Sunday, September 16, 2012

Good Intentions, by Michael Z. Lewin

"Good Intentions," by Michael Z. Lewin, in Ellery Queen's Mystery Magazine,  November 2012.

Last year in this space I reviewed "Who Am I," in which Lewin gave Albert Samson, his Indianapolis private eye an unusual client: a quiet, unremarkable man called LeBron James who was convinced his father was an extraterrestial.

The would-be alien is back, this time calling himself Wolfgang Mozart.  He is still doing good deeds and for his troubles this time he gets stabbed.  Since he is unable to answer questions Samson has to figure out what happened and why. 

Mozart and Samson are sympathetic characters and the story is well-written.  (My favorite line: A nurse named Matty meets Albert's kid the cop.

"And she's YOUR daughter?"  Matty tilted her head.  "Your mother must be very very beautiful."

Saturday, September 15, 2012

LIttle Big Commentary: Not For Sale

It seems ridiculous to even say this but maybe, because of stories like this one, every online critic who can say this, should.   So here goes.

My reviews are not for sale.  Nobody pays me for them.  Sometimes someone sends me a free book (or more often a link to an ebook) in the hope that I will review it.  But there's no payment.

Why are my reviews always positive?  Three reasons:
1.  I don't like writing negative reviews.
2.  Panning a short story is silly; wait five minutes and it will be gone anyway.
3.  Because of reasons 1. and 2. I choose to review the best story I read that week.  If I didn't like any, I choose a classic.

All you other reviewers out there, if you don't get paid (and I assume you don't) maybe it's time to say so.

Sunday, September 9, 2012

The Final Ballot, by Brendan Dubois

"The Final Ballot," by Brendan DuBois, in Mystery Writers of America presents Vengeance, edited by Lee Child, Mulholland Books, 2012.

Boy, I don't know if it's just the dog days of summer affecting my mood but I can tell you I have just loved  the last three stories I chose for this column.  Real stand-outs.

Beth knew in a flash that she was outgunned.  This man before her had traveled the world, knew how to order wine from a meny, wore the best clothes and had gone to the best schools, and was prominent in a campaign to elect a senator from Georgia as the next president of the Untied States.

She put the tissue back in her purse.   And her?  She was under no illusions.  A dumpy woman from a small town outside Manchester who had barely graduated from high school and was now leasing a small beauty shop in a strip mall.

That's not the opening of the story but it is the core of it.  Ms David, meet Mr. Goliath.

Beth's daughter was brutally attacked by a son of the senator/candidate.  The man-of-the-world described above is the problem solver.  "In other words, I'm the senator's bitch."  He offers her two choices which he insists on calling "avenues."  She can pursue prosecution of the senator's son, guaranteeing herself years of being stripped naked by the press, attacked by his supporters, dragged out as a symbol by his enemies... or she can agree to let the culprit get psychological treatment and accept financial aid from the senator to cover her daughter's long-term medical needs.

I won't spoil it by telling you what happens next.  But two old sayings apply:  Never fight with someone who has nothing to lose.  And: the most dangerous place in the world is between a mother and her children.

Sunday, September 2, 2012

A Change of Heart, by Raymond Goree

"A Change of Heart," by Raymond Goree, in Alfred Hitchcock's Mystery Magazine, October 2012.

I'm not on the committee that decides on who gets the Robert L. Fish Award for best first mystery of the year, but they're crazy if they don't give this one a careful look.

The narrator is a Las Vegas cop who, at around age 40, suffers a heart attack.  Turns out his ticker is in horrible shape.  ("Like trying to sew Jell-o together," says the surgeon.)  After some more horrible luck ("Jokes on you, says God.") he gets a heart transplant.  By coincidence he had met  the donor, a cancer patient named Sammy, in the hospital.

After the operation he feels obliged to go to Sammy's favorite restaurant once a month and order the man's favorite, very unhealthy, sandwich.

Sometimes Sammy joins him.  Not to eat, of course, just to watch him eat.  Creepy, huh?

But wait, there's more.  One month Sammy tells our hero that his daughter has gotten involved with would-be bank robbers.  "I cant get through to her," he  complains.  "It's like I'm not even there."

So Sammy wants our hero to stop the robbery and save his daughter.  "You owe me,"  he insists.  But will a robbery really take place?  And if it does, how can the cop explain what he knows? 

Wonderfully written, one-of-a-kind plot.  Highly recommended.

















































































































































Sunday, August 26, 2012

Frank, by Steve Hockensmith

"Frank" by Steve Hockensmith, in Alfred Hitchcock's Mystery Magazine, October 2012.

I admit I may be biased in favor of this story, simply because of its subject matter, which is one my family is dealing with currently.

Frank is a retired police detective, living in an assisted living complex.  Frank's memory is, at best, shaky.  He can't always remember what day it is, or the names of his neighbors (although in the case of at least one neighbor's name, Hockensmith notes drolly, "forgetting it had been a choice.")

But now a series of crimes are happening in the complex -- maybe.  Unless someone is imagining it in senile dimensia.  Can Frank pull himself together long enough to catch the culprit?  And what if he is the culprit?

Witty, touching, and a  twist at the end.  What more do you want?

Sunday, August 19, 2012

The Key, by Ferdinand Von Schirach

"The Key," by Ferdinand Von Schirach,  in Guilt,  Knopf Books, 2012. 

I reviewed a story in Von Schirach's previous book Crime last year.  He is a criminal attorney in Germany and all of his stories are narrated by an attorney named Von Schirach. leading to some debate as to fictional they are. 

In most of the stories the lawyer is a minor character, but none more so than in "The Key."  You could remove the part about Von Schirach without altering the plot a bit.

And speaking of plot: Frank and Atris are German criminals who visit Amsterdam to obtain, from a nasty and believable Russian general, some designer drugs that encourage women to do things they might otherwise prefer not to.  Frank is the brains, Atris the brawn, and when Frank gets picked up by the cops things start to get very messy for Atris, and for the dog Frank has left in his care.  Atris then finds him in a deepening pool of trouble with a series of sinister people.

At this point I need to say that if cruelty to animals is a turn-off for you, you do NOT want to read this story.



There is a flaw in this story: in order to make everything turn out okay a certain person has to perform out of character - or at least to have hidden reserves which we had not been left to expect.  It made it hard to suspend disbelief, but I enjoyed the story anyway.

Sunday, August 12, 2012

The Snow Birds, by Gary Phillips

"The Snow Birds," (2009) by Gary Phillips, in Treacherous: Grifters, Ruffians, and Killer, Perfect Crime Books. 2012.

Gary Phillips is a very smooth, professional writer (and a hell of a lot of fun to sit next to at a dinner party, by the way).  I was reading through this book and finding mostly what I expected: grim stories about various levels of bad guys.  And suddenly I find him channeling, of all people, Ring Lardner.

Now one time it comes on Thanksgiving or rather two days prior, and we were standing on the sidelines in the midst of our permitating as the Silver Slicers of Bowler Street went at the Cruze Cru of Avenue J.  Sidelines is a relative term when it comes to street polo as it was of necessity that we and the other onlookers had to, at times, quickly move about to avoid say a smashed toe or bruised shin,.  The lads and lasses zoomed back and forth, to and fro, on their steeds of battered alloy whacking the bejeezus out of a croquet ball with their homemade plastic mallets while adroitly slaloming their bikes, most of the time barely sluicing past one another, on the field of play.

So the tale begins, and clearly we are not on the usual mean streets, nor are we in the prose of, say Ernest Hemingway.  I happen to be a fan of rococo language in mystery shorts (James Powell, Avram Davidson, and John Collier come leaping to mind).and have often wished it was a road I could travel further myself.

Phillips is clearly having a fine time as he tells the story of two small gangs battling over a load of Thanksgiving turkeys.  The plot is silly, the joy is in the language.

At this juncture I'd be remiss if I didn't mention that there was an ongoing tiff between the two as, one might suspect, it involved a dame.  In this case it was a lovely young woman named Annakosta, who'd come this close to gracing the pages of a KING magazine thong special.

Enjoy.