The Big Store, by Terence Faherty

 

"The Big Store," by Terence Faherty, in Monkey Business:Crime Fiction Inspired by the Films of the Marx Brothers, edited by Josh Pachter, Untreed Reads, 2021.

I have a story in this book.

This is the eighth appearance in this space by my fellow SleuthSayer Terence Faherty.

Last week I wrote about a story in this book that gave us a view of the Marx Brothers as they might have appeared in real life  Today we go to the opposite extreme with a story that could be a sequel to the movie in question -  and it's odd that such a bad movie could lead to such a good story.

Our narrator is private eye Wolf J. Flywheel. Groucho's character. Based on his success in saving Martha Phelps' department store in the movie  he now has an office in her shop and is pursuing his detective business while also pursuing the boss.

"Martha, Martha, Martha. I could say her name a million times. Once for every greenback she has in the bank."

If his motives are less than pure, his language is pretty hilarious, and convincingly Marxist.

"The department store business is one tough racket. Machine Gun Kelly once tried to return a violin case to Macy’s without a receipt and ended up kissing the sidewalk."

I won't go into the plot.  Let's just say mischief is afoot and Flywheel has to rush to the rescue with the assistance, if that;s the word I'm searching for, of an Italian blackmailer and a silent harpist.    Good times.

A Day at the Races, by Joseph S. Walker

 

"A Day at the Races," by Joseph S. Walker, in Monkey Business:Crime Fiction Inspired by the Films of the Marx Brothers, edited by Josh Pachter, Untreed Reads, 2021.

I have a story in this book.

This is the third appearance here by Joseph S. Walker, the second this year.

One of the interesting things about an anthology like this one is seeing the many different ways authors interpret the theme.  Some use the plot of the film as a jumping-off place.  Others work with the on-screen personas of the brothers.  This is the first one I have read that tries to show us our heroes as they might have appeared in real life.

Julia Simmons is the head of personnel and payroll at Santa Anita Racetrack and this is the day before the film crew will arrive to shoot the racing scenes for the new Marx Brothers movie.  Unfortunately it is also the day that the manager of the track is murdered.  The handsome detective in charge of investigating the case has many questions which keeps Julia rushing back to her office - where an odd little man in a gray suit is hanging around for no apparent reason.  We will figure out his part in the story long before she does, but it's fun hearing his commentary on the action.

There's a lot of wit in this tale, and a satisfactory plot.

Providence, by Clark Boyd

 "Providence," by Clark Boyd, in This Time For Sure, edited by Hank Phillippi Ryan, edited by Down and Out, 2021. 

Xavier has job satisfaction problems.  He's a hitman for One Shot Valenti and he doesn't feel a lot of job security.  This is a business where getting laid off involves ceasing to breath.

Our hero has an interesting view of the world.  Here he is watching a baseball game: "[W]hen there’s a conference on the mound, I amuse myself by pretending, aloud, that they’re discussing existentialist philosophy. “Coach, I can get this guy. Take a leap of faith.” “But Pedro, did the great Dane not also say, ‘The specific character of despair is precisely this: it is unaware of being despair?’ Now hand me the goddamn ball."

Honestly I didn't find the plot all that convincing, but the characters are dialog are more than worth the ride.

 

Funeral Games, by Hal Bodner

"Funeral Games," by Hal Bodner, in Avenging Angelenos, edited by Sarah M. Chen, Wrona Gall and Pamela Samuels Young, Down and Out Books, 2021.

This is a very silly story.  That is not an insult.

Southern California's funeral industry is viciously competitive when it comes to celebrity funerals.  People measure a memorial park's cachet by how many stars are buried on-site.  Needless to say, the plots and crypts are priced accordingly.  It never fails to astonish me how many people will pay top dollar to spend their eternal rest within spitting distance of a rock star when in life, they'd have been outraged by the loud parties next door and called the police on the groupies throwing up on their lawn.

Mickey owns one such memorial park.  His nemesis and ex-lover is the wonderfully named Julia Shrike.  They will do anything to steal top-of-their-fame dead rockers or even over-the-hill movie stars from each other.  Bribery, lies, and even grave-robbing are not off the menu.

As the tit-for-tat escalates it is anyone's guess who will wind up on top.  Great fun.

Incident at a Diner, by Chris Miller

 "Incident at a Diner," by Chris Miller, in Dead-End Jobs: A Hitman Anthology, edited by Andy Rausch, All Due Respect, 2021.

This is one of those stories that grew on me, meaning I liked it better the more I thought about it.  There are so many moving pieces it takes a while to sort everything out.

Sam and Millie are meeting for breakfast in a diner in rural Texas.  They are deep in lust and soaking in guilt because Sam is cheating on his wife.  

But they aren't the only people having trouble in that joint.  A man and woman are arguing furiously about something.  Two gangster-types from New Jersey are complaining about an associate has screwed up.  And then there's the old cowboy who seems to have his own agenda.  How is this all going to work out? And, let's remember: why is this story in a book about hit men?

The climax surprised me a lot.

A Hell of a Thing, by Wayne J. Gardiner

 "A Hell of a Thing," by Wayne J. Gardiner, in Alfred Hitchcock's Mystery Magazine, September/October 2021.

This is the second appearance here by Wayne J. Gardiner.  It doesn't have a complicated plot, more of a slice-of-life story.  

On the first page Carly does something most officers never need to do in their whole careers: fire her weapon in action.  In fact, she shoots three armed robbers and she shoots them all dead.

The rest of the story is about her trying to find ways to cope with her reactions and those of the people around her.  And, perhaps inevitably, there is a niggling self-doubt: Is she sure the first robber was turning his gun toward her?

It is a moving tale, well-told.

Glass, by James R. Benn

 "Glass," by James R. Benn, in Alfred Hitchcock's Mystery Magazine, September/October 2021.

One of the many reasons AHMM is my favorite magazine is that they occasionally take a chance on a crime-related story from a different genre.  This story, for example, has a clear science fiction orientation.

The proton moved an at insane speed.  If it had been capable of fear, it would have been terrified.  Contained within an oval tube, traveling just short of the speed of light, it whipped around the 54.1-mile circuit ceaselessly as other protons shout past it from the opposite direction.  Collisions sparked all around it, sending smashed protons against the smooth metalic surface which contained its universe.

 That's the start.  We follow the path of this proton for an entire page before things go awry. The superconducting super-collider goes boom and a piece of 21st-century technology is blasted back through time to 1965 where it is discovered by hapless recently-fired salesman Guy Tupper.  Guy brings it to his cousin Jerry who runs a repair shop.  Together they figure out just enough to get the device working, and then...

Well.  That would be telling.

There is a clever roman a clef here, with a well-known writer being referenced under a transparent pseudonym.  The best part is that the plots of his novels fit spookily to the situation Guy and Jerry find themselves in.

There is a twist in this tale that made me gasp audibly.  That doesn't happen very often.

 

The Stain of Memory, by Thomas K. Carpenter

 "The Stain of Memory," by Thomas K. Carpenter, in Ellery Queen's Mystery Magazine, September/October 2021.

This is the second appearance in this column by Carpenter and his Roman detective.

Carpenter's Ovid is not the great poet, but a magistrate serving in a poor neighborhood of Alexandria.  He is a long ways from a conventional hero, modern or Roman, being overweight and somewhat dithering.  But he is clever, and honest, and has an excellent grasp of Roman law, which is vital because these stories tend to turn on quirks of this legal system.

As usual, Ovid finds himself between a rock and a hard place.  To be specific, his boss, who is in charge all the magistrates and the military in the city, has brought a charge against the governor.  Both of them demand that Ovid, as presiding magistrate, rule in their favor.  Either can destroy him at will.  

As I said, Ovid has been in tough spots before, but this time he learns something that makes the problem very personal.  So, in effect, he is his own client.  

A very clever story, and an excellent portrayal of the time period.  

Perfect Strangers, by Tilia Klebenov Jacobs

 "Perfect Strangers," by Tilia Klebenov Jacobs, in When A Stranger Comes To Town, edited by Michael Koryta, Hanover Square Press, 2021.

Gershom is finishing his second prison term for armed robbery when his cellmate Dougal points out the new gold mine: marijuana dispensaries.  Cash-rich and security-poor, they are a robber's dream.  So when he gets out Gershom begins to plan an elaborate robbery, because he does not intend to go down a third time...

The writing here is very witty. "Five years [in prison] went by like a snail with a hangover."  "If this went sideways, they'd lock me up and melt down the warden." And so on.

If you have read a few hundred stories like this you know something will go sideways,  But Jacobs found a clever and unexpected way to do that.

The Skull Collector, by Joe R. Lansdale

"The Skull Collector," by Joe R. Lansdale, in Collectibles, edited by Lawrence Block, LB Productions, 2021.

This is Lansdale's third appearance here.  

If a story is told in first person, style is character.  Here is our heroine describing her boss, a fence, dealing with a dissatisfied customer:

"He was a tough old guy, Ruby said.  Big, cold crack walnuts with harsh language, chase a squirrel up a tree with bad breath. She had to use an axe handle to sort the guy out a little.  It wasn't too bad.  He was able to leave on his own, though not without a certain amount of pain and difficulty..."  

That tells you a lot about Ruby, sure, but we also find out a lot about the narrator, especially that "It wasn't too bad." What does she consider a real problem?

Ruby has been hired by a Texas bigwig to steal a skull form a cemetery  -- I'll leave the reason for that a secret -- and she ropes our heroine in.  Things get worse.  Then they get worse.  And... you get the idea.

Here is the assistant fence describing the hasty exit made by two thugs: "Bridge Support and his Kemosabe left out of there so fast they didn't even leave body odor."