"My Companion," by Janice Law, in Ellery Queen's Mystery Magazine,May/June 2019.
Before we get to the main event, I want to point something out. This issue contains a story by William Burton McCormick The introductory note points out that McCormick "made the
SleuthSayers list for Best Short Stories of the Year in 2016." I believe that is the first time an editor made note in writing of my annual best fest. Nice to be noticed.
This is the sixth appearance here by my friend and fellow SleuthSayer.
Jess is a poor little rich girl. What she really wants is a puppy but her very busy parents say a real dog is too much trouble, so they get her a fake canine from a company called My Companions.
Mom explains: "My Companion has a repertoire of phrases that come loaded, but the neat thing, Jess, is that this toy learns. As you talk to it, it learns and responds! Now, isn't that better than a puppy?"
Meh. But after a particularly bad day at school Jess talks to the fake dog whom she names Piper.
And Piper talks back. Sure enough, his personality does develop. In particular, he takes a deep interest in Daddy's collection of fine and expensive art...
Jess is lonely and depressed but she isn't dumb. She sees what is going on, but what should she do about it? A haunting little tale.
Monday, May 27, 2019
Monday, May 20, 2019
The Duelist, by David Dean
"The Duelist," by David Dean, in Ellery Queen's Mystery Magazine, May/June 2019.
My friend and fellow SleuthSayer, David Dean, is making his fifth appearance here with a fine historical tale.
The time is pre-Civil War and the place is Natchez, Mississippi. Captain Noddy has a habit of taking offense at innocent remarks by country bumpkins, and then taking their lives in duels.
Now a down-on-his-luck gambler named Darius LeClair has arrived in town and seems quite careless in talking to the dangerous captain. Is he foolish or is he doing it on purpose? Is he in fact a gambler or something quite different?
There are wheels within wheels here and the secrets keep unraveling right to the end. I enjoyed it a lot.
My friend and fellow SleuthSayer, David Dean, is making his fifth appearance here with a fine historical tale.
The time is pre-Civil War and the place is Natchez, Mississippi. Captain Noddy has a habit of taking offense at innocent remarks by country bumpkins, and then taking their lives in duels.
Now a down-on-his-luck gambler named Darius LeClair has arrived in town and seems quite careless in talking to the dangerous captain. Is he foolish or is he doing it on purpose? Is he in fact a gambler or something quite different?
There are wheels within wheels here and the secrets keep unraveling right to the end. I enjoyed it a lot.
Monday, May 13, 2019
The Spy Who Walked Into The Cold, by Ron Collins
"The Spy Who Walked Into The Cold," by Ron Collins, in Fiction River: Spies, 2019.
Not a very short story this week. A novella, I believe, and quite a thoughtful one.
It's 1969 and Radner has mostly recovered from the injuries he received in Viet Nam, although he still has nightmares. He has joined the Chicago Police Department and has been given a special assignment. He is working with Mitchell, an FBI agent who has an informer in the Chicago branch of the Black Panthers.
O'Neal, the informant, had the choice of helping or going to jail. He tells them what the Panthers are up to and where they have their guns. He always points out that all the guns are perfectly legal. the FBI prefers not to hear that part.
Every time Panthers are killed by the cops - and it keeps happening - there are two versions of the event, and the cops' version doesn't seem to match the evidence. Radner isn't sure that this is what he was fighting for in Viet Nam. But what can he do about it? And what will it cost him if he does?
Very satisfying tale.
Not a very short story this week. A novella, I believe, and quite a thoughtful one.
It's 1969 and Radner has mostly recovered from the injuries he received in Viet Nam, although he still has nightmares. He has joined the Chicago Police Department and has been given a special assignment. He is working with Mitchell, an FBI agent who has an informer in the Chicago branch of the Black Panthers.
O'Neal, the informant, had the choice of helping or going to jail. He tells them what the Panthers are up to and where they have their guns. He always points out that all the guns are perfectly legal. the FBI prefers not to hear that part.
Every time Panthers are killed by the cops - and it keeps happening - there are two versions of the event, and the cops' version doesn't seem to match the evidence. Radner isn't sure that this is what he was fighting for in Viet Nam. But what can he do about it? And what will it cost him if he does?
Very satisfying tale.
Monday, May 6, 2019
Private Justice, by Steven Gore
"Private Justice," by Steven Gore, in Alfred Hitchcock's Mystery Magazine, May/June 2019.
Viewpoint is character. That seemed like such a logical statement that I just went looking for a source for it other than my overheated brain. I found one: a blogger named SensibleShoes who wrote in 2014: "Viewpoint is character. A character doesn’t just have a point of view (often called “POV” in writerspeak). A character is a point of view. Viewpoint can be presented without mentioning the character at all."
The nameless narrator of Gore's story is a retired Philadelphia Homicide cop, newly installed as chief of detectives in a small town. A retired professor has been stabbed to death in his office and it looks like a lot of people may be involved in a cover-up. As our hero investigates, he is constantly revealing his viewpoint which is all we known (or need to know) about his personality.
Throughout the story he sees what other people miss, not in the sense of smudged-footprint-in-the-flowerbed, but in the possible meaning of people's behavior. Why is one suspect involved in self-harm? Why is the university lawyer constantly smiling during a murder investigation?
Another aspect of viewpoint is that the cop is keenly aware that people in this small town are treated very differently than they would be back in the big city. Speaking of a plea deal for homicide: "Defendants in Philadelphia were getting more time for selling a couple of rocks of cocaine."
A nicely done story.
Viewpoint is character. That seemed like such a logical statement that I just went looking for a source for it other than my overheated brain. I found one: a blogger named SensibleShoes who wrote in 2014: "Viewpoint is character. A character doesn’t just have a point of view (often called “POV” in writerspeak). A character is a point of view. Viewpoint can be presented without mentioning the character at all."
The nameless narrator of Gore's story is a retired Philadelphia Homicide cop, newly installed as chief of detectives in a small town. A retired professor has been stabbed to death in his office and it looks like a lot of people may be involved in a cover-up. As our hero investigates, he is constantly revealing his viewpoint which is all we known (or need to know) about his personality.
Throughout the story he sees what other people miss, not in the sense of smudged-footprint-in-the-flowerbed, but in the possible meaning of people's behavior. Why is one suspect involved in self-harm? Why is the university lawyer constantly smiling during a murder investigation?
Another aspect of viewpoint is that the cop is keenly aware that people in this small town are treated very differently than they would be back in the big city. Speaking of a plea deal for homicide: "Defendants in Philadelphia were getting more time for selling a couple of rocks of cocaine."
A nicely done story.
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