I Remember it Well, by Wayne J. Gardiner

 "I Remember it Well," by Wayne J. Gardiner, in Black Cat Weekly, #134, 2024.

 This is the third story by Gardiner to get reviewed here.

It may be related to the aging of us baby-boomers but I have detected an increase over the last decade of stories about people with memory problems.   Seems like a theme better fit for shorts than novels, I think.

Charlie Hackett is an aging ex-cop and his memory has been failing for a while - in fact that's why he became an ex-cop.  At a funeral for a fellow veteran he spots a woman a decade younger and he is certain he knows her from somewhere.

Joanne Harner is sure she knows him and doesn't suspect that he can't recall the details of their previous encounter - one that was life-changing for her. 

Charlie, and the reader, slowly piece together his connection to Harner, and then Charlie -- for the second time -- has a decision to make.

A nice story about a man with interesting dilemmas.

A Hell of a Thing, by Wayne J. Gardiner

 "A Hell of a Thing," by Wayne J. Gardiner, in Alfred Hitchcock's Mystery Magazine, September/October 2021.

This is the second appearance here by Wayne J. Gardiner.  It doesn't have a complicated plot, more of a slice-of-life story.  

On the first page Carly does something most officers never need to do in their whole careers: fire her weapon in action.  In fact, she shoots three armed robbers and she shoots them all dead.

The rest of the story is about her trying to find ways to cope with her reactions and those of the people around her.  And, perhaps inevitably, there is a niggling self-doubt: Is she sure the first robber was turning his gun toward her?

It is a moving tale, well-told.

Mistaken Identity, by Wayne J. Gardiner

"Mistaken Identity," by Wayne J. Gardiner, in Alfred Hitchcock Mystery Magazine, January/February 2020.

Gary Hoffman is the senior half of a small town police force.  One night he is called out to a bar where a stranger has snatched up the owner's shotgun and told him to call the cops.  In the fracas that follows Hoffman kills the stranger.

I'm not giving anything away, I should point out.  This is, as they say, the premise of the story.  And it's a wittily written tale.  Take this bit of conversation between Hoffman and his receptionist.

Marie gave him a pat.  "Take all the the time you need," she said.  "I can keep up with the little things."
"Can't take too long," Gary said.  "People might realize this whole operation can run without me."
Marie had issued as much sympathy as she could muster.  "Don't worry about it.  It won't come as a surprise to anybody."

But there will be other surprises in store, as Hoffman tries to figure out why a stranger wanted to kill him.  And whether there may be more danger ahead.