The Underneath, by Stephen Ross

 "The Underneath," by Stephen Ross, in Alfred Hitchcock's Mystery Magazine, January/February 2021.

 This is the second appearance by my fellow Sleuthsayer, Stephen Ross.  It's a quicky, but clever. 

William is a seventy-two-year-old retired zookeeper, a bachelor (or widower, depending on which page you believe...oops).    One of his few pleasures in life is riding the bus to town on Friday mornings with his neighbor, the charming young Julie. 

But one Thursday night William hears her arguing with her husband, Doug.  The next day: no Julie on the bus.  Hmm...

The suspicious neighbor is a set-up we have read many times but, as usual, what matters is what you do with the set-up.  I won't give anything away but in just a few pages William conducts his investigation and makes a very clever plan.

The Best of 2020.

 At SleuthSayers today I provide my twelfth annual list of the best short stories.  

Just A Little Before Winter's Set In, by Larry Tyler

"Just A Little Before Winter's Set In," by Larry Tyler, in Masthead: Best New England Crime Stories, edited by Verena Rose, Harriette Sackler, and Shawn Reilly Simmons, Level Best Books, 2020.

Let's start with a little whining, shall we?  First, as I say every time I recommend a story from this series, to call an anthology the "best" implies that its contents are selected from already published stories, which these are not.  Second, should there really be an apostrophe-S in that title?  I don't see it myself.

Okay, moving on.

In most stories you want the structure to be transparent.  By this I mean that the reader shouldn't be aware of how the tale is organized; it should flow as much like reality as possible.  But some stories are translucent: the structure filters the events.  Think of William Faulkner's "A Rose For Emily," in which the narrator is we, the whole community.  Tell the tale differently and it would be a very different story. It's not that one way is better than the other; just a different choice.

This story is translucent.

The narrator is essentially a hermit (although that word never appears), living alone in the Maine woods.  After describing his life he switches to third person, describing an encounter  a hermit (hmm...) named Teddy Seay  has with Elliot Kayman, a wealthy banker.

Kayman is fleeing (or flying) from the law, hoping to get to Canada as the first step in his escape to no-extradition land.  Alas, his plane crashes and no one is around to help him but the greedy Teddy Seay who won't help him without being paid and paid often.

One suspects where this story is going but you will definitely want to find out for sure.

Cahoots, by C.C. Guthrie

"Cahoots," by C.C. Guthrie, in Cozy Villages of Death, edited by Lyn Worthen, Camden Park Press, 2020.

Alan Peterson is a banker, and son of the wealthiest man in a small East Texas town.  The story opens with him running into Beulah's diner in a panic because his beautiful wife TeriLyn has disappeared.  

Scary stuff but things don't seem to add up.  She's only been gone a few hours.  And isn't Alan supposed to be out of town?  And why is he claiming she has been having mental problems?

Very suspicious.  Beulah tells us the details of the search that goes on for weeks, and the reaction of the town's residents.  My favorite are the two gossips known  as the mover and the shaker.

A well-structured story with a very satisfactory climax.

Camberwell Crackers, by Anthony Horowitz

  "Camberwell Crackers," by Anthony Horowitz, in California Schemin', edited by Art Taylor, Wildside Press, 2020.

This is a very silly story.  That's certainly not a demerit as far as I'm concerned.  More problematic for some readers might be that the subject is Christmas crackers, a British holiday custom which, like pantomimes, has never really caught on on this side of the pond (south of the Great Lakes at least).

Camberwell Crackers is a long-established family company that manufactures these novelties.  It seems a very cheerful place to work.  But a man named Osborne was planning to take over the company, and now he has been murdered.  The inexperienced Detective Inspector is hoping to make his reputation by solving the crime, but he can't seem to make sense of the clues.  And, oh, there are clues...

I think I'll stop there.

 

Clickbait, by Mark R. Kehl

"Clickbait," by Mark R. Kehl, in Mickey Finn, volume 1, edited by Michael Bracken, Down & Out Books, 2020.

The night of the home invasion, Bobby Lyon was busy jabbing a seventy-three-old index finger at his smart phone, reading reactions to the day's auction.

 That's how we start.  Lyon is a washed-up action movie star, now in a wheelchair, waiting to be moved into a senior home after his possessions were sold to pay ex-wives, the IRS, etc.  But now he may be getting more action than he wants...

I guessed where this story was going, but not every good tale needs a surprise ending.  This one is mostly about heightened language.

The despair that had grown familiar since the world had started tearing away his life in increasingly larger and bloodier chunks embraced him like a ravenous ghost.

Another sound, heavy but muffled, like Frankenstein's monster in bunny slippers.

...words and low laughs, both respectful and irreverent at the same time, like atheists in church.

Mr. Kehl is a master of similes.

The Mailman, by Andrew Welsh-Huggins

 "The Mailman," by Andrew Welsh-Huggins, in Mickey Finn, volume 1, edited by Michael Bracken, Down & Out Books, 2020.

This is the author's third appearance on this page.  

When was the last time I reviewed a good 'ol suspense story?  Been a while, I think.

The nameless protagonist is a deliveryman.  He tells his contact that he has never lost a package.

"A package?" his contact replies.  "Jesus Christ, we're talking about a woman.  A mother and child."

As the story goes on we learn more about why the couple is on the run, and the danger they face.  Because some of the rules get broken the deliveryman finds himself in deep trouble: one small man with no gun up against two bigger, heavily armed toughs.  

Will he find a way to deliver the goods?  I'm rooting for him.  You will find the outcome satisfactory.

Tell Him No, by Scott Turow

 

"Tell Him No," by Scott Turow, in California Schemin', edited by Art Taylor, Wildside Press, 2020.

What kind of work can an 81-year-old private eye do?  Running and fist-fighting seem to be out of the question.  High-tech is a non-starter.  

But one thing an old dude can do easily is be ignored.  And that's a very good thing for surveillance.

Tim Brodie, ex-cop, is following Dykstra, a man who wants to sell his business to Tim's employer.  Listening in on his conversations turns out to be easy because Dykstra "was the kind who thought they'd invented the cellphone so everyone in the vicinity would know he was important."  Boy, do I know that guy.  

It's fun watching Brodie watching his target, and then learning what he figured out, and how his boss could use it.  An entertaining tale.

Underneath it all Runs the River of Sadness, by Oto Oltvanji

"Underneath it all Runs the River of Sadness," by Oto Oltvanji, in Belgrade Noir, edited by  Milorad Ivanovic, Akashic Press, 2020.

"A foolish consistency is the hobgoblin of little minds."  So said Ralph Waldo Emerson.  

I wanted to begin with that because I have often criticized the fine folks at Akashic Press - who sent me a free copy of this book - for including stories in their Noir Cities series that are not noir.  But here I am about to praise a story that also misses the noir mark.

I'm inconsistent.  So sue me.  But this is a fine, sweet, story.

Ranko and Kozma are neighbors and old friends.  Kozma is the troublemaker.  As a cop he did little but paperwork and now, in retirement, he is desperate to actually solve a crime for once.  His attempts to find villainy where there may be none has gotten him into hot water with the police and the neighborhood.

But now, just maybe, he could be onto something.  There's a man on the fourth floor, he tells Ranko, who keeps bringing young women to his apartment.  Nothing wrong with that, except they never come out.  

So the two old men start spying on the young man, and things get complicated.  There is a crime involved, no doubt about that, but what makes the story so charming is the way seemingly unrelated pieces fit together like a jigsaw puzzle to make a satisfactory whole. 

 

My People, by Liza Cody

 "My People," by Liza Cody, in Ellery Queen Mystery Magazine, November/December 2020.

This is Liza Cody's second appearance here.  It is not a conventional crime story a much as a reflection on the fact that, as another British author noted, "a policeman's lot is not a happy one."

I was standing with five other people, arms linked,. protecting a man dressed as a giant cauliflower who had superglued himself to Lambeth Bridge.

Well.  That's an opening gambit that certainly caught my attention.

Shareen Manasseh is our narrator, a Jewish woman whose family came to Britain from India.  She joined the police force and, without much training, was assigned to infiltrate the climate change activists - she calls them rebels - who shut down much of London and were threatening to do it again.

Her time with that group has her rethinking her allegiance.  Did she become a cop to get "black-and-white certainty" or because it was better "to be with the bullies than against them.  I was tired of being picked on; I just want to belong." 

Shareen's loyalties are put to the test when a protester is found dead.  Was this just an accident? Was he beaten in police custody?    Or is there a red wolf among the green lambs?

And most importantly: Is Shareen thinking like a cop or a rebel?

A fine  story with a lot of food for thought.