Crime and Convenience, by Steve Shrott

 "Crime and Convenience," by Steve Shrott, in Hook, Line, and Sinker: The Seventh Guppie Anthology, edited by Emily P.W. Murphy, Wolf's Echo Press, 2023.

"Look, I never told you, but I have a bit of a record.  I can't get mixed up in something like this."

"I ask when you hired if have record.  You say no."

"That could be interpreted many ways."

Dialog is character.  

The first speaker is Cathy. She has a bit of a problem with honesty.

The second speaker is Amir, who owns the convenience store where she works.  He is a very honest man and he has a bit of a problem with Cathy.  

When the story starts Amir has discovered that she stole a man's wallet.  He insists that they go together to return it.  This leads to the discovery of a corpse and a lot of trouble.  It's almost like honesty is not the best policy.

A funny story.

The Puzzle Master, by David Morrell

"The Puzzle Master," by David Morrell, in Playing Games, edited by Lawrence Block, LB Productions, 2023.

 This is the second story by Morrell to appear here. 

Quentin has just finished his latest mystery novel and is getting antsy waiting for his editor's reaction.  His wife Beth suggests they kill some time putting a jigsaw puzzle together.  

The illustration on [the box] showed what looked like a square in a New England village, with rustic shops, Victorian houses behind them, and a tree-covered hill in the distance.  A farmer's market was in progress.  Smiling families paused at tables that displayed tomatoes, peppers, apples, and jars of what a sign said was strawberry jam.

Sounds charming, doesn't it?

They have such a good time that they start working on another puzzle, created by the same artist.  Is this the same village?  Are they seeing some of the same people?  And is something... wrong with this picture somehow?

There are seven puzzles and if you work them in the order they were created (you need to put them together because you can't see all the details from the box cover), they seem to tell a story.  Or so Quentin, the mystery writer suspects.  

Clever story, cleverly told.

 I don't usually talk about runners-up, but the proceeding story in the book, "Lightning Round," by Warren Moore, made it hard to choose.

 

The Soiled Dove of Shallow Hollow, by Sean McCluskey

 

"The Soiled Dove of Shallow Hollow," by Sean McCluskey, in Ellery Queen's Mystery Magazine, January/February 2023.

It is rare that a first story makes my best-of-the-week list, rarer still when that first story  is a long, possibly novelette-length piece.  This is one.

And it's a private eye story, of sorts.  What's a private eye story?  If you say a story about a private eye you are clearly unaware of what I call the Scudder exception.

When the Private Eye Writers of America were creating the rules for their Shamus Awards one of the very best characters in the field was Lawrence Block's Matt Scudder.  For most of his career he had no P.I. licence.  So it is not surprising that the rules said, essentially, that a P.I. story had to be about someone who investigates crimes for pay, but doesn't work for the government.  

So a lawyer or journalist would qualify but not  a cop or a spy.  And people like Scudder who, as he put it, did favors for friends who then bought him gifts, was eligible. 

Which brings us to Shane Caine, the narrator of our tale.  One night in a bar in Georgia he brags about some crimes he solved, not a P.I., but as a person who  "just sort of stumble[d] into things."

A man named McDounagh overhears him and is desperate for his help.  He lost his wallet to a couple of con artists in a  badger game.  The wallet contains a top-security I.D. card and if he doesn't get it back by 8 A.M. he will lose his job.

Caine immediately recognizes that  the badger game was not the usual variety.  Something odd is going on, something beyond a casual theft.  What follows is a long but fast investigation that ends in a trail of blood.

I enjoyed the adventure and hope Shane Caine stumbles into some more of them.

The Snake, by Mike McHone

 "The Snake," by Mike McHone, in Mystery Magazine, February, 2023.

Certain themes or premises show up so often in any genre that they more or less make up a subgenre of their own.

Janet Hutchings, editor of Ellery Queen Mystery magazine, has said that the type of story she sees the most often is someone plotting to kill their spouse.  An overlapping story is the hitman. 

So how do you create something new and original in this category?  As Charles M. Schulz said, drawing a comic strip means doing the same thing every day, but doing it different.

McHone manages it.  

David is hiring a hitman to kill his wife.  Here's the opening:

"I want you to listen because this is the only time I 'm going to say it.  You don't think you can go through with this, you think you're going to crack up when the cops come, I walk.  Hear me?  And before you think to ask, no, you won't get your down payment back.  Period."

That's good writing.  Good dialog is personality and we know a lot about the hitman just from his voice.  This story is something like 80% dialog, more if you count David's inner monologue.

So, the writing keeps us reading, but do we get anywhere interesting?  Most definitely.  McHone has come up with more than one original twist on the classic premise.