Aramis and the Worm, by Michael Mallory

"Aramis and the Worm," by Michael Mallory, in ALfed Hitchcock's Mystery Magazine, September/October 2017.

My friend Michael Mallory is making his fourth appearance in this space, his second time this year.  Being an actor he often writes about show biz and this is the case today.

Adrian Keel used to star in a lot of Grade-B movies filmed in exotic locations.  Key phrase is "used to."  He is ninety years old, lives in an apartment in London, and has all kinds of medical problems.  He wears adult diapers.

But he is called back to duty once more.  Not because of his acting talents, but because of his other job.  You see, he worked for MI-6, taking parts in terrible movies so he could go to trouble spots and report back.  Now his old boss has set him up in a movie that is filming in Cuba, so he can spot the Russian spy

"The Cold War is coming back, Adrian, and worse than ever."
"You believe Putin to be that dangerous?"
"Vladimir Putin is dead."
Adrian set down his wineglass.  "I've heard nothing of that."
:Nor has anyone else on the outside.  That bald, glowering, bare-chested man you see on the television is not Vladimir Putin., it is a brilliant double."

And then things get complicated.  A wild ride.

Cabin Fever, by David Edgerley Gates

"Cabin Fever," by David Edgerley Gates, in Alfred Hitchcock's Mystery Magazine,  September/October 2017.

This is the fifth appearance in this space by David Edgerley Gates, which ties him with James Powell, and leaves him topped only by Terence Faherty.  It is his second showing here since he joined SleuthSayers where I also blog.

Somebody said the essence of story is this: throw your hero in a hole and drop rocks on him.  Let's count how many rocks fall on Montana deputy Hector Moody.

His truck breaks down in the mountains miles from anywhere.  No phone reception.  A thunderstorm approaching fast.  And oh yes, unknown to him, to prisoners have escaped from prison and they have already killed to stay free...

That's just the set-up. The situation will get much  worse.

A real nail-biter, with terrific dialog.

Sure Thing, by David Rich

"Sure Thing," by David Rich, in New Haven Noir, edited by Amy Bloom, Akashic Press, 2017.

If a leopard had strolled up the stairs and into the big room, or a giggling leprechaun had slid down a light beam, the reactions of the patrons at Sports Haven could not have been any stronger.  

Nice writing, that.  The cause of the shock was a beautiful actress named Addie walking into the sports bar.  Not a very classy place, apparently.

"What kind of wine do you have?"

"The kind that used to be red when I opened it three weeks ago and the kind that used to be white."

The bartender delivering that bad news is Pete, and Pete has a secret or two.  He helps Addie out of a messy situation and some secrets are revealed.  The result puts both of their lives in danger.   

Very satisfactory story.

Crossing Harry, by Chris Knopf

"Crossing Harry," by Chris Knopf, in New Haven Noir, edited by Amy Bloom, Akashic Press, 2017.

Knopf is making his second appearance here.

I am very fond of what I call heightened language, which simply means that the words do something more than get us from the beginning of the story to the end.  It doesn't have to been high-falutin' fancy words.  Hemingway's monosyllabic language told us a lot about the world he was describing.

This story has a good plot but it is the language that puts it over the top.  Here is our nameless protagonist, a homeless man, explaining his love of biology.

I'd loved it since I was a kid.  I'd absolutely be hunched over a lab counter right now if I hadn't had that little hiccup with the voices in my head and the collusion of the Yale Board of Trustees, the United States Chamber of Commerce, and the Satanic Monks of Aquitaine to deprive me of my undergraduate position.

Yeah, I hate it when that happens.

But our hero is pretty cheerful.  He likes his "house [which] is this nice little spot under the railroad tracks that mostly keeps out the rain and snow."

Of course, some conflict must occur even in this paradise, and it takes the form of a very strange man at Union Station whom no one notices except the homeless man and Harry.  Did I mention Harry?  No one can see him except our narrator, because he's from another dimension.  But Harry isn't the problem.  It's the elegantly dressed man with a canvas bag full of-- well, nothing nice.

Don't worry, though.  Our guy and Harry are on the case.  And a terrific case it is.

Playing Games, by Elaine Togneri

"Playing Games" by Elaine Togneri, in Noir at the Salad Bar, edited by Verena Rose, Harriette Sacker, and Shawn Reilly Simmons, Level Best Books, 2017

When Mai was thirteen she was kidnapped from the docks in VIetman.  For the last three years she has been  a slave, working long hours in the kitchen of a Chinese restaurant in the United States, sleeping six in a room. She dreams of escaping, but caan that ever happen?

Noir at the Salad Bar is what the title of this book promises.  Ms. Togneri brings the noir very well.

The Bubble, by Jennifer Harlow

"The Bubble," by Jennifer Harlow, in Atlanta Noir, edited by Tayari Jones, Akashic Press, 2017.

I have started reading the Akashic Press Noir City volumes for 2017, so it must be time for my annual rant: Noir does not mean gloomy.  Noir fiction must involve crime or the threat of crime.  Okay?

That's essential, but we can expand.  Ideally, noir involves this: A nobody tries to become somebody.  For this effrontery they are curb stomped by the universe.  Crime in involved.   Often the nobody is led to disaster by a love/lust interest.

Jennifer Harlow certainly understands all of that.  Her story involves not only noir but another French term: femme fatale.  That would be Maddie, a teenager in Peachtree City, who is sick to death of her privileged life among snobs, absentee parents, and the self-medicated.  She decides to commit murder, just for excitement, and power, and, let's face it, because she is evil.

But she isn't working alone.  Her reluctant partner in crime is Emma, who is not as smart, not as pretty, and desperately in  love with Maddie.  Is Maddie willing to use her sexuality to manipulate Emma into crime?  Oh, yes.

Does our tale of thrill killers meet the definition of classic noir?  To some degree that depends on whether you think Emma has interpreted events correctly. I'll let you decide.  But I'll tell you for free that it's a very good story.

"Sleeping Beauty," by Gerald Elias.

"Sleeping Beauty" by Gerald Elias, in Noir at the Salad Bar, edited by Verena Rose, Harriette Sacker, and Shawn Reilly Simmons, Level Best Books, 2017.


A long way from noir, but an interesting piece of work.  The nameless narrator is a classical musician and, while eating at an elegant restaurant in  Manhattan, he witnesses a woman attacking a waitress for no obvious reason.  It turns out that she is a former star ballerina.

By coincidence, our narrator meets the ballerina a few years later and learns the reason for the attack.  This is a subtle little story, more about nuance and emotion than action, which seems somehow fitting for the professions involved.  

Smoked, by Michael Bracken

"Smoked," by Michael Bracken, in Noir at the Salad Bar, eidte by Verena Rose, Harriette Sacker, and SHawn Reilly Simmons, Level Best Books, 2017.

This is Bracken's fourth appearance in this space, which puts him in the top five repeat offenders, I believe.

Beau James had built a nice life for himself, operating the Quarryville Smokehouse, and living with a girlfriend and her daughter.  When his restaurant is featured in a magazine with his picture he knows that the good times are over.  He is in the Witness Protection Program and the motorcycle gang he turned state evidence against are bound to see the picture...

The story takes place in modern Texas but it has the feeling of an old-fashioned Western, with the bad guys getting closer and the townsfolk having to decide where they stand.  A good story.

Publish or Perish, by Kevin Z. Garvey

"Publish or Perish," by Kevin Z. Garvey, in Mystery Weekly Magazine, July 2017.

Every twist ending is a surprise. Not every surprise ending is a twist.

Stories written in second person are not everyone's cup of espresso, double tall skinny.  This one works pretty well for me.

The main character ("You," obviously) has just kidnapped the editor of a mystery magazine.  You are a frustrated unpublished author.    Frustrated to the point that you are convinced that there is a conspiracy against you.  How else is it possible to explain that no magazines will accept your utterly brilliant stories?

You are determined to get to the bottom of the puzzle, even if you have to do nasty things to the editor.  What's your long-range plan, though?  Well, that's a bit of a mystery.

This story won the prize for the week because of the ending which surprised me, but (see first paragraph) was not a twist.  Nothing wrong with that, of course.

An End in Bath, by Janet Laurence

"An End in Bath," by Janet Laurence, in Motives for Murder, edited by Martin Edwards,  Crippen and Landru, 2017.

Irene Wootten lives a peaceful, quiet life in Bath, ever since her father died.  One day an extroverted young man arrives, informs her that he is her cousin Rod from Australia, and he wants to stay for a while.  Rather disturbing, but she enjoys his company.

More disturbing is the fact that Rod feels his side of the family was cheated out of their inheritance by Irene's father.  And worse is her discovery of the assorted crimes that led to Rod's grandfather being pushed off to Australia.  Is this a man she can, or should trust?

There is a lot more to this complicated and enjoyable tale of family intrigue.