Bitter Cold, by Shannon Taft

 

"Bitter Cold," by Shannon Taft, in Notorious in North Texas, edited by Michael Bracken, North Dallas Chapter of Sisters in Crime, 2024.

The big question with historical fiction is: How much is too much? I'm talking about detail. You want the reader to believe you know what you're talking about, but you don't want them thinking they are reading a history book and falling asleep over it.

It may help if you're writing about something the reader knows nothing about, which is certainly the fact in this story - at least with this reader. 

It's January 1918, and the narrator, Major Evans, is the commander of military police at Camp Taliaferro, where American and Canadian pilots are being trained to fight and fly in the World War.  It is one of the coldest winters in Texas history and the troops are not prepared nor equipped for it. That could explain how Canadian Flight Cadet Charlie MacDonald wound up dead in his tent, except there is evidence that he was strangled.

Evans has to investigate the murder quickly while being pressured by the brass to play down a dangerous international incident that could play havoc with the already low morale.  

The story felt very real to me.

Coming Attractions, by Vinnie Hansen

 

"Coming Attractions," by Vinnie Hansen, in Invasive Species: Stories by Northern California Crime Writers, edited by Josh Pachter, Sinc NorCal, 2024. 

Something different this week, science fiction, but crime as well.

Bill and Sara bought a maid.  Ester is a human-appearing robot with a certain uncanny-valley creepiness, but extremely efficient.

Until she starts reading mystery novels.  And, as it turns out, she is reading other kinds of books as well.

"We're not a story, Ester.  We're real life."

"I'M not real life."

The story manages to be creepy, funny, and thought-provoking at once.

Steer Clear, by Mark Thielman

 "Steer Clear," by Mark Thielman, in Reckless in Texas: Metroplex Mysteries, Volume 2, edited by Barb Goffman, North Dallas Chapter of Sisters in Crime, 2023.

This is the tenth appearance in this space by my fellow SleuthSayer, Mark Thielman, which I believe makes him the current record-holder.

Any story that makes me laugh out loud several times has a good chance of making this list. And this story is even a locked room mystery.  

Okay, a locked barn mystery.

 Detective Alpert of the Fort Worth Police has been assigned to look into the disappearance of a steer.  Yes, it's a famous piece fo beef, but does it really deserve the attention of a Major Case Division cop?

Maybe it wouldn't except that the night before Alpert left a party with the ex-wife of his boss.  "[H]e should have ignored those whispers emerging from his glass of Jim Beam.  Jim had made sure he had noticed Brittney's leather pants..."  

Funny story with a satisfying solution.

Crime Scene, by Joseph S. Walker.

"Crime Scene," by Joseph S. Walker, in Malice in Dallas: Metroplex Mysteries Volume 1, edited by Barb Goffman, Sisters in Crime North Dallas, 2022.

This is the fifth appearance in this column by Walker.

Adler had done a lot of jobs in fields of work where nobody writes a résumé.  

In recent times, in fact, he's been working as a hitman.  His latest assignment is a very strange one: Kill a millionaire businessman in Dealey Plaza on November 22.  

The contract is so bizarre that Adler's curiosity is piqued.  Why is someone willing to  pay a large amount to see Alex Lersch killed, and why at this time and place?  

His research doesn't help much.  Lersch's fortune is going to big institutions, not likely to rush the inheritance illegally.  No one seems to hate or fear the man.  His only unusual characteristic is that he is obsessed with  a certain assassination...

A clever and thoughtful story.

Catch and Release, by Mark Thielman

"Catch and Release," by Mark Thielman, in The Fish That Got Away, edited by Linda M. Rodriquez, Wildside Press, 2021.

This is the seventh appearance in this column by my fellow SleuthSayer.

I let a murderer go today.

That's how the tale begins. You might feel that the prosecutor is being a little hard on himself, because he did try his best to get Thomas Edmonds convicted.  (Didn't he?)

He walks you through the trial, through every maddening moment that caused his case to slip away.  And through it all Edmonds sits there, as unconcerned as a bystander at a church picnic.  No wonder the narrator is so upset.  But then unexpected things happen.

You could argue that this story is a stunt. Ah, but it is a satisfying stunt.

Funeral Games, by Hal Bodner

"Funeral Games," by Hal Bodner, in Avenging Angelenos, edited by Sarah M. Chen, Wrona Gall and Pamela Samuels Young, Down and Out Books, 2021.

This is a very silly story.  That is not an insult.

Southern California's funeral industry is viciously competitive when it comes to celebrity funerals.  People measure a memorial park's cachet by how many stars are buried on-site.  Needless to say, the plots and crypts are priced accordingly.  It never fails to astonish me how many people will pay top dollar to spend their eternal rest within spitting distance of a rock star when in life, they'd have been outraged by the loud parties next door and called the police on the groupies throwing up on their lawn.

Mickey owns one such memorial park.  His nemesis and ex-lover is the wonderfully named Julia Shrike.  They will do anything to steal top-of-their-fame dead rockers or even over-the-hill movie stars from each other.  Bribery, lies, and even grave-robbing are not off the menu.

As the tit-for-tat escalates it is anyone's guess who will wind up on top.  Great fun.

One Flu Over the Cuckoo's Nest, by Kathy Krevat

"One Flu Over the Cuckoo's Nest," by Kathy Krevat, in Crossing Borders, edited by Lia Brackmann and Matt Coyle, Down and Out Books, 2020.

Timing is everything, so they say.

I'm sure the editors and author of this book had no idea what was heading at them when this book came out in February.  You see, the narrator of the very first story is a sentient virus.  Specifically an influenza bug.

The virus travels to a nursing home because it is scheduled to kill an old woman who lives there, but someone has already done that.  The virus, out of curiosity, tries to discover the killer.  It has certain abilities: like a lie detector machine it can detect changes in body patterns that might indicate deception.  And it can influence people in subtle ways...

A truly unusual story.

Rozotica, by R.M. Greenaway

"Rozotica," by R.M. Greenaway, in The Dame Was Trouble, edited by Sarah L. Johnson, Halli Lilburne, and Cat McDonald, Coffin Hop Press, 2018.

This is a weird story.  By that I do not mean it is science fiction, or supernatural, or falls into all those bins we label "experimental fiction."  It just goes in many unexpected directions.  And that's a good thing.

It's 1973 and Heather is a waitress in Vancouver, B.C.  In fact she has been a waitress since tenth grade, and a virgin for much longer than that, and nothing seems likely to change.

Except for Milestone.  He's a hippy.  He likes her and he has a plan.  "You're the key.  It's your face.  It's perfect."

This is not a compliment, as it turns out.  Milestone has a scam in mind: convincing a bunch of investors that he has the latest thing in sex toys, a female-looking robot straight from Japan.  And Heather's not-quite-normal features make her the ideal prototype.  "You're kind of cold and synthetic looking," Milestone explains.  What girl could resist a come-on like that?

And so, having taken care of the virginity problem, they meet with a gang of pathetic men who are more interested in getting a realistic sex doll than they are in investing a bundle.  What could possibly go wrong?

While you are make a no doubt lengthy list of possible answers to that question, I will explain that several of them are about to happen.  But what makes the story truly interesting is what happens after things go pear-shaped.  I especially enjoyed the conversation near the end by two people trying to make sense of it all.

A fun and imaginative piece.

Canyon Ladies, by Sarah M. Chen

"Canyon Ladies," by Sarah M. Chen, in Sisters in Crime Los Angeles presents LAdies Night, edited by Naomi Hirahara, Kate Thornton, and Jeri Westerson, Down and Out Books, 2015. 

Before we get to the main order of business, may I grumble a bit?  No one has ever been able to stop me before, so I guess I can. 

This is always an awkward time of year for me.  I have run out of paper magazines to review.  That means I either have to buy paper copies of anthologies or get e-versions and in that case I need to drag my iPad to work to read them on my lunch hour.  Yeah, poor me.

None of this is a complaint about this book, which I am enjoying.  In fact, I am grateful to SIC-LA for publishing over the summer.  So many anthologies come out in late fall.  Just in time for Christmas shopping, sure, but a real bummer for people trying to finish their reviews of 2015 before 2016. 

Okay.  Kvetch over.

Speaking of kvetching, Chen's narrator has a reason or two to complain.  Shelby's husband has been caught in dirty business dealings and, although he was miraculously (and suspiciously) acquitted, the social world of Laurel Canyon has not forgiven him. His wife, innocent of any wrong-doing, is a social pariah.

Shelby's having a hard time coping.  "I looked in the mirror as I washed  my hands, and shame, wearing last season's bathing suit, stared back at me.  I bet this is how the fat girl in school felt like every day."

But she a plan for vengeance.  The question is: on whom, exactly?

Their Little Secret, by Anita Page

"Their Little Secret," by Anita Page, in  Murder New York Style: Family Secrets, edited by Anita Page, Glenmere Press, 2014.

Full disclosure: The editor of this book sent me a free copy.  The editor, as it happens, is the author of my favorite story in the book.  So you have to decide whether I can be bought off with a free paperback.  (Hint: I generally refuse to sell my soul for less than a new hardcover.  Inflation.)

This anthology, by the way, was created by the New York/Tri State Chapter of Sisters in Crime.

The story is about a disfunctional family and focuses on fifteen-year-old Cassie, the only child.  Her parents don't get along so well.

Cassie, expert reader of moods and body language, figured they were minutes away from the Sunday  night fight.

Cassie's mother - drunken, mean, and blatantly unfaithful - has decided that she and her daughter are going off to Long Island for the summer, even though her husband can't get away.  Cassie ain't thrilled.  "I call this hell."

Things get bad.  Then they get worse.  The whole story is good but what makes it a winner for me is one sentence on the last page.  I wouldn't call it a twist ending, but it is a neat sting that gives us a new persective on what has gone on before. 

Tell Me About Your Day, by Lynne Lederman

"Tell Me About Your Day," by Lynne Lederman,  in Murder New York Style - Fresh Slices, edited by Terrie Farley Moran, L&L Dreamspell, 2012.

This nifty piece starts out as noir and goes elsewhere.  The narrator is a recovering substance abuser who is trying to be a better person (and if that isn't a formula for a classic noir character, I don't know what is).  He is living in a dumpy apartment, going to AA and NA and making a point of visiting his only living relatives, a niece and her daughter.  The result is that when the niece is murdered the cops and social workers bring the traumatized little girl to him.  They are hoping that a familiar face might encourage her to report something about the unknown killer.

And that leaves our hero trying to figure out how to fit a kid into his tiny, miserable life.

Damn.  Can't smoke with the kid here.  He reomved the cigatette and contemplated it.  Can't go outside, can't leave her.  Realy too cold to hang out the window, let aone sit on the fire escape. She'd know, anyway.  He shredded it into the ashtray. Have to get rid of that, and the matches.  Weren't little kids always playing them, starting fires?

The whole story is in the man's head, trying to sort through his growing responsibilities and limited possibilities.  Then there is an unexpected turn, a clever bit of deduction that suggests there might be a ray of hope ahead.

Nice piece of work. 

Only People Kill People, by Laura K. Curtis

"Only People Kill People," by Laura K. Curtis, in Murder New York Style - Fresh Slices, edited by Terrie Farley Moran, L&L Dreamspell, 2012.

Been working through this anthology produced by the New York chapter of Sisters In Crime.  Curtis takes a unique viewpoint in her story: the narrator is a gun.

For eight years, it was my honor to serve and protect Sam Bradley, his family, and his employers  Sam took care of me, and I took care of him...

But this is a crime story so things have to go bad for Sam and his gun.  Original idea, well written.