The Secret Sharer, by W. Edward Blain

 "The Secret Sharer," by W. Edward Blain, in Ellery Queen's Mystery Magazine, July/August 2022.

In the last two years many fiction writers, me included, have had to deal with the knotty issue of Covid.  How do you include it in a story?  You can ignore it, setting the tale in the near past  or (hopefully) near future.  You can include it in passing, with casual references to masks and vaccinations, etc.  Or you can build a story around it.  

Blain's is one of the best I have read in the last category.

Henley teaches English at a boarding school.  Because of the pandemic his students are scattered to several continents and he is teaching via zoom with all the messy issues involved in that technology.  But none of those compared to the catastrophic disaster of  the home of his favorite student exploding during a class, taking the entire family with it.   

There's more to this than meets the eye, beginning with the fact that the boy's parent's seemed to know something was wrong.  So why didn't they act?  And what was the mother's mysterious profession?  Is it possible the father was somehow involved in building the bomb?

The solution is very satisfactory - and wouldn't have worked before the lockdown.

Murder for Sale, by Hunter Liguore

 "Murder for Sale," by Hunter Liguore, in
Mystery Magazine, July 2022.

This is a one-joke story in terrible taste.  I liked it a lot.

I'm not being quite fair.  There is a second joke, at the end.  But the story runs along on its one gag most of the way, getting more and more outrageous as it goes along.

This, of course, puts the reviewer in an awkward spot.  Do I reveal the gag or leave it to the reader?  I will err on the side of caution, which doesn't leave me a lot to say.

Here's what I can tell you about the plot: Obert and Alandra have been hunting for their dream home for two years.  Now they have a new real estate agent and she urges them to hustle over because the perfect place has just come on the market.

You may already suspect what happens next.  You may be right.

But what gives this story its perverse charm is the matter-of-fact way all the characters react to the situation, as if it were the most normal thing in the world.  Is Liguore saying we are numb to certain trends in the world?  Have some situations become so desperate that we don't even recognize that the unusual has become usual?  

Or is it all just a laugh?  

Fletch Goes For a Ride, by Eric Beetner

"Fletch Goes For a Ride," by Eric Beetner, in Back Road Bobby and His Friends, edited by Colin Conway, Original Ink Press, 2022. 

This is the second appearance in this column by Eric Beetner.  

This book is a shared universe anthology.  In this case all the stories are tied together by the same event: legendary getaway driver Handbrake Hardy is dying of kidney failure in Spokane.  Each story includes one of Hardy's friends/enemies/fans reacting to his coming death.

This stories focuses on Fletcher, a man near Hardy's age, and a man in deep trouble.  He owes ten grand to a guy named Ryland and he doesn't have it.  The loan shark sends a punk named Bobby to collect or break some legs. 

But our hero has an idea.  See, this famous driver is dying on the other side of the state and he owes Fletcher money.  If Bobby will just drive him over surely Fletcher can convince the old guy to make a death bed donation.

The yarn is a lie, but it gives Fletcher several hours in the car to think of a way out.  Now it's a matter of youth and strength versus age and guile.  Good luck, Bobby!

A clever story with a very satisfactory ending.

Bad Luck Streak in Dancing School, by Brian Thornton

 "Bad Luck Streak in Dancing School," by Brian Thornton, in Lawyers, Guns, and Money: Crime Fiction Inspired by the Music of Warren Zevon, edited by Libby Cudmore and Art Taylor, Down and Out Books, 2022.

My friend and fellow SleuthSayer Brian Thornton has written something unusual and strangely familiar. 

The story takes place during prohibition in a Western mining town. The narrator is an unnamed private detective, working for an equally unnamed agency.  His boss is the Old Man.

If you are familiar with the classics of our field you already know which author is being saluted here (or, if you prefer, ripped off).  It's a good story, although I prefer the more elaborate version of this game that  Evan Lewis did a few years ago.

I suppose the moral is, if you don't give your protagonist a name it is not hard for an other author to borrow him.

Getting back to the story, our nameless hero is spending a week in a brothel, because the agency has heard that a guy they are looking for might drop by.  The target does show up, with a gun, and things get complicated.  I liked the ending a lot.

Chinook, by Thomas King

 

"Chinook," by Thomas King, in The Perfect Crime, edited by Maxim Jakubowski, Harper Collins, 2022.

"You used to be a cop," said Al. "So you know one end of the bull from the other."

"And now I'm a landscape photographer," said Thumps. "A hungry landscape photographer."

All Thumps DreadfulWater wants to do is sit in Al's cafe and eat his breakfast but the sheriff of Chinook, wants his help investigating a death.  It happens to be one of those crimes where suspects are all too plentiful.  Sonny Martell was not a nice man.

"Could be someone shot him with a silver bullet," said Duke.

"That's for werewolves," said Thumps.

The sheriff set the parking brake and opened the door.  "Or put a stake through his heart."

"That's for vampires."

Duke nodded.  "With Sonny, it would be best to cover all bases."

The dialog is excellent (when the coroner learns that Sonny is the corpse she says "Somedays I love my job") and the plot makes a convoluted sort of sense.  A lot of fun.

  

Jumping Ship, by Oyinkan Braithwaite

 

 "Jumping Ship," by Oyinkan Braithwaite, in The Perfect Crime, edited by Maxim Jakubowski, Harper Collins, 2022.

Ida is a photographer, specializing in baby pictures.  Her boyfriend wants her to take photos of his new baby.  Only catch is, it will be at his house and his wife will be there.  She doesn't know Ida is sleeping with her hubby.

What could possibly go wrong?

It's a creepy story, with Ida full of misgivings about taking a dubious request from a guy who likes to push her boundaries way too much.  And things start to wrong in very weird ways.

By the way, no harm comes to the baby. 

A Murder of Brides, by Sulari Gentill

 "A Murder of Brides," by Sulari Gentill, in The Perfect Crime, edited by Maxim Jakubowski, Harper Collins, 2022.

 We're in Australia in the 1920s.  Gus and Harriet make a precarious living as traveling photographers.  They specialize in brides and grooms, but since they only hit a town every few months they are taking pictures of recent newlyweds, not the actual nuptials.  They "advertise a pledge to deliver a wedding portrait while the couple was still in love."

Today a policeman asks them to photograph the scene of a brutal murder.  Fortunately for the cops they have a ready-made suspect, and he's even a Chinese servant.  Who will quarrel with such a simple solution?  Only the photographers see a flaw...

The special treat in this story is the guest who is traveling around with our heroes.  He's a writer and you might say he has a bit of an obsession.  His identity is not exactly a secret, but I won't spoil it for you.