This Night in Question, by Tod Goldberg

"This Night in Question," by Tod Goldberg,in Witnesses for the Dead, edited by Gary Phillips and Gar Anthony Haywood, Soho Press, 2022. 

This is Goldberg's third appearance in this column.

Cecil, the narrator, is a third generation mobster in California.  The police show him a video of his daughter being beaten by an ex-lover, who then takes her and her own daughter away.  

Cecil assumes his child is dead.  The police are searching for the culprit and the child but Cecil has his own investigation to conduct, and it's not limited by any rulebook.  

This is a grim story but it is believable and well-written.

Spiders and Fly, by Gary Phillips

 

"Spiders and Fly," by Gary Phillips, in Witnesses for the Dead, edited by Gary Phillips and Gar Anthony Haywood, Soho Press, 2022. 

This is the second time Phillips has appeared on this site.

A nice suspense story, told in an interesting manner.  We start in media res, to get all fancy, with Cresston running for his life.  Then we see how he got into that mess.  And then what led to that.  After that we return to his desperate chase.

Seems Cresston saw something nobody was supposed to see.  A murder.  And worse, the killers were cops.  Better keep running, pal.

He winds up with a surprising (and surprisingly resourceful) ally.  And then the story takes a turn I never expected.

 

Street Versus the Stalker, by Pam Barnsley

 

"Street Versus the Stalker," by Pam Barnsley, in Ellery Queen's Mystery Magazine, November/December 2022.

A modest little story that gets most things right.

Gina is an inner-city teacher and a genuinely nice person, the kind who makes friends easily with people you and I might cross the street to avoid.

When some of these folks notice a van following her in a suspicious manner they react, much like antibodies to an infection.  But they are busy and not the best organized crowd, so it is not certain whether the good guys will win...

Nice writing, too. Here is a description of the woman who runs a produce store:

Ava rattled off the math for the oranges under her breath, offered a discount, entered the amount in the cash register, loaded oranges into Gina's cloth bag, nudged a box of apples back into place with her hip, held the portable credit-card machine for Gina to swipe, scratched her shin with her running shoe, and tilted her head to watch the street.

No wonder her grandson says she has ADHD.

I enjoyed this tale a lot.

More Than Suspicion, by Joseph S. Walker

"More Than Suspicion," by Joseph S. Walker, in A Hint of Hitchcock, edited by Cameron Trost, Black Beacon Books, 2022.

First of all: great cover.

This is the  sixth story I have reviewed by Walker, and the second this year. 

The place is a small town in Colorado.  The time is just after Pearl Harbor.

Hannah is the projectionist in the town's movie theatre.  She is also the de facto manager since her boss ran off and enlisted.

Supply chain issues leave her running Hitchcock's classic movie Suspicion over and over.  You would not expect it to maintain much of an audience, but one newcomer returns to view it almost every night.  

Darlene's obsession is based on her dislike of the film's ending, in which the husband turns out to be innocent and the wife merely imaging the danger she is in.  "The end is the only part that's a lie.  A pretty lie, but still.  He kills her.  Of course he kills her."

Clearly Darlene has a secret.  It turns out Hannah has one as well - beautifully foreshadowed - and it is one she would love to reveal to Darlene, if she could gather the nerve.  

You won't be surprised that Darlene's past comes calling and the two women have to work together if they want to survive into the future.  A terrific story.

The Other French Detective, by O'Neil De Noux

 "The Other French Detective," by O'Neil De Noux, in Alfred Hitchcock's Mystery Magazine, November/ December 2022.

My friend and fellow Sleuthsayer, O'Neil De Noux, has series characters at work in different periods of New Orleans history.  Sometimes they will investigate crimes in the same building, a century apart.

In this clever story it is 1877 and police detective Jacques Dugas is in demand because he is one of the few officers in the mostly-Irish force who speaks French.  Galjour, a police inspector from Paris, has just arrived.  He speaks no English but he is seeking a French prostitute who killed the wife of a government official and is believed to have escaped to Louisiana.

Dugas helps the French cop search the city's brothels but things get more complicated the next day when another Frenchman arrives, also claiming to be Inspector Galjour.  Of course, this is long before the days of photo I.D.s and instant indetity checks via the Internet.  And then it turns out that the woman both men are after may be a victim rather than a killer...

A twisty story I enjoyed a lot.

A Rat Tale, by Mark Thielman

"A Rat Tale," by Mark Thielman, in Alfred Hitchcock's Mystery Magazine, November/December 2022.

 Mark Thielman, my fellow SleuthSayer, is having a good year  This is his third appearance on my list in 2022 and his ninth overall, which I believe has him tied at the top.  It is also the second story in this series to make my best-of-the-week list. 

Bernard de Vallenchin is a sixteenth century French attorney with an odd specialty.  Medieval law allowed animals to be tried for their alleged crimes.In this case the farmers of a region are demanding that rats be punished for ravishing their crops.  Our advocate faces penalties if he can't find an adequate defense.

What follows is what they refer to in TV legal dramas as "winning on a technicality," as de Vallenchin embraces the skewed logic that says rodents can be taken to court.  A very funny story, based on an actual case. 

Paying the Ferryman, by E.J. Wagner

 

"Paying the Ferryman," by E.J. Wagner, in Jewish Noir II, edited by Kenneth Wishnia and Chantelle Aimee Osman, PM Press, 2022.

I have said before that my favorite short stories tend to have at least one of these characteristics: great characters, a twist ending, a great concept, or heightened language.

By heightened language I mean that the words do more than get you from the title to the last page.  In effect, they express a world view. This could be  style as flat as Hemingway or as Baroque as Faulkner.

Which brings us to the opening of Wagner's story.

He tells Judith that he loves her. 

They face each other across the butcher'-block counter, the one made fifteen years ago in the first months of their marriage.  She slices sweet peppers for their dinner -- the peppers are bright green, red, and yellow, and she loves the look of them as she slides them into a big white bowl...

He tells her that he truly loves her, and has since they met, but that he -- and here he smiles sadly -- he has fallen deeply, desperately, passionately in live with Hadassah Sharon, the Israeli graduate student he is mentoring, and that he simply can't control his feelings because they're overwhelming.  It is bashert -- predestined.

I skipped a few paragraphs but this gives you some idea of what Wagner is doing.  The rich detail.  The oblivious egotism of the husband.  

Imagine if this story in the more customary style: past tense, with the husband's words in quotation marks.  Some of the magic vanishes.  The story becomes ordinary.

The rest of the story tells how Judith responds to hubby's announcement.  It is a neat tale, neatly told. 

You may wonder why a story in Jewish Noir II has a title referring to Greek mythology.  Well, there are at least two links, as you will see if you read it.  And I hope you do.