"Under Hard Rock," by Ed Teja, in Black Cat Weekly, #164.
This is a good example of what I call the Unknown Narrator story. The master, though probably not inventor, of the subgenre, was Jack Ritchie who won an Edgar for such a one. In this type of tale all the reader knows about the main character (usually the narrator) is what he or other people say about him, and that turns out not to be true.
In this case the narrator makes it clear early on that he is lying to the people he meets but that intrigues you; you want to know what's really going on. He visits a small mining town and says he is a private eye, hired to find a man named Randall Cook. But when the owner of the town's only restaurant tells him that Cook died a week before we find out that he already knew that. So what's going on?
Cook died in a mining accident and it seems impossible that it could have been a murder. And he had no obvious enemies. What exactly is our hero hoping to learn - and what is there to learn?
Part of the solution is a little weak in my opinion. (It requires someone to be awfully gullible.) But it was enjoyable and avoided the usual cliches.
