The Blue Carbuncle, by Terence Faherty

"The Blue Carbuncle," by Terence Faherty, in Ellery Queen's Mystery Magazine, February 2016.

This is the sixth appearance in this space by my former fellow-SleuthSayer, Terence Faherty.  That puts him ahead of all the other writers in the universe.  No doubt he is thrilled.

And this is the third winner in this bizarre series.  You see, Faherty claims to have found Dr John Watson's notebooks, containing the original drafts of the Sherlock Holmes stories, explaining what really  happened.  And they are pretty hilarious.

You may remember that in Doyle's version someone has stolen the precious jewel of the title from the Countess of Morcar.  A plumber is arrested but then Peters, a hotel commissionaire, gets involved in a street fight and ends up with a goose which, turns out to contain the precious bauble.  Now let's look at a passage from Faherty's tale:

    "Until now," Holmes added as he tossed the paper aside.  "The question before us is how the stone got out of the jewelry case and into the goose."
     "Excuse me for saying so," Peters interrupted, "but who gives a tinker's tintype?  We don't need to explain how it got in the goose to collect the reward."
    "What was I thinking?" Holmes said.  "Right you are.  Case closed.  Drinks all around."

Which might have been an amusing place to end the story, but Faherty has other, uh, geese to roast.  In fact he is about to skewer one of the great mystery tales of all time, and it is not by Doyle.  I will stop right here except to say the whole piece is very funny and clever. 

The Devil You Know, by Jas. R. Petrin

"The Devil You Know," by Jas. R. Petrin, in Alfred Hitchcock's Mystery Magazine, March 2016.

This is Petrin's third appearance in this blog.

Reading a new adventure of a favorite character fells like meeting up with an old friend.  But some friends are definitely better in fiction than in real life.

Which leads us to Leo "Skig" Skorzeny, a tough-as-nails loan shark in Halifax, Canada.  Skig is too old to be doing this stuff, and he has an "imp" in his guts he expects will kill him, if someone else doesn't do it first.

Among his enemies are the Halifax police who have "found" a block of cocaine in his ancient smelly Crown Vic - in an earlier story it spent a few hours in the harbor - and they offer him a deal: they won't press charges if he helps them find a truckload of old furniture that was stolen while being shifted from police headquarters.

Skig has good reason not to trust the cops.  As his friend Creeper says about the sergeant running the operation: "When she says win-win, she really means a double win for them.  Nothng for you."

But Skig figures out that what they are really after is not the old desks and tables but some filing cabinets that were in the truck.  And if he can find them - and determine which file they are desperate for - he might get out of the mess with a whole skin.

As usual, a good story from Petrin.


 

To Kill a Rocking Horse, by James Powell

"To Kill a Rocking Horse," by James Powell, in Ellery Queen's Mystery Magazine, January 2016.

I have said it before.  My friend James Powell (who makes his fifth appearance in this column today) has more imagination that any three authors should be permitted to possess.   This is particularly obvious in his annual Christmas stories in which ideas go flying across the page like bullets from a machine gun.

Exhibit A is this tale about Canadian private eye Gladstone Tydings (ponder that name for a moment), who gets visited by Santa Claus.  The fat man needs help because his elves have gone on strike.  They feel that someone is trying to destroy all the rocking horses they created in honor of the now extinct species of ski-footed ponies that helped the elves survive when they first came to the Americas.  (Why did the elves wind up at the North Pole?  They were the last to cross the Bering Sea land bridge, because they had the shortest legs, of course).

I won't give away much more except to tell you about two groups who appear in the story: militant women who attack phony santas and are known as the Slay Belles,  and the North Pole's crack paramilitary unit, the Christmas Seals.  And then there is the rule about camp followers with a heart of gold, and --  Somebody stop me!

Read the story.  You'll love it.

Inquiry and Assistance, by Terrie Farley Moran

"Inquiry and Assistance," by Terrie Farley Moran, in Alfred Hitchcock's Mystery Magazine, January-February 2016.

We start reviewing 2016  with a nice story in the P.I. vein by my friend Terrie Farley Moran.

New York City, the Great Depression.  Tommy Flood, unemployed bookkeeper is looking desperately for work, and surviving through family ties.

And speaking of family, he gets an invitation from Van Helden, the wealthy man who employs his cousin Kathleen.  He has a dangerously wild daughter, and Van Helden has decided the solution is to find an attractive but tame gentleman to escort her safely to the risky sorts of establishments she enjoys.

"You, Mr. Flood, are reasonably presentable and so unsuitiable that I'm sure my daughter would find you attractive."

And, of course, if anything goes wrong, cousin Kathleen will immediately join the ranks of the desperate unemployed.

Tommy meets the daughter by pretending to be a private eye.  And guess what?  Turns out he's good at it.  The story has a couple of minor plot holes, but I enjoyed it very much.

Little Big News: Best Stories of the Year

At SleuthSayers today I list the best short mysteries of 2015, as decided by me.  Well, somebody's got to do it. 

'Twas The Night Before, by Todd Robinson

"'Twas The Night Before," by Todd Robinson, in Thuglit presents: CRUEL YULE, 2015.

The best story in this collection of holiday tales from Thuglit Magazine was penned by the editor himself, alias Big Daddy Thug.

Boo and Junior are lifelong buddies, stuck holding down the fort in an empty Boston bar on Christmas Eve.  They are both orphans, no one to get festive with.  Noel makes  Boo  miserable and Junior happy, which makes Boo feel even worse.  (Oh, and one thing to get straight: Boo calls Junior his "heterosexual life partner," but they are both male (unless I am reading the story wrong).  So either Robinson or Boo really means platonic life partners.)

Back to the story.  Into the joint wanders a semi-regular customer name Darla and a man she has apparently just met at another bar where she works.

Boo says: "I didn't like him immediately.  He had that cocky Ivy League swagger, chin held at an arrogant angle.  His overcoat looked extremely soft and extremely expensive.  But maybe I was just feeling jealous of somebody with a beautiful woman on his arm on the worst night of my year...."

Turns out Boo's instincts are on target.  Caleb, for such is the jerk's name, attempts to give Darla a date rape drug.  Our heroes spot the scheme and things get complicated.  And messy.  And funny.

"So...do you guys have a  plan?"
"For what?" Junior asked.
"To get him back into his room past the front desk."
 "Improvise?" I said.
"That sounded like a question," Darla said.
I thought for a second.  "Yes.  Yes it did."
From the floor of the backseat erupted a terrified, "FLUMMWRAAAA!"

And happy holidays to all you thugs out there..

The Bastard, by Tarek Abi Samra

"The Bastard," by Tarek Abi Samra, in Beirut Noir, edited by Iman Humaydan, Akashic Press, 2015.

They were born on the same night, of the same father but different mothers.

A nice opening sentence, that, with a lovely fairy tale feel.  Samra keeps this up in his story, set in contemporary times, partly by leaving all the characters nameless.  And then there is the plot, which has a timeless feel.

You see, the half-brothers were born in the same hospital, and there was some confusion, so no one is sure which brother is which.  The father makes an arbitrary choice,  setting their destinies forever in place.

The two boys grow up next door to each other.  The so-called bastard envies his brother his legitimacy and wealth.  The heir envies the other one his freedom, a loving mother (his own died in childbirth), and his strength and confidence.

Clearly their fates are tangled up and the story tells us the stories of their lives, with an appropriately noirish ending.

Neck and Neck, by Andrea Camilleri

"Neck and Neck," by Andrea Camilleri, in The Strand Magazine," October 2015-January 2016.

Montalbano,  Camilleri's series character, is appointed Chief Inspector in a village in Sicily, and discovers that a Mafia family feud is well under way.  A member of the Cuffaros is snuffed out with an old-fashioned shotgun, and then one of the Sinagras dies the same way.

Our hero digs deeper as the bodies pile up but no one is talking.  "No wonder Ulysses, right here in Sicily, told the Cyclops his name was Nobody!"

But then something highly irregular happens.  Two members of the same family are killed in a row.  How unseemly!  And Montalbano spots a way into the maze.

Very clever story.  And the fact that one of the characters is named Lopresti did not influence me, I assure you.

Good Neighbors, by Gary Earl Ross

"Good Neighbors," by Gary Earl Ross, in Buffalo Noir, edited by Ed Park and Brigid Hughes, Akashic Press, 2015.

By the time the Washingtons moved into the house two doors away late last summer, Loukas and Athena Demopoulos had lived next to Helen Schildkraut for nearly five years.

Dang, that is a good opening sentence.  Clear, a bit complex, and instantly predicting the conflict that is to come.

Lou and Athena have retired after running their Greek restaurant for decades.  Lou's hobby is antiques.  He doesn't collect them, he just wants to buy low and sell high.  But then he discovers that his elderly neighbor Helen has a house full of them.  And Helen has no relatives, no favorite charities, no one to leave her precious belongings to. So Lou and Athena set out to become really good neighbors and wait for Helen to pass away.

But then the Washingtons -- remember them?  They appear in that crucial first sentence and then disappear for most of the story -- move in on the other side, and they are good neighbors too.

This is one of those rare stories I reread as soon as I finished it, because there was so much in it I wanted to see what I had missed.

The Bubble Man of Allentown, by Dimitri Anastasopoulos

"The Bubble Man of Allentown," by Dimitri Anastasopoulos, in Buffalo Noir, edited by Ed Park and Brigid Hughes, Akashic Press, 2015.

I'm not a big fan of experimental or even mainstream literary fiction (sometimes defined as "stories with the last page missing.")  So this story had to be extra good to top my weekly list.

I'm going to tell you about some of the characters and you are going to think it's a funny story.  It isn't.  The key word is actually creepy.  Not horror, but it will get under your skin.

Okay, characters.  Tippett is a sixty-year-old cop, on suspension because of his fascination with contaminating crime scenes with chalk outlines.  He considers it a form of artistic expression.  And then there's the Bubble Man, who sits in his fourth floor apartment all day blowing large bubbles down into the street below.  And a middle-aged woman named Lora Gastineau who left her house in a slip and sneakers and never returned.

Tippett is called back to work when a fresh corpse is found and he rushes to prove himself and then -- well, weird things happen.

The artist had tinkered with the body's appearance after the person had died, Tippett guessed -- a new-age sketch artist, judging by the aura of the total work on the ground.  it betrayed the artist's faith in symmetry and harmony, in the reconstruction of the whole figure.  Techniques popularized in the early 1980s, Tippett thought...

A wild ride.