Malice Domestic: Murder Most Historical, edited by Verena Rose, Rita Owen, and Shawn Reilly, Simmons.
It seems like every year or so I have to chide some editors who don't know what a noir story is supposed to be. Today I feel like I have the same problem in reverse. Sort of.
I am not sure of the definition of a "Malice Domestic" story, but I know this one is not what I expected, or what the rest of the anthology (so far) led me to anticipate. Hayes' story is not cozy. It would, on the other hand, would feel quite cozy between the pages of Black Mask, circa 1928, which is around the time it is set.
Brothers Jake and David fought over a girl named Bridgid and Jake left Pittsburgh for logging work in the midwest. David became a very successful mobster, until his body shows up in a river.
The story begins with Jake coming home to try to discover how his brother died and who is responsible. The first thing he learns is that Bridgid was murdered a few weeks before, and a lot of people think David killed her. Is there a connection between the deaths? Can Jake stay alive long enough to find out?
This is an excellent salute to a classic subgenre of pulp fiction.