“Hangman’s Break” by Albert Tucher, in Ellery Queen's Mystery Magazine, July 2013.
I have written before about the type of story I call the Unknown Narrator. That means that all the reader knows about the narrator is what other people say about him/her -- and those people are wrong. Tucher's story is a variation - the people really do know about the narrator's secrets, but the reader has to slowly figure them out.
The year is 1969 and hero is a police chief who got his job in part because during World War II he fought alongside the son of the local industrialist. Now that same son is found hanged on a railroad bridge. Suicide, or something else? We learn the grim details of his war experience, and then we learn how the after-war yearas have effected our hero. And some rough semblance of justice is meted out.
Good story.
Sunday, May 19, 2013
Sunday, May 12, 2013
The Gallows-Bird, by Kevin Mims
"The Gallows-Bird," by Kevin Mims, in Ellery Queen's Mystery Magazine, July 2013.
Somebody said there are only 36 plots. I don't know about that but I do know certain plots show up in mystery fiction with greater or lesser frequency. Man decides to kill wife. Criminal gets hoist by own petard. Some of these things show up in every anthology or crime magazine you pick up.
But I am more fascinated by the rarer plot, the one that you could probably fill one volume with if you put all the examples together. And one of those is what we are seeing today: An established writer and a novice writer conspire to commit a fraud on the public.
I suppose the reason this subject interests writers is obvious. In effect, it is work chatter, right? In most examples I have seen the older writer wants to hire the younger as a ghost (See Donald Westlake's The Hook, for instance) but Kevin Mims has taken a different approach in this story.
The older writer is a certified great novelist with tons of prizes and a niggling bit of self-doubt. His rival says he is over-rated because he is a life-time member of the literary establishment (studied under other top people at Ivy League schools who got him great reviews on his first book, etc.). So he wants his last novel to be published under the name of the young author, in order to get an honest judgment.
If this were a horror movie you would be yelling at the screen "Don't do it!" Unfortunately, just like the pretty girl heading down the basement of the haunted house, the young writer won't listen...
Somebody said there are only 36 plots. I don't know about that but I do know certain plots show up in mystery fiction with greater or lesser frequency. Man decides to kill wife. Criminal gets hoist by own petard. Some of these things show up in every anthology or crime magazine you pick up.
But I am more fascinated by the rarer plot, the one that you could probably fill one volume with if you put all the examples together. And one of those is what we are seeing today: An established writer and a novice writer conspire to commit a fraud on the public.
I suppose the reason this subject interests writers is obvious. In effect, it is work chatter, right? In most examples I have seen the older writer wants to hire the younger as a ghost (See Donald Westlake's The Hook, for instance) but Kevin Mims has taken a different approach in this story.
The older writer is a certified great novelist with tons of prizes and a niggling bit of self-doubt. His rival says he is over-rated because he is a life-time member of the literary establishment (studied under other top people at Ivy League schools who got him great reviews on his first book, etc.). So he wants his last novel to be published under the name of the young author, in order to get an honest judgment.
If this were a horror movie you would be yelling at the screen "Don't do it!" Unfortunately, just like the pretty girl heading down the basement of the haunted house, the young writer won't listen...
Sunday, May 5, 2013
Footprints in Water, by Twist Phelan
"Footprints in Water," by Twist Phelan, in Ellery Queen's Mystery Magazine, July 2013.
Twist Phelan juggles quite a lot of balls in this story and keeps them flying pretty flawlessly, I think.
Henri Karubje is a detective in the NYPD and he is called out to help investigate the missing daughter of a Congolese family. The relationships between the people, and with their medicine man, neighbors, and priest, are complicated to say the least.
Tangling the matter further is that Karubje is not their as investigator, but as translator. The lead detective is a newly promoted woman he has worked with when she was on patrol. The cliche here would be to have them in territorial conflict but Phelan chooses instead to have the new detective looking for more help while Karubje insists on making/letting her run the show.
Karubje is haunted by his childhood in the genocidal conflict of Rwanda and he makes good use of his memories of that horror to sort out the motives and inconsistencies of the characters.
Definitely worth a read.
Twist Phelan juggles quite a lot of balls in this story and keeps them flying pretty flawlessly, I think.
Henri Karubje is a detective in the NYPD and he is called out to help investigate the missing daughter of a Congolese family. The relationships between the people, and with their medicine man, neighbors, and priest, are complicated to say the least.
Tangling the matter further is that Karubje is not their as investigator, but as translator. The lead detective is a newly promoted woman he has worked with when she was on patrol. The cliche here would be to have them in territorial conflict but Phelan chooses instead to have the new detective looking for more help while Karubje insists on making/letting her run the show.
Karubje is haunted by his childhood in the genocidal conflict of Rwanda and he makes good use of his memories of that horror to sort out the motives and inconsistencies of the characters.
Definitely worth a read.
Sunday, April 28, 2013
Adrift, by Rex Burns
"Adrift," by Rex Burns, in Alfred Hitchcock's Mystery Magazine, June 2013.
This is the second time I have reviewed one of Rex Burns' stories about Constable Smith, a half-Aborigine cop in the wilderness of Western Australia. Smith is a classic type of character; being neither all one thing or the other, he is doomed to be an outsider everywhere, and makes an excellent guide to both worlds for the reader.
In this case there are not two cultures involved, but three. Two Japanese tourists chartered a boat to take them out for a day of scuba diving three miles from shore. The hard-drinking captain insists they never came back up. His mate, an aborigine has jumped ship and disappeared. Smith uses his knowledge of Aboriginal culture to find the truth, which is rooted in a bit of Australian history that was certainly new to me.
Good story.
This is the second time I have reviewed one of Rex Burns' stories about Constable Smith, a half-Aborigine cop in the wilderness of Western Australia. Smith is a classic type of character; being neither all one thing or the other, he is doomed to be an outsider everywhere, and makes an excellent guide to both worlds for the reader.
In this case there are not two cultures involved, but three. Two Japanese tourists chartered a boat to take them out for a day of scuba diving three miles from shore. The hard-drinking captain insists they never came back up. His mate, an aborigine has jumped ship and disappeared. Smith uses his knowledge of Aboriginal culture to find the truth, which is rooted in a bit of Australian history that was certainly new to me.
Good story.
Sunday, April 21, 2013
The Mayan Rite, by Terence Faherty
"The Mayan Rite," by Terence Faherty, in Alfred Hitchcock's Mystery Magazine, June 2013.
"When I first heard 'Mayan rite,' I thought it might involve a human sacrifice. Maybe even the removal of a beating heart."
Anya's smile died. "Every wedding requires a human sacrifice," she said. "And often the removal of a beating heart."
Well, I don't know about you, but that exchange certainly got my attention. It happens deep in the middle of this story, which is largely a character study. My co-blogger Faherty has a great talent for characterization through dialog. See Anya above, for instance.
The protagonist, Robert, is a middle-aged guy, down in Mexico for a family wedding. We don't learn a lot about him (not coincidentally he's the one who talks the least, a very reserved sort of guy). His brother, on the other hand, is more outgoing: "Before we're done, Mexico's gonna be sending out for more tequila!"
But Robert is the one who notices what appears to be an unhappily married couple. And he notices some bad stuff... There is clever deduction in here too. A lovely piece of work.
"When I first heard 'Mayan rite,' I thought it might involve a human sacrifice. Maybe even the removal of a beating heart."
Anya's smile died. "Every wedding requires a human sacrifice," she said. "And often the removal of a beating heart."
Well, I don't know about you, but that exchange certainly got my attention. It happens deep in the middle of this story, which is largely a character study. My co-blogger Faherty has a great talent for characterization through dialog. See Anya above, for instance.
The protagonist, Robert, is a middle-aged guy, down in Mexico for a family wedding. We don't learn a lot about him (not coincidentally he's the one who talks the least, a very reserved sort of guy). His brother, on the other hand, is more outgoing: "Before we're done, Mexico's gonna be sending out for more tequila!"
But Robert is the one who notices what appears to be an unhappily married couple. And he notices some bad stuff... There is clever deduction in here too. A lovely piece of work.
Sunday, April 14, 2013
The Tricky Business in Mai Chau, by Nathan j. Beyerlein
The Tricky Business in Mai Chau, by Nathan J. Beyerlein, in Ellery Queen's Mystery Magazine, June 2013.
This is a very old-fashioned story, and I mean that in a good way. It takes place in a current setting but it is about a man who solves a crime through shrewd deductions. Moreso, it is narrated by the detective's companion (in this case, client) who is utterly baffled by the brilliant discoveries. This is aliteraty tradition dating back to Poe, of course, and the first detective stories. Which doesn't make it less fun.
Bertrand Stein lives in Hanoi and he's in a panic. An old college friend has come to visit him and disappeared. Unable to interest the authorities, who figure she is just off sightseeing, he contacts a local American blogger he knows through the Web. Nat Burg is the brilliant amateur detective who solves the case with some very clever thinking and knowledge of the local scene. He is clearly being set up as a series character with tons of eccentricities, mysterious past, and an acerbic tongue. "You asked me to help, not give you a tutorial in basic logic."
I look forward to more adventures of these characters. I do have to point out that when a writer named Nathan Beyerlein writes about a hero named Nat Burg, the name Mary Sue comes leaping to mind.
i
This is a very old-fashioned story, and I mean that in a good way. It takes place in a current setting but it is about a man who solves a crime through shrewd deductions. Moreso, it is narrated by the detective's companion (in this case, client) who is utterly baffled by the brilliant discoveries. This is aliteraty tradition dating back to Poe, of course, and the first detective stories. Which doesn't make it less fun.
Bertrand Stein lives in Hanoi and he's in a panic. An old college friend has come to visit him and disappeared. Unable to interest the authorities, who figure she is just off sightseeing, he contacts a local American blogger he knows through the Web. Nat Burg is the brilliant amateur detective who solves the case with some very clever thinking and knowledge of the local scene. He is clearly being set up as a series character with tons of eccentricities, mysterious past, and an acerbic tongue. "You asked me to help, not give you a tutorial in basic logic."
I look forward to more adventures of these characters. I do have to point out that when a writer named Nathan Beyerlein writes about a hero named Nat Burg, the name Mary Sue comes leaping to mind.
i
Sunday, April 7, 2013
Not A Penny More, by Jon Land
"Not A Penny More," by Jon Land, in The Strand Magazine, February-May 2013.
This story made me nostalgic for Rod Serling's Twilight Zone Magazine, which lived from one end of the 1980s to the other. It specialized in fantasy and what you might call light horror. For example, I still remember Evan Eisenberg's "Heimlich's Curse," about an archaeologist who opens a pharoah's tomb and winds up drowning in a vat of peanut butter.
My point is that this nifty story might have been quite comfortable in that late lamented market. I'm glad it found a home at The Strand.
Walter Schnitzel is a loser and a loner. He is a middle-aged accountant, watching younger men get promoted over his head.
But his life makes a sudden lurch when he takes an old clunker of a used Buick for a week-long test drive. All of a sudden Walter gets lucky - in more senses than one. His whole self-image changes as well.
So, is the car magic? Is it all coincidence? And, oh yeah, why is this story in a magazine full of crime stories?
All shall be revealed...
This story made me nostalgic for Rod Serling's Twilight Zone Magazine, which lived from one end of the 1980s to the other. It specialized in fantasy and what you might call light horror. For example, I still remember Evan Eisenberg's "Heimlich's Curse," about an archaeologist who opens a pharoah's tomb and winds up drowning in a vat of peanut butter.
My point is that this nifty story might have been quite comfortable in that late lamented market. I'm glad it found a home at The Strand.
Walter Schnitzel is a loser and a loner. He is a middle-aged accountant, watching younger men get promoted over his head.
But his life makes a sudden lurch when he takes an old clunker of a used Buick for a week-long test drive. All of a sudden Walter gets lucky - in more senses than one. His whole self-image changes as well.
So, is the car magic? Is it all coincidence? And, oh yeah, why is this story in a magazine full of crime stories?
All shall be revealed...
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