Tell Me About Your Day, by Lynne Lederman

"Tell Me About Your Day," by Lynne Lederman,  in Murder New York Style - Fresh Slices, edited by Terrie Farley Moran, L&L Dreamspell, 2012.

This nifty piece starts out as noir and goes elsewhere.  The narrator is a recovering substance abuser who is trying to be a better person (and if that isn't a formula for a classic noir character, I don't know what is).  He is living in a dumpy apartment, going to AA and NA and making a point of visiting his only living relatives, a niece and her daughter.  The result is that when the niece is murdered the cops and social workers bring the traumatized little girl to him.  They are hoping that a familiar face might encourage her to report something about the unknown killer.

And that leaves our hero trying to figure out how to fit a kid into his tiny, miserable life.

Damn.  Can't smoke with the kid here.  He reomved the cigatette and contemplated it.  Can't go outside, can't leave her.  Realy too cold to hang out the window, let aone sit on the fire escape. She'd know, anyway.  He shredded it into the ashtray. Have to get rid of that, and the matches.  Weren't little kids always playing them, starting fires?

The whole story is in the man's head, trying to sort through his growing responsibilities and limited possibilities.  Then there is an unexpected turn, a clever bit of deduction that suggests there might be a ray of hope ahead.

Nice piece of work. 

Only People Kill People, by Laura K. Curtis

"Only People Kill People," by Laura K. Curtis, in Murder New York Style - Fresh Slices, edited by Terrie Farley Moran, L&L Dreamspell, 2012.

Been working through this anthology produced by the New York chapter of Sisters In Crime.  Curtis takes a unique viewpoint in her story: the narrator is a gun.

For eight years, it was my honor to serve and protect Sam Bradley, his family, and his employers  Sam took care of me, and I took care of him...

But this is a crime story so things have to go bad for Sam and his gun.  Original idea, well written.

Dial Country Code 91 +M for Murder, by Stewart Brown

"Dial Country Code 91 +M for Murder," by Stewart Brown, in Ellery Queen's Mystery Magazine, December 2012.

It was a tough choice this week between this story and "Dead Men's Socks,"  by David Hewson in the same issue.  I may have bene influenced by the fact that Hewson's story was in the same category as last week's pick, by S.J. Rozan.  Both were excellent stories about maverick cops in foreign countries who solve problems in spite of their superiors.

Brown's first story is very different, more a bit of humor than a traditional tale.

"Welcome to the Spade Detective Angency.  If your life is in immediate danger, please hang up and call the local authorities.  For English, please stay on the line.  Para el Español, por favor, pulse uno.  Press 2 if you would like to hear about our weekly crime-buster specials..."

Yes, even detective work can be outsourced, with someone dubious results.  The unlikely named Hamish, a proud graduate of the New Dehli School for Detective Studies, "the fourth-highest ranked detective school in all of New Delhi," is on the job, or at least the phone.  His client, Miss Nancy Drew, is suspicious about the mysterious death of her husband...

All very silly.  But we can't be noir every week, can we?

Golden Chance, by S.J. Rozan

"Golden Chance," by S.J. Rozan, in Ellery Queen's Magazine, December 2012.

EQMM's last issue of 2012 opens with something different from my buddy S.J. Rozan  The story is set in a small village in Western China, where Lo Pen-wei, "a disheveled lump of a man," investigates crime for the Public Security Bureau.  He is a shrewd, cheerful, Columbo-type cop, the only one of his fellows who bothered to learn the language when he moved to the territory of the Uighurs.  "Lo conceded that... for official interviews and instructions Mandarin would suffice; but  other conversations -- for example, those he would be most interested in overhearing in the streets -- would not be held in Mandarin."

As the story opens Lo is investigating vandalism of the office of the Housing Commission, which he does in a typically indirect way: by playing a chess-like game with his shopkeeper friend Sadiq.   In the course of the game he learns that the people are upset about government plans that would destroy a local landmark.  He also learns that his friend has three marriage-age daughters and no money for doweries.  Possibly he can solve all the problems with cunning plan.  And if he can get one more corrupt official out of office, so much the better.

Mystery stories tend to flourish in democracy and not do so well in dictatorships where no one has faith in justice being done.  (And there is my bland generalization for the day; glad to have it over with.)  But Rozan has created an interesting character and a believable setting.  Perhaps we will hear more about Mr. Lo.