Red Eye, by Dennis Lehane and Michael Connelly

"Red Eye," by Dennis Lehane and Michael Connelly, in Face-Off, edited by David Baldacci, Simon and Schuster, 2014.

The International Thriller Writers came up with a clever idea for an anthology: pair up top writers in stories in which their characters meet each other.  I'm enjoying it, so far.

My favorite at this point is the first story, in which Michael Connelly's L.A. cop Harry Bosch travels to Boston to get a DNA sample from a suspect in an old open case.  He "meets cute" as they say in Hollywood, with Dennis Lehane's private eye Patrick Kenzie, who suspects the same guy is involved in a current kidnapping.

So why aren't the Boston police leading the search for the missing teenager?  Kenzie explains: "She's the wrong color, the wrong caste, and there's enough plausible anecdotal shit swirling around her situation to make anyone question whether she was abducted or just walked off."

Lucky for her there are two men willing to break the rules to find her.

Crush Depth, by Brendan Dubois

"Crush Depth," by Brendan DuBois, in Mystery Writers of America present Ice Cold: Tales of Intrigue from the Cold War, 2014.

Hard time choosing between two very different stories this week, both in Ice Cold, and both excellent.  Sara Paretsky's "Miss Bianca" is about intrigue in a biological research lab, as seen through the eyes of a child.  "Crush Depth" is a look back at a genuine mystery of American military history, offering a possible explanation.  The first is cute, the latter is grim.  What finally decided me was their surprise endings.  Paretsky's seemed tacked on, while Dubois's was a genuine twist, putting a new light on everything that went before.


In "Crush Depth" it is a year after the Soviet Union collapsed and an intelligence agent named Michael is hanging around the Portsmouth, New Hampshire, naval yard, trying to make contact with someone who knows the truth behind a naval tragedy from the 1960s.

Michael thought it ironic that his work and the work of so many others was still going on, despite peace supposedly breaking out everywhere.

Cold war or hot war, there was always plenty of work to be done...

True and sad enough. 

The Last Confession, by John Lescroat

"The Last Confession," by John Lescroat, in Mystery Writers of America present Ice Cold: Tales of Intrigue from the Cold War, 2014.

Not surprisingly, a lot of these stories about the Cold War focus on Berlin.  But my favorite so far takes place in the good ol' U.S.A. and features nary a soldier nor spy.  Instead Lescroat is interested in how the Cuban Missile Crisis affects one American family.  The narrator, now an adult, was a high school boy whose younger brother was what we would now call autistic.  He has a hard time in school but things seem to be going okay until that awful October, 1962...

I think what I like best in this story is a character type I don't remember seeing in fiction before, but whom I recognize from real life: a vain, charismatic guy who has no clue as to how he can damage people's lives.  And in this case, alas, he's a priest.

It's a Wonderful Rat-Race, by James Powell

"It's a Wonderful Rat-Race," by James Powell, in Ellery Queen's Mystery Magazine, November 2014.  

I guess it makes a sort of sense that when my friend James Powell writes about madness the result is slightly less crazy than his usual work.  His usual tale contains a free-association of bizarre connections, like a garden sprinkler shooting water in all directions.  This one is more tightly focused (although he does offer some odd riffs on human conception and the well-known Jimmy Stewart movie).

Obsession is either comic or tragic, depending on how close you stand to the fallout.  Hilda Ross is a neatnik.  She is delighted when her grown children move away because she can finally get wall-to-wall white carpeting.  And she loves her house and her less fastidious neighbor, because "to really succeed neatness-wise you needed a messy best friend."

But one day that friend's husband casually releases a piece of folk wisdom that turns Hilda's life upside down, turning good into bad, light into dark, and--  Well, you have to read it.

Crossing the River Styx, by Kristine Kathryn Rusch

"Crossing the River Styx," by Kristine Kathryn Rusch, in Alfred Hitchcock's Mystery Magazine, November 2014.

They'd left, all of them.  They'd left, taking the light with them.  Now Edith huddled in the darkest place she'd ever been in, her face, hands, and shirtwaist soaked with blood.  Frank was dead beside her.  She'd known that from the moment the shot hit him.  Hot blood spurted out of him, coating her, and he made all kinds of groaning sounds.

Someone shouted, "Murder!" and the others ran as if their lives depended on it...

Well.  That's an exciting way to start a story, isn't it?

The illustration clued me in to the fact that this takes place in the 1920s, which made me think we were in a Bonnie-and-Clyde scenario, but not quite.  Edith is a proper young woman on her honeymoon and Frank has taken her to the Oregon Caves.  That's where the extreme darkness comes in.

Now Edith has to find a way out of the cave by herself (crossing a creek known as, yes River Styx) and figure out whether she is in danger from the men who fought with  her husband.

The other key viewpoint character is Albert, a mechanic employed by the Forest Service that runs the caves. They will both learn something about themselves before the night is over.

As usual, a very good story from Ms. Rusch.

Jaguar, by Joesph Wallace

"Jaguar," by Joseph Wallace, in Ellery Queen's Mystery Magazine, September/October 2014.

I will be writing about the structure of this story on Wednesday at Sleuthsayers.  Book your tickets now. 

Plotwise, this is the story of Ana, who is  a rainforest tour guide in Belize.  She meets a wealthy American tourist who may be able to get her out  of a bad home situation.  But there is more going on than appears at first.  And since the story alternates between Belize and New York City (that structure thing I mentioned) you get to see cause and effect scrambled together very nicely.

Inspector Zhang Gets His Wish, by Stephen Leather

"Inspector Zhang Gets His Wish," by Stephen Leather, on Crime City Central, episode 106. 

Technically this is the best story I heard last week.  I have been enjoying Crime City Central ever since they created a podcast of one of my own stories.   And I have read a few of Mr. Leather's novels. but this is my first exposure to his short stories.

And a good one it is, with a bit of a split personality.  It is set in Singapore, the "city without crime."  An American tourist has been murdered in a hotel and Inspector Zhang calmly works his way through the investigation.

But the whole tone changes when our heroes realizes, with delight, that this is what he has been waiting for his entire career for: a locked room mystery.  He becomes more eccentric as he lectures his suspects and fellow officers on John Dickson Carr's famous seven types of locked room murders.  And inevitably he comes up with a fair solution that the reader should have seen coming.  You won't, of course.  But that's part of the fun.