"Penalty for Early Withdrawal," by Michael Bracken, in Alfred Hitchcock's Mystery Magazine, July/August 2025
This is the eleventh appearance in this column by my friend and fellow SleuthSayer.
I have said before: Noir is the American Dream in a funhouse mirror. An unimportant person tries to Make It Big, but they do it through crime. Things generally don't end well. (The Great Gatsby is absolutely noir.)
It's 1957 and Jolene Carver is one of the thousands of young women who go to Hollywood to Make It Big in the movies. When the story opens she is in a bank to close her account which will allow her to cover the rent for another week. "Then she would have to decide if she would entertain men for money the way her friend Martha did or use the two-shot derringer in her purse to put an end to her dreams."
But fate throws another option into the mix when a man named Buck -- yet another would-be actor -- robs the bank. Jolene finds a different use for her little purse gun.
I won't tell you the rest of the journey except to say our protagonist thinks fast and decisively. But that doesn't mean your decisions are always wise and not every movie has a happy ending.
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