Everything is Bashert, by Heywood Gould

"Everything is Bashert," by Heywood Gould, in Jewish Noir, edited by Kenneth Wishnia, PM Press, 2015.

I have a story in this book, but let's talk about Mr. Gould's.  If Yiddish writer I.B. Singer collaborated with my pal R.T. Lawton on one of the latter's Holiday Burglar stories, the latter might be something like "Everything is Bashert."  Lawton's heroes are a couple of burglars whose brilliant plans always go to sheol.  Gould's Franny and Larson are two petty lowlifes who like to spend their days at Aquaduct.

And it is at that race track one day that they run into a hasidic gentleman they call the rabbi (he isn't).  The rabbi has a Bible-based system for betting on the horses, a sure thing of course, and yet somehow he is short of money.  Go figure.  Our heroes lend him some cash and, well, a wild ride commences that involves among other things, breaking into a morgue, and ends with a sort of spiritual enlightment.

"We're committing a mortal sin."
"Not our first.  Might as well get rich doing it."

A treat from start to finish.

Jewish Easter, by David Liss

"Jewish Easter," by David Liss, in Jewish Noir, edited by Kenneth Wishnia, PM Press, 2015.

Full disclosure: I have a story in this anthology.

It's hard to write funny well.  It's hard to write grim well.  Do both at the same time and you've got something.

Al's family moved from Long Island to Jacksonville, Florida, when he was in third grade, because of his stepfather's import business.  Now he is thirteen and has begun to figure out exactly what is being imported.

But that's not his immediate problem.  There are a couple of anti-Semetic rednecks in his class and when they hear about Passover (which the sensitive teacher helpfully describes as "Jewish Easter,") they decide to invite themselves forcefully to the seder.  Let all who are hungry come and eat, right?

Sounds like a Manischewitz-fueled version of Key Largo.  But what I loved about the story is not the suspense but the surprising choices the characters make (especially the grandmother).  Al kept me guessing right up to the last paragraph.

More hardboiled than noir, but a fine piece of work.

Stolen Lives, by Johanna Holmstrom

"Stolen Lives," by Johanna Holmstrom, in Helsinki Noir, edited by James Thompson, Akashic Press, 2015.

This is a complex story, told in multiple flashbacks.  I had to go back and read parts of it a second time to see exactly what happened.  But the ending made it worthwhile.

Carin is a new mother and she blogs a lot about her joy in the experience, and her brilliance  at the task.  Also she hands down her dictates as to what is and isn't fashionable.  And writes about her handsome husband.

Sounds insufferable, huh?  But she isn't the main character.  Celestine lives nearby, and she watches Carin, online in real life.  But mostly Celestine obsesses over the death of her little brother when she was a child, for which she was partly responsible.

Did I mention that Carin leaves her baby, Gabriel, snoozing in his perfect stroller in the lovely fresh air outside her charming window while "Carin, with her shades drawn, is advising clueless mothers on how to best take care of their offspring.  And Celestine is standing on her balcony right across the street..."

Celestine has plans for Gabriel.  They don't go exactly right.  But what happens is quite astonishing, and worth a read.

Gotta Go, by Elaine Viets

"Gotta Go," by Elaine Viets, in Alfred Hitchcock's Mystery Magazine, November 2015.

Sorry this review is late.  Bouchercon doth make sluggards of us all.

"If you want to be a good-looking corpse, carbon monoxide is the way to go.  Your skin is  a lovely shade of pink."

That helpful tip is the  opening line of this story, which is intended to be the first in a series about Angela Richman, Death Investigator for a Missouri county.  In this tale she is looking into the apparent suicide of a wealthy woman, found in her car in a closed garage.  The detective in charge of the case is an "errorist," a lazy cop who makes a lot of mistakes.  He wants to wrap up this obvious suicide before he goes off-shift.  Angela has a couple of hours to find evidence that the death was (surprise!) murder. 

The story is full of detail, and has a fair-play ending.

Mess With The Bull, Get The Horn, by Michael Terlecki

"Mess With The Bull, Get The Horn," by Michael Terlecki, in  Destination: Mystery, edited by Andrew MacRae, Dark House Books, 2015.

Thomas Gavel had a dream job designing slot machines.  Things go wrong when he visits Las Vegas and gets suckered in a high stakes poker game.  The bad guys say all he has to do to pay off his debt is design a slot machine they can use to get rich with.  But the casino guys will catch any kind of payout pattern.  Can he do it? 

The moral of the story is: don't mess with engineers.

The Discovery, by Meg Opperman

"The Discovery," by Meg Opperman, in Sherlock Holmes Mystery Magazine, Issue 18, 2015.

Celeste is a young woman studying at a university in her native Venezuela.  She meets an American professor named Robert, marries him, and moves to Washington, D.C.  Things go downhill from there.

Robert is  a classic abusive, controlling, husband.  Celeste's every move is watched, her phone calls monitored.  When her bus home is late she is beaten. 

My favorite line in the story?  Reaching into a hand-carved box, I sort through the gold jewelry and select Robert's latest apology.

But what makes this story more than just a tale of domestic misery is that each scene is prefaced with a quotation from Christopher Columbus's letters or logbooks, describing his encounters with the natives of the new world.  It is no accident that Celeste and Robert get married on Columbus Day.  I can't imagine how much work went into finding the appropriate texts for each scene.

Very moving story.  

Three LIttle Words, by Nancy Pickard

"Three Little Words," by Nancy Pickard, in Mystery Writers of America present Manhattan Mayhem, edited by Mary Higgins Clark, Quirk,2015. 

Priscilla Windsor is a poor little rich girl.  Not only does she come from a horrible wealthy family, but on the first page she discovers that she is about to die.  "Death could only improve my life, she thought, and giggled wildly again."

Her long-time doctor, Sam Waterford, suggests she make a bucket list.  Priscilla's has only one item: TELL THE TRUTH.

Three days later, she is murdered.  Sam feels obliged to look into, not her death so much as her life.  What he finds is disturbing, but does it include the motive for murder?

A lot of twists in here, including one I found unsatisfactory, but a very nice story anyway.