Goon #4, by Tod Goldberg

 "Goon #4," by Tod Goldberg, in The Darkling Halls of Ivy, edited by Lawrence Block, LB Productions, 2020.

It makes sense that this story appears in an anthology edited by Lawrence Block because the main character reminds me of Block's meditative hitman, Keller.

Goon #4 (his mama named him Blake) is an ex-military thug, now specializing in high-risk assignments, bodyguarding bad guys or making bad guys wish, in one final moment, that they had hired bodyguards.

Blake has made enough money to retire.  But what to do now?  He decides to go to college and winds up, more or less by accident, in a class on radio performing.  Here he is pondering the building in which the class is taught:

Whole place was maybe 2,500 square feet and could be attacked from about twenty-nine different angles.  A totally unsafe spot to conduct an op... but Blake guessed it was probably fine for learning.

So Blake may be has a little trouble separating his past life from his current one.  And when a professor gives him an assignment, rest assured that he takes all assignments seriously.  Perhaps too seriously...

A fun and quirky story.

Alt-AC, by Warren Moore

 "Alt-AC," by Warren Moore, in The Darkling Halls of Ivy, edited by Lawrence Block, LB Productions, 2020.

This is the second appearance here by Warren Moore.  It ranges between the amusing and startling.

I may be prejudiced in favor of this tale because I am both an academic and the father of an academic, so I sympathize with both generations represented here.

Roger Patterson possesses a newly minted PhD. in medieval English.  He has been in Kalamazoo for the annual conference on medieval studies and he offers a Senior Scholar a trip to the airport.  Beggs, the Senior Scholar, turns out to be a historian, with a comfy job of the kind Patterson will probably never get.

Patterson is on the market (a phrase that  "made him feel like a haunted house.  Or a slightly bruised avocado") at a time when there are over a hundred people applying for every position.  He is likely to wind up teaching at  "the Swamp County School of Mortuary Science and Transmission Repair."   Or worse he may need to find an alternative to academia, the dreaded "Alt-AC."

The writing is hilarious but I found myself thinking: this is a book of crime stories.  So somebody has to get naughty, right?  Don't worry.  Somebody does.

The Whole Story, by Andrew Welsh-Huggins

 

"The Whole Story," by Andrew Welsh-Huggins, in Black Cat Mystery Magazine, Issue 7, 2020.

This is the second appearance here by this author.

Hayes is a private eye with a strange assignment.  Bobby Putnam is in prison for driving drunk, resulting in the death of his daughter.  He doesn't deny the crime but he wants Hayes to confirm his impression that the driver whose truck he hit was not looking at him.  His eyes, Putnam insists, were on a man across the street,  man who vanished before the cops arrived.

Not that it would have changed Putnam's guilt.   But he is desperate to know if he's right about this one niggling detail about the event that destroyed his life.

Of course there turns out to be more to this clever story.

Chum in the Water, by Lori Roy

 "Chum in the Water," by Lori Roy, in Tampa Bay Noir, edited by Colette Bancroft, Akashic Press, 2020.

Ms Roy knows her noir, no doubt about that.

Dale is a building contractor and house flipper and he has run into a bad season made worse by bad luck and bad choices.  One of those choices was borrowing a ton of money from Chum Giordano.  Chum has a reputation for not taking kindly to deadbeats.

But on the positive side of the ledger Dale has two items.  His house is about to sell, which will take care of his debt.  And there is an attractive new bartender in his favorite bar who is showing an interest in him.  

Sounds good!  What could possibly go wrong?

Oh yeah.  This is noir...

Terrible Ideas, by Gregory Fallis

 "Terrible  Ideas," by Gregory Fallis, in Ellery Queen Mystery Magazine, September/October 2020.

It's unusual, I think for a private eye story to travel, third-person, through the heads of more than one character.  But this one does and it works.

Clayton Ellicott is the first viewpoint character.  He is the only fulltime lawyer for Midwest Center for Artists' Rights and most of his work is pretty boring: copyright, contacts, and so on.  

The exception is Triscuit, a petty thief who discovers a talent for photography after stealing an expensive camera.  It isn't the theft that gets him in trouble, though.  That would be a day he spent in the park taking pictures, some of them in the vicinity of small children.  Parents didn't like that.  When the police were called and saw that he was "a six-foot-two bearded man of mixed race" they didn't like it either.

Triscuit knew how to behave around hostile cops, but now he was an artist and they were demanding to see his camera.  He did not react well to that, which is how Ellicott the lawyer got involved.

Things escalate when a teenager girl goes missing from that same park.  Triscuit gets arrested and our lawyer calls in Hockney, a private eye.  

It helped that [Hockney] looked younger than she really was; it helped that she was attractive without being pretty.  it helped that she was slender and lissome and not at all threatening.

It all helped her to be a more effective detective.  But she resented it.  She resented that people -- women included -- took one look at her and immediately, automatically underestimated her...

And here she is talking to Triscuit, who is in jail: 

There's a sixteen-year-old white girl missing and the police think you had something to do with it.  Jesus couldn't get you out of here tonight.

A satisfying story with a surprising (but not twist) ending. 

The Cough, by Lynn Chandler Willis

 "The Cough," by Lynn Chandler Willis, in Writers Crushing COVID-19, edited by Lawrence Kelter, LightSpeed Books, 2020.

There's been a sort of race going on this year and, as far as I know, Willis is the winner.  She is the first person to get a story published in which COVID masks are used by robbers as a disguise.  You knew it had to be coming. 

That's not why this story is my best of the week, of course. The reason is that it is an amusing story of incompetent criminals.

Marty and Dwayne are hoping to rob a bank but the virus lockdown means that only drive-thru's are open. Foiled again!

Marty is the brains of the operation (and that is a low bar).  Dwayne seems as happy to score some toilet paper as he would be with the contents of a bank safe.

But our hero thinks of a way to rob the WalMart.  You my not be astonished that things don't go perfectly.  You may be even less astonished that COVID is involved.

My favorite line: When the two guys get separated and complain someone asks Marty: "You his emotional support animal or something?" 

 

Kevin of the Dead, by Eoin Colfer

 

"Kevin of the Dead," by Eoin Colfer, in The Strand Magazine, Feb.-May 2020.

A page into this story I found myself hoping a crime would show up.  It was by no means a sure thing that that would happen, and I only review crime stories.  Fortunately, the story turned sufficiently criminous, as Ellery Queen used to say, to meet my standards.

So what is this about if not primarily crime?

It's a vampire story.  But Kevin is not your classic suave gothic (or goth) undead master of minds.  He's a whiny emo young man with a lot to complain about.  

"In my opinion there's a real market for vampire counsellors.  Someone to guide you through the process.  It's very traumatic waking up dead, I can tell you.  Not as traumatic as high school but pretty close."     

Our boy had a hard time getting along with people when he was alive and things haven't improved since he snuffed it.  Colfer offers us a more (dare I say?) realistic look at the undead lifestyle and it's hilarious.  Kevin goes out each night looking for blood but he also hopes his victim has "Netflix on her phone so I can catch up on Stranger Things."

Golden Lives, by Joseph S. Walker

 

"Golden Lives," by Joseph S. Walker, in Mystery Weekly Magazine, September, 2020.

Annalee Lincoln left the army due to an accident that removed her foot.  Three months later she is home because her brother Ike died, in another accident.  This one happened while he was attempting to commit a rather stupid felony.

Annalee has trouble grasping that, because Ike was the smart one.  They were raised by their worthless uncle and Annalee feels the guilt common of older siblings who escape from a toxic home and have to leave the younger ones to cope without them.  

She can't bring him back but can she figure out what happened?  And maybe find love along the way?

Very satisfactory story.

No Body, by Clea Simon

"No Body," by Clea Simon, in Shattering Glass, edited by Heather Graham, Nasty Women Press, 2020. 

Before she even spoke she knew her body was gone. It had been a struggle, losing it. 

At first I thought the protagonist was a ghost, but no, she is a person in trauma experiencing, as some people do in such a situation, the sensation of being outside her own body. In fact, she was drugged and is being raped. 

None of the characters in this story are named, and the protagonist is never "the woman," but simply "she." It is a stylistic choice that keeps the story as intimate and claustrophobic. And this story is strong on style. 

The main character is a college student and the rapist is a popular student who lives right down the hall. He doesn't stop tormenting her, either, joking with his friends about her. But then... 

 I said this story is mostly about style, so honestly I was not expecting a clever and unexpected plot twist. But that's what you get.

Nicking Votes, by Stephen Buehler

"Nicking Votes," by Stephen Buehler, in Low Down Dirty Vote 2, edited by Mysti Berry, Berry Content Corporation, 2020.

I have a story in this book, by the way.

It's the summer of 1974 and con man Nick Townson is having a bit of hard luck.  His (stolen) car is overheating so he has to pull into a small desert town named Promise.  He will have to wait overnight for repairs and figures to while away the time by conning the locals out of some money with bar bets and similar tricks.

But it turns out there is an election going on, with two candidates for mayor: a sleazy developer and the attractive owner of the bar where Nick is playing his sneaky games.  Nick has no interest in politics but he may have no choice but to get involved.

A lot of clever twists in this one.