Showing posts with label Gore. Show all posts
Showing posts with label Gore. Show all posts

Sunday, November 1, 2020

My Simple Plan, by Ariel Gore

 


 "My Simple Plan," by Ariel Gore, in The Nicotine Chronicles, edited by Lee Child, Akashic Press, 2020.

The publisher sent me a free copy of this book.  Much appreciated.

All the stories in this book are about tobacco; not all are about crime.  This one definitely qualifies.

Our nameless narrator is stuck in a tiny village in Tuscany. The residents scorn him as a homosexual and, worse, an American.  But he has a plan for making big bucks.

The Italian tobacco workers are on strike and our hero has two backpacks full of precious ciggies.  He plans to wait a few days for desperation to build up and then sell individual smokes at a boomed-up price.

One tiny problem: someone who arrives in town with black market cigarettes is murdered.  And that means: 1. Someone in town is willing to kill for a smoke, and 2. Anyone with cartons of cigarettes is an obvious suspect for the killing.  So, that's two problems, really, and neither of them are tiny.

I saw one plot twist coming but another one delighted me.  Very clever story.

Monday, May 6, 2019

Private Justice, by Steven Gore

"Private Justice," by Steven Gore, in Alfred Hitchcock's Mystery Magazine, May/June 2019.


Viewpoint is character.  That seemed like such a logical statement that I just went looking for a source for it other than my overheated brain.  I found one: a blogger named SensibleShoes who wrote in 2014:  "Viewpoint is character. A character doesn’t just have a point of view (often called “POV” in writerspeak). A character is a point of view. Viewpoint can be presented without mentioning the character at all."

The nameless narrator of Gore's story is a retired Philadelphia Homicide cop, newly installed as chief of detectives in a small town. A retired professor has been stabbed to death in his office and it looks like a lot of people may be involved in a cover-up.  As our hero investigates, he is constantly revealing his viewpoint which is all we known (or need to know) about his personality.

Throughout the story he sees what other people miss, not in the sense of smudged-footprint-in-the-flowerbed, but in the possible meaning of people's behavior.  Why is one suspect involved in self-harm?  Why is the university lawyer constantly smiling during a murder investigation?

Another aspect of viewpoint is that the cop is keenly aware that people in this small town are treated very differently than they would be back in the big city.  Speaking of a plea deal for homicide: "Defendants in Philadelphia were getting more time for selling a couple of rocks of cocaine."

A nicely done story.