"The Beethoven House," by Albert Tucher, in And All Our Yesterdays, edited by Andrew MacRae, Darkhouse Books, 2015.
Mea culpa: It took me so long to get around to reading this book that I forgot how I received it. I should say it was a gift from the publisher.
Last year I noted in this space how cold war spy stories tend to center on Berlin. In the highlight, so far, of this collection of historical mysteries, Mr. Tucher moves southeast to another hotbed of espionage: the capital of neutral Austria.
It is 1955, three years after Vienna ceased to be a divided city. Benjamin is a CIA agent and a local cop calls to inform him that one of his contacts has been found murdered. Apparently Wolfi Stendl had acquired two tickets to the hottest show in town - the grand reopening of the Opera, after many years of reconstruction after the war. Why did someone want those seats enough to kill for them?
There are wheels within wheels here, betrayals of betrayals, which as Benjamin notes, is the Viennese way. An entertaining story of the bad old days.
Sunday, May 17, 2015
Sunday, May 10, 2015
On Borrowed Time, by Mat Coward
"On Borrowed Time," by Mat Coward, in Ellery Queen's Mystery Magazine, May 2015.
I'm a big fan of Mat Coward's funny stories about muddled and desperate criminals. The hero, if that's the word I'm looking for, in this story is Nash, a British public servant, of sorts. He is paid by the government but he is frank that he works for big business. The job of the Section is to spy on labor leaders, and non-profits, anyone who might upset the corporate status quo. His personal tasks include secretly opening the mail of a major union boss.
And one day he finds a very expensive watch in the man's mail. Being desperate for money - we don't find out why until much later - he swipes it. Then he gets worried that - well...
There were several people he might need to kill, and the way he saw it, if all of them were still alive a week from now, that'd be the nearest thing to a proper result he'd have achieved in years.
It's always good to have goals.
Indeed it is. You might not think a civil servant would be well-equipped to kill people, but you wouldn't know about the special training sessions the Section provides for it's worker bees.
Nash had once attended an upskilling weekend on The Rudiments of Self-Defence, which included rudiments such as how to sneak up behind someone in the dark and self-defend yourself against them with a garrotte.
A very funny tale with a lot of pointed comments on the world we find ourselves living in
I'm a big fan of Mat Coward's funny stories about muddled and desperate criminals. The hero, if that's the word I'm looking for, in this story is Nash, a British public servant, of sorts. He is paid by the government but he is frank that he works for big business. The job of the Section is to spy on labor leaders, and non-profits, anyone who might upset the corporate status quo. His personal tasks include secretly opening the mail of a major union boss.
And one day he finds a very expensive watch in the man's mail. Being desperate for money - we don't find out why until much later - he swipes it. Then he gets worried that - well...
There were several people he might need to kill, and the way he saw it, if all of them were still alive a week from now, that'd be the nearest thing to a proper result he'd have achieved in years.
It's always good to have goals.
Indeed it is. You might not think a civil servant would be well-equipped to kill people, but you wouldn't know about the special training sessions the Section provides for it's worker bees.
Nash had once attended an upskilling weekend on The Rudiments of Self-Defence, which included rudiments such as how to sneak up behind someone in the dark and self-defend yourself against them with a garrotte.
A very funny tale with a lot of pointed comments on the world we find ourselves living in
Sunday, May 3, 2015
An Invisible Minus Sign, by Denise Mina
"An Invisible Minus Sign," by Denise Mina, in Deadly Housewives, edited by Christine Matthews, HarperCollins e-books, 2015.
Many of the stories I have read in this collection have been jollyish tales of women trying to kill errant husbands, so this detour to noir stands out for contrast.
Moira is a housewife, sick of making no impression on the world.
She no longer knew if she liked strong cheddar or the boys did, whether France was somewhere she wanted to go on holiday or David's choice. And she didn't even think she liked the hidden Moira enough to send out a search party.
After trying to revive herself with an affair "and a hundred other suburban redemptions," she decides to kill herself.
Of course, she doesn't. Something else happens and I can't tell you what, but it is worth finding out. But the main attraction in this story is the language, as demonstrated above.
Many of the stories I have read in this collection have been jollyish tales of women trying to kill errant husbands, so this detour to noir stands out for contrast.
Moira is a housewife, sick of making no impression on the world.
She no longer knew if she liked strong cheddar or the boys did, whether France was somewhere she wanted to go on holiday or David's choice. And she didn't even think she liked the hidden Moira enough to send out a search party.
After trying to revive herself with an affair "and a hundred other suburban redemptions," she decides to kill herself.
Of course, she doesn't. Something else happens and I can't tell you what, but it is worth finding out. But the main attraction in this story is the language, as demonstrated above.
Thursday, April 30, 2015
The Edgars are announced
And the winner for Best Short Story is:
"What Do You Do?” – Rogues by Gillian Flynn
(Penguin Random House Publishing – Bantam Books)
Congratulations!
"What Do You Do?” – Rogues by Gillian Flynn
(Penguin Random House Publishing – Bantam Books)
Congratulations!
Sunday, April 26, 2015
We On The Train! by Margaret Maron
"We On The Train!" by Margaret Maron, in Ellery Queen's Mystery Magazine, May 2015.
If you have ever read a book to a small child you know that the highest possible accolade they can offer is an immediate "Read it again!" The first thing I did after finishing this story is start it over.
Of course, it helps that the story is very short - flash fiction or close to it - but it is so clever that I had to take another look at.
Greg McInnis is a DEA agent who prefers to do his business traveling by train. On a trip up the east coast he is amused by a young African-American woman who is gleefully phoning everyone she knows to tell them that she is going to visit New York with an older man she says is her Uncle Leon.
Sounds innocent enough, but this is a crime story, so something else must be going on here. Will our hero figure it out in time? He only has four pages...
If you have ever read a book to a small child you know that the highest possible accolade they can offer is an immediate "Read it again!" The first thing I did after finishing this story is start it over.
Of course, it helps that the story is very short - flash fiction or close to it - but it is so clever that I had to take another look at.
Greg McInnis is a DEA agent who prefers to do his business traveling by train. On a trip up the east coast he is amused by a young African-American woman who is gleefully phoning everyone she knows to tell them that she is going to visit New York with an older man she says is her Uncle Leon.
Sounds innocent enough, but this is a crime story, so something else must be going on here. Will our hero figure it out in time? He only has four pages...
Sunday, April 19, 2015
Two Bad Hamiltons and a Hirsute Jackson, by Robert Mangeot
"Two Bad Hamiltons and a Hirsute Jackson," by Robert Mangeot, in Alfred Hitchcock's mystery Magazine, May 2015.
Mr. Mangeot makes his second appearance here. This story is all about language and character.
The character is Vi Celucci, and she is an Optimizer, which means she specializes in making your life and workplace more efficient, healthier, and better organized. Obsession is either funny or tragic, depending on how close you are standing to the fallout, and Ms. Celucci is obsessive about her field, and maybe about everything else.
She received two counterfeit ten dollar bills and feels the authorities are not up to the job of finding the counterfeiters. "The Secret Service guy asked me to repeat myself, which did not bode well for either his cognitive or listening skills."
So she decides to crack the case herself. And this is a formidable lady, determined, and very sure of herself.
I shook my head, and I only shook my head one way: hard right, soft return. Anything more was wasted motion.
Hilarious.
Mr. Mangeot makes his second appearance here. This story is all about language and character.
The character is Vi Celucci, and she is an Optimizer, which means she specializes in making your life and workplace more efficient, healthier, and better organized. Obsession is either funny or tragic, depending on how close you are standing to the fallout, and Ms. Celucci is obsessive about her field, and maybe about everything else.
She received two counterfeit ten dollar bills and feels the authorities are not up to the job of finding the counterfeiters. "The Secret Service guy asked me to repeat myself, which did not bode well for either his cognitive or listening skills."
So she decides to crack the case herself. And this is a formidable lady, determined, and very sure of herself.
I shook my head, and I only shook my head one way: hard right, soft return. Anything more was wasted motion.
Hilarious.
Sunday, April 12, 2015
The Continental Opposite, by Evan Lewis
"The Continental Opposite," by Evan Lewis, in Alfred Hitchcock's Mystery Magazine, May 2015.
This dude Lewis is turning into a major threat. First there were his stories about Skyler Hobbs,who thinks he is the reincarnation of Sherlock Holmes. Then tales of Davy Crockett's ghost, who harasses his descendents into solving crimes. And now he has revived Dashiell Hammett's famous character the Continental Op.
Brief pause for confusion from the readers. But Hammett's family owns the copyright! And Lopresti doesn't like fan fiction (Author B writing new stories with the characters of Author A)!
True. But I am sometimes a sucker for reboots, in which Author B rethinks the original and comes up with a new twist.
This story takes place in the fifties, decades after the Op's last appearance. The main character is a young detective named Peter Collins (he notes bitterly that his father deliberately gave him a name that is gangland slang for "nobody"). Peter works for the Portland, Oregon branch of a national detective agency and when he accuses his boss of corruption the company sends in a retired op who used to work for the San Francisco branch("sometime in the forties Continental had put him out to pasture, and he'd spent the years since killing a vegetable garden, sneering at golf course, and not catching fish.") . Peter finds him sinister and refers to him as the Old Man.
Hmm. In Hammett's stories the Op's boss was the Old Man, but it is clearly not the same person. In fact, this new guy strongly resembles Hammett's hero, much older and, if possible, more cynical.
Now let's address the copyright issue. Does Lewis use the name of the characters? No, because the Op never had one. (And Old Man is hardly a unique moniker either.) The Op worked for the Continental Detective Agency. Peter works for Continental Investigations, which recently changed its name from something or other.
A brilliant story, and the first of a series. I can hardly wait.
This dude Lewis is turning into a major threat. First there were his stories about Skyler Hobbs,who thinks he is the reincarnation of Sherlock Holmes. Then tales of Davy Crockett's ghost, who harasses his descendents into solving crimes. And now he has revived Dashiell Hammett's famous character the Continental Op.
Brief pause for confusion from the readers. But Hammett's family owns the copyright! And Lopresti doesn't like fan fiction (Author B writing new stories with the characters of Author A)!
True. But I am sometimes a sucker for reboots, in which Author B rethinks the original and comes up with a new twist.
This story takes place in the fifties, decades after the Op's last appearance. The main character is a young detective named Peter Collins (he notes bitterly that his father deliberately gave him a name that is gangland slang for "nobody"). Peter works for the Portland, Oregon branch of a national detective agency and when he accuses his boss of corruption the company sends in a retired op who used to work for the San Francisco branch("sometime in the forties Continental had put him out to pasture, and he'd spent the years since killing a vegetable garden, sneering at golf course, and not catching fish.") . Peter finds him sinister and refers to him as the Old Man.
Hmm. In Hammett's stories the Op's boss was the Old Man, but it is clearly not the same person. In fact, this new guy strongly resembles Hammett's hero, much older and, if possible, more cynical.
Now let's address the copyright issue. Does Lewis use the name of the characters? No, because the Op never had one. (And Old Man is hardly a unique moniker either.) The Op worked for the Continental Detective Agency. Peter works for Continental Investigations, which recently changed its name from something or other.
A brilliant story, and the first of a series. I can hardly wait.
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