Martin, the Novelist, by Marcel Aymé

 

"Martin, the Novelist," by Marcel Aymé, in Ellery Queen Mystery Magazine, July/August 2023. 

Can I call this a 2023 story?  It seems to have been written (or set) in the 1930s, and the author died in 1967.  But I think this is it's first publication in English.

And it is a treat.

Martin is a successful novelist with one great flaw.  He kills off his characters.  Even his protagonists.  Sometimes in the middle of a book.  In one novel he killed off everybody.

His publisher can't stand it anymore and extracts a promise that no one important will die in his next book, or no money.

That's hard enough for Martin to bear but even worse is a visit from one of his characters, who is very unhappy with the plot.  Everybody's a critic, right? 

And then one of his friends comes with a special request: Could Martin put a certain real person in his book, kill her, and thereby bump her off for real?

Talk about meta.  Aymé rings more changes on the theme and they are delightful.   

Writer's Block, by Ed Ridgley

 

"Writer's Block," by Ed Ridgley, in Alfred Hitchcock's Mystery Magazine, July/August 2023.

Each issue of AHMM features a contest called the Mysterious Photograph.   To enter you have to write a crime story of no more than 250 words based on the picture.

In the thirteen years I have been reviewing short stories I have covered perhaps a dozen pieces of flash fiction but I think this is  the first time one of these contest winners has been my pick of the week.

Here it is, Writer's Block.  This is where all the writers go when they can't think of a word to say...

So what we have here is a metaphor, a parable if you wish.  I happen to love parables (Kafta, Borges, LuGuin, all greats).

Until, at the end, the story makes a turn so sharp you could cut yourself.

And I'll stop there so as to stay shorter than Mr. Ridgley's tale.

Concrete Dog, by Stephen Ross

"Concrete Dog," by Stephen Ross, in Alfred Hitchcock's Mystery Magazine, July/August 2023.

This is the third appearance in my column by Stephen Ross, my fellow SleuthSayer. 

It is 1940 in New Zealand (Ross's home turf.)

Frank has enlisted in the army and is about to go off to the war.  But the day before he sails he is considering  something really dangerous: doing a favor for his crooked brother.

Brother offers him fifty pounds to steal concrete dog from a rich man's house.  Brother has health problems and  can't possibly lift the beast, hence the request/offer.  Why is the stone pooch worth that kind of money?  Well, brother offers an explanation which doesn't hold a lot of water.  Of course, there is more going on...

But Frank and his wife really need the money.

Things go in a surprising and satisfactory direction.

Wrong Road to Nashville, by Joseph S. Walker

"Wrong Road to Nashville," by Joseph S. Walker, in Weren't Another Other Way to Be: Outlaw Fiction Inspired by the Songs of Waylon Jennings, edited by Alex Cizak, Gutter Books, 2023.

Walker hasn't appeared on this page since, um, last month. This is his ninth story to make my best-of-the-week list.  Very different from the last.

Our hero is Caleb, a school custodian, built like a pro wrestler.  His goal is to be a Nashville singer-songwriter and it looks like he may have the talent for it.

But first he has a little problem to solve.  His new girlfriend has been kidnapped by bad guys who want him to drive a load of contraband to... Nashville.  This wasn't the way he planned to get there, but you do what you have to do.

 A nice story of steadily building suspense.

 

 

The Good Neighbor, by Jeff Abbott

 

"The Good Neighbor," by Jeff Abbott, in Austin Noir, edited by Hopeton Hay, Scott Montgomery, and Molly Odintz, Akashic Books, 2023.

I received a copy of this book from the publisher.

We're in suburbia where good local schools make a house worth keeping forever, and neighbors have known each other for decades.

Bill dies of a heart attack. leaving behind his much-younger trophy wife Dierdre and resentful college-age son Peyton.  This is not a happy home.

Viv, their neighbor, also a widow, loves the whole family.  The conflict she sees across the cul-de-sac makes her very uncomfortable. Then she discovers something that makes her suspicious and even more uncomfortable. 

The suspense builds nicely as Viv tries to figure out what she can and should do.

A Flash of Headlights, by Ken Linn

"A Flash of Headlights," by Ken Linn, in Ellery Queen's Mystery Magazine, May/June 2023.

This one is right in my wheelhouse, as they say.   I am drawn to stories about people who screw up and then seek redemption, successfully or not.  

Brody does yard maintenance.  A year earlier he was charged with a DUI.  He has been sober ever since, just barely.

But that's not the issue for which he seeks redemption.

He makes a casual spur-of-the-moment decision to do what he considers a friendly gesture.  This leads to a tragedy - a tragedy which affects people he cares about.  

Many years ago I wrote here: "There is a streak of puritanism running through some noir literature.  Take one step off the straight-and-narrow and you are inevitably doomed.  Things keep getting worse and every attempt you make to correct your path only drags you inexorably toward the pit."

This story doesn't have the feel of noir, but it does have that sense. Every move Brody can make feels like it will make his situation worse.

If there is a moral in this fine story it is this: To achieve your goal you first need to figure out what your goal really is.  

The Incurious Man, by Terence Faherty

"The Incurious Man," by Terence Faherty, in Ellery Queen's Mystery Magazine, May/June 2023.

This is the tenth appearance in this column by Faherty, which ties him at the tippy-top with Mark Thielman.  Mark is a fellow SleuthSayer while Faherty is a SleuthSayer alum.

I think it was Michael Mallory who predicted that most crime fiction in the future would  be set in the days before smart phones and the Internet made certain kinds of research (and calls for help) inconveniently convenient.  This story is an example.  It is set in the 1990s and if it were written about the world of today it would have to be quite different.

Owen Keane is a private detective and he is starting a job at a law firm.  Well, not much of a job.  He has been hired on a temporary basis mostly to provide company for a friend who has reluctantly taken over the family business.

But on his first day, taking the train from New Jersey to New York City, he encounters something very strange.  Every day for a week a woman near Rahway has held up a sign for people on the train to see.  The signs seem ominous, if not threatening, and refer to Giovanni and Elvira, whoever they are.

Everyone on the train is fascinated by the signs except one man who ignores them.  And that attitude fascinates Keane, and makes him suspicious, because he is a curious man.  His lawyer friend says: "It might be dangerous for you  two to come together.  Like matter meeting antimatter.  There could be an explosion."

Of course Keane ignores his advice and discovers a particularly cruel  scheme.  Terrific story.