted story.  I detect a few holes in the plot as well, but they didn't keep me from enjoying it.

Sad Onions, by Joe R. Lansdale

"Sad Onions," by Joe R. Lansdale, in Odd Partners, edited by Anne Perry, Random House, 2019.


This is the second time Lansdale has appeared on this page.  I have read a number of his short stories, and watched the Hap and Leonard TV series, but this is my first encounter with the two gentlemen in print.  It did not disappoint.

Our east Texas heroes have been fishing and on the way home they almost run over a woman who runs out in the street to wave them down.  There has been a car crash and her husband is dead.

A very sad accident.  But is it accidental?

I said, "something about this whole thing stinks."
"Did you shower this morning?" Leonard said. 

Snotty guys.  But they are right in spotting flaws in the supposed car crash.  The more they look the more holes they find in the story.  And the more holes they find, the deeper is the one they find themselves in... 

The Kindly Dark, by J.B. Toner

"The Kindly Dark," by J.B. Toner, in A Murder of Crows, edited by Sandra Murphy, Darkhouse Books, 2019.

Each story in this book features a term of venery, which is the fancy word for a collective noun for animals.  I guess that makes this the title story.

In ten years of reviewing stories have I ever chosen one with an animal narrator?  Probably, but I don't remember doing so.

Let's begin at the beginning, shall we?

No bleakness is complete without a crow.  A ruined church, a barren moor, a graveyard by a grey and empty sea; without the brooding shadow of a solitary rook, their desolation lacks its full potential.

Okay, Mr. Toner, you have my attention.  What are you going to do with it?

He is going to introduce us to his narrator, a bird named Quick of Lurkwood Murder.  He is fast, but getting older, and his peace has been disturbed because Father McReady has installed a safety light at the door of St. Bernadette's Church, blotting out the comfortable dark of Quick's favorite resting spot.  The wire cage around the light is too strong for Quick to break.  Can he find another way to restore the darkness?


Anthropomorphism isn't for all readers, of course, but Toner's tale is rooted in two factual characteristics of crows, among the cleverest of birds: their ability to recognize those who have done them good or ill, and their willingness to mob a raptor.
 
I debated whether to review this story, not because of the birdy narrator, but because of its questionable crime content.  The only crime is a case of avian vandalism.  But hey, it's in a book of crime stories and it's a beautiful tale, so that's good enough for me.

When I reread a story immediately it is usually because of a trick ending.  In this case I reread it simply because the writing was such a delight. 

Here is Glint, leader of the Murder, preparing for the caper:

"Knock!"

"Here, sir."  Knock was as big as a raven, our strongest fighter. An old scar marked his breast, and his left wing was white as bone.

"Will the raptors fly on such a day as this?"

A wry note entered Knock's voice.  "Only the boldest and the dumbest."

"Perfect.  Ready your team."

The Underground Man, by John Lantigua

"The Underground Man," by John Lantigua, in Ellery Queen Mystery magazine, November. December 2019.

This is the second time I have selected a story by John Lantigua.  Like the first it is about Miami private eye Willie Cuesta.

In this story a lawyer friend asks WIllie to help a client who is an expert on tunneling.  He helped break political prisoners out of incarceration in Uruguay but for the last twenty years he has been doing legit construction work in the U.S. 

Alas, someone blabbed about his past to the wrong people and now some some professional jewel thieves insist he help them tunnel into a jewelry store.  He doesn't want to do it, and even if he did, he thinks they will leave him underground permanently, so to speak.

Turn them in?  Not so easy.  Because the tunneler is in the country illegally.  Quite a dilemma.

Willie comes up with a  stratagem which turns, oddly enough, on the professionalism of the bad guys.  A clever story.

Thanksgiving Eve, by Mark Thielman

"Thanksgiving Eve," by Mark Thielman, in Alfred Hitchcock Mystery Magazine, November/December 2019.

This the fourth appearance in my space by Mark Thielman. It is very silly.  Not that that is a bad thing.

Our hero -- well, narrator, anyway -- is about to celebrate Thanksgiving in the bosom of his family.  That's a bit of luck because he is on probation "for that unfortunate  incident where Mr. Thompson's car accidentally ended up in my possession."  Apparently that sort of thing happens to him a lot.

He decides he needs to buy some weed to make it through "life's vagaries.  They didn't teach me what a vagary was, but I think it's bad."

Which might not be a problem except that his sister Eve unexpectedly shows up for the dinner with her boyfriend Bill.  And Bill is an agent for the Drug Enforcement Agency.  Suddenly that bag of weed is very much on our guy's mind.

Funny stuff.