The Regular, by James Thorpe

 

"The Regular," by James Thorpe, in Crime Under the Sun, A Sisters in Crime Anthology, edited by Matt Coyle, Naomi Hirahara, and Tammy Kaehler, Down and Out Books, 2023. 

Ray is drinking more than he should  His wife is gone and that led to him making a bad mistake.  What's worse is that Veronica knows about it.  She is the pianist at the bar where Ray does his too-much-drinking.

And, ironically, she starts nagging him just like his wife did toward the end of their marriage.  Why doesn't he demand a promotion?  He needs to make more money...

Just like his wife, except that Veronica's motive is different.  That link between pianist and wife is the amusing spark that kept me turning pages, but there are many clever twists to come in this neat little tale.

Making the Bad Guys Nervous, by Joseph S. Walker

 

"Making the Bad Guys Nervous," by Joseph S. Walker, in Black Cat Weekly, #102.

This is Walker's third appearance in my column this year.  It is his  tenth overall, which ties him with Terence Faherty and Mark Thielman at the top of the pantheon, for the moment.

Tim Chadwick is a disgraced ex-cop who sometimes fills the times between drinks by doing some unlicensed private eye work. (cough cough Scudder? cough cough).

A client is worried that his mother's suburban neighborhood is being plagued with porch pirates - people stealing packages left by delivery workers.  He wants the bad guys caught before they escalate to violence and he is willing to pay Tim to put a week into it.

So Tim finds himself sitting in the living room of Sandy, the client's mother, peering out the window, eating her sandwiches, and listening to her attempt to play the piano.

"Is that Springsteen?"

"If you're feeling generous."

It's a low-key story that shifts to a low-key sort of violence.  Very clever.

Lenny, but not Corky, by Daniel Stashower

 

"Lenny, but not Corky," by Daniel Stashower,  in Cleveland Noir, edited by Michael Ruhlman and Miesha Wilson Headen, Akashic Press, 2023.

The publisher sent me a copy of this book.

Cleveland rocks.  There are a lot of good stories in this anthology.

Some stories are primarily about plot, others about character. This one is about style.

The narrator is talking to a reporter, "you." We never hear her speak, just Anders' reaction to her questions.  

We learn that she is writing an article about the disappearance of a paper boy fifty years earlier.  Everyone refers to him as a boy, but he was actually nineteen.  Anders and his wife were hippies and they were close friends with the kid.  They could have been the last people to see him alive, except they had had a fight.  The guy who wrote a book about the disappearance "the great and all-knowing Julian Story," Anders calls him, made it look as if it was Anders' fault, that if hehad been there the boy might have been saved.

Anders doesn't like Julian Story or the book, and he thinks this article may be his last chance to spell things out.

If you have to drag all this up again, at least let me tell it my way, like you said.  No, I'm not bitter... 

Oh, he's bitter, all right.  And he has a fine story to tell.

The Silent Partner, by Susan Petrone

 

"The Silent Partner," by Susan Petrone, in Cleveland Noir, edited by Michael Ruhlman and Miesha Wilson Headen, Akashic Press, 2023.

The publisher sent me a free copy of this book.

I have said, more than once, that Akashic's Noir Cities series would be improved by having more historical tales.  This story proves me right for it is historical in more senses than one.

It's 1970.  The narrator (if he has a name I didn't catch it) writes about baseball history for the Cleveland Press.  He has to cover the 50th anniversary of the day a Cleveland player was killed by a pitch thrown by a Yankee.

The more he investigates  the more it appears that something weird happened.  Weird, like the beanball being deliberate?  Much weirder than that.

  This terrific story reminds me of W.P. Kinsella's many magic realism tales about baseball (Field of Dreams was adapted from one of his books). And that's a compliment. 

Her Upstairs, by Michael Z. Lewin

 

"Her Upstairs," by Michael Z. Lewin, in Ellery Queen's Mystery Magazine, July/August 2023.

This is the fourth appearance in this column by Mr. Lewin.

I just checked.  I have used the word "silly" in reviews here at least fifteen times.  Last time I wrote: "A very silly story, but satisfying.  (Hey, what's that but about?  Let's say and satisfying.)"

And here we are again.

Barry and Evvie are an older couple whose happy home is disturbed by a very annoying upstairs neighbor.  They get desperate enough that they start thinking about killing the bad lady.  But first they decide to pray on it.

Well, not pray exactly.  You see, they believe in the old gods, the Greek ones, and they know that the gods communicate with humans through... cribbage?  Seriously?

There's a lot of technical cribbage stuff in here I mostly ignored but the  dialog between Olympian deities was right up my alley.  

Aphrodite, known for her reason and passion, was first to speak.  "Aw, isn't that lovely. They have a problem and they want our help."

"That's not what The Game is for," Zeus roared again...

"Blow them away!" Ares, the God of War, urged.  "Rules are rules."

Aphrodite is known for reason?  Don't think so.  But the story is a treat.

Tamsin & the Church Ladies, by Susan Daly

 

"Tamsin & the Church Ladies," by Susan Daly, in Malice Domestic 17: Mystery Most Traditional, edited by Verona Rose, Rita Owen, and Shawn Reilly Simmons, Wildside Press, 2023.

This is the third story by Daly to make it into this blog.  It has just about everything I want in a cozy: interesting small town setting, eccentric and memorable characters, a reasonable motive, and good writing.

It's a small town in Ontario in the 1970s and the first source of conflict is an unlikely match-up.  Tamsin, our narrator, is a Women's Studies professor when the "discipline was so new the paint was still wet on the department head's door."  She marries Mike, an Anglican minister, even though that isn't her faith.

Would you be astonished that some of the congregants disapprove of her?  Me neither.  And when Tamsin finds the corpse of her husband's most vocal opponent floating in the river, things get more complicated.

 I do have one complaint with this story: the solution comes way too easily, pretty much unearned by our sleuth.  But it's a fun trip to get there.

 

 

 

Martin, the Novelist, by Marcel Aymé

 

"Martin, the Novelist," by Marcel Aymé, in Ellery Queen Mystery Magazine, July/August 2023. 

Can I call this a 2023 story?  It seems to have been written (or set) in the 1930s, and the author died in 1967.  But I think this is it's first publication in English.

And it is a treat.

Martin is a successful novelist with one great flaw.  He kills off his characters.  Even his protagonists.  Sometimes in the middle of a book.  In one novel he killed off everybody.

His publisher can't stand it anymore and extracts a promise that no one important will die in his next book, or no money.

That's hard enough for Martin to bear but even worse is a visit from one of his characters, who is very unhappy with the plot.  Everybody's a critic, right? 

And then one of his friends comes with a special request: Could Martin put a certain real person in his book, kill her, and thereby bump her off for real?

Talk about meta.  Aymé rings more changes on the theme and they are delightful.   

Writer's Block, by Ed Ridgley

 

"Writer's Block," by Ed Ridgley, in Alfred Hitchcock's Mystery Magazine, July/August 2023.

Each issue of AHMM features a contest called the Mysterious Photograph.   To enter you have to write a crime story of no more than 250 words based on the picture.

In the thirteen years I have been reviewing short stories I have covered perhaps a dozen pieces of flash fiction but I think this is  the first time one of these contest winners has been my pick of the week.

Here it is, Writer's Block.  This is where all the writers go when they can't think of a word to say...

So what we have here is a metaphor, a parable if you wish.  I happen to love parables (Kafta, Borges, LuGuin, all greats).

Until, at the end, the story makes a turn so sharp you could cut yourself.

And I'll stop there so as to stay shorter than Mr. Ridgley's tale.

Concrete Dog, by Stephen Ross

"Concrete Dog," by Stephen Ross, in Alfred Hitchcock's Mystery Magazine, July/August 2023.

This is the third appearance in my column by Stephen Ross, my fellow SleuthSayer. 

It is 1940 in New Zealand (Ross's home turf.)

Frank has enlisted in the army and is about to go off to the war.  But the day before he sails he is considering  something really dangerous: doing a favor for his crooked brother.

Brother offers him fifty pounds to steal concrete dog from a rich man's house.  Brother has health problems and  can't possibly lift the beast, hence the request/offer.  Why is the stone pooch worth that kind of money?  Well, brother offers an explanation which doesn't hold a lot of water.  Of course, there is more going on...

But Frank and his wife really need the money.

Things go in a surprising and satisfactory direction.

Wrong Road to Nashville, by Joseph S. Walker

"Wrong Road to Nashville," by Joseph S. Walker, in Weren't Another Other Way to Be: Outlaw Fiction Inspired by the Songs of Waylon Jennings, edited by Alex Cizak, Gutter Books, 2023.

Walker hasn't appeared on this page since, um, last month. This is his ninth story to make my best-of-the-week list.  Very different from the last.

Our hero is Caleb, a school custodian, built like a pro wrestler.  His goal is to be a Nashville singer-songwriter and it looks like he may have the talent for it.

But first he has a little problem to solve.  His new girlfriend has been kidnapped by bad guys who want him to drive a load of contraband to... Nashville.  This wasn't the way he planned to get there, but you do what you have to do.

 A nice story of steadily building suspense.