Sunday, July 15, 2018

Joy, by Wale Lawal

"Joy," by Wale Lawal, in Lagos Noir, edited by Chirs Abani, Akashic Press, 2018.

Third person narrative is the norm.  First person has advantages and limitations.  Second person is a gimmick. (And here is the best second-person story I have ever read.)


This story tells (in second person) about a pregnant wife who hires a house servant named Joy.  It is clear that the master-servant relationship in Nigeria would not be acceptable in the U.S. (Displaying all her possessions when she arrives?  Kneeling when she speaks?)

But the protagonist begins to suspect that Joy has nefarious intentions, especially about her husband.  Is this a pregnant woman with a dangerous delusion, or is something worse happening here? Somebody is going to get hurt...

Sunday, July 8, 2018

Isaac's Daughters, by Anita Page

"Isaac's Daughters," by Anita Page, in Malice Domestic Presents: Murder Most Geographical, edited by Verena Rose, Rita Owen, and Shawn Reilly Simmons, Wildside Press, 2018.

This is Anita Page's second appearance on this blog.

There is a TV series called Penn & Teller Fool Us in which magicians from around the world try to outsmart the titular wizards.  This spring there was an extra episode called the April Fool Us Special, which looked back at some of the highlights.

They mentioned a kind of viewer feedback they sometimes get.  I am going to make up the details but it goes like this:

How could you be fooled by that man making an elephant appear?  If you look at the tape you can clearly see him tuck the elephant up his sleeve!

To which Penn replied, approximately, We didn't know in advance that it was an elephant we should be looking for, and we don't get to roll the tape back for a second look.

Which is sort of like foreshadowing in literature.  Once you finish the story it is easy to see the one clue tucked in among a thousand details.  But when you're reading it, not knowing where the story is going, you can't tell which of those details is the crucial ones.

I don't think I have given away the store by telling you that Page has some clever foreshadowing in here.  You still won't spot the elephant before she reveals it.

The narrator is an old woman, relating  how she came to America from Russia at the age of fourteen in 1911.  The reason for the voyage is that her mother has just received a message that "your Isaac has taken up with a whore from Galicia."  Is it just me or does it seem like Galicia is the most offensive part of the whole thing?

So our narrator's mother wants to find her husband and reunite the family.  They start out on the difficult voyage, and things happen.

One of the reasons I started this review by talking about magic is that it matters in this story.  The family is divided between the father and narrator who you might describe as new-world rationalists, and the mother and sister who are subject to old-world superstitions, believing in demons and lucky charms.

A question that comes up in the story more than once is: Does magic work if you don't believe in it?  Page offers an answer to that in this excellent tale. 


Sunday, July 1, 2018

The Black Drop of Venus, by Mark Thielman

"The Black Drop of Venus," by Mark Thielman, in Alfred Hitchcock's Mystery Magazine, July/August 2018.

The Black Orchid Novella Award is co-sponsored by the Wolfe Pack and Alfred Hitchcock's Mystery Magazine.  It is intended to promote the sort of fair play detective stories illustrated by Rex Stout's Nero Wolfe novellas.

The rules do not require that the story follows the structure of Stout's work, but most of the winners have done that.  (Full disclosure: mine did.)  Here's what I mean by that structure: the narrator does the legwork of investigating a crime, bringing back clues to an older and wiser character, who solves the crime, usually by bringing all the suspects together for a chat.

Thielman has followed that pattern, as he did with his 2015 winner, which also made my best-of list.  Both of his novellas use actual historical figures.

It is 1769, deep in the South Pacific.  Our narrator is Joseph Banks, chief naturalist on the HMS Endeavour, which has been sent on a scientific investigation to observe the Transit of Venus.  When one of Banks's assistants is found with his throat cut just as they arrive at Tahiti, Banks is ordered to investigate the crime by none other than Captain James Cook.  He is handicapped by his lack of knowledge of navy ways and nautical  vocabulary, but he brings back the facts which allow Cook to cleverly determine the identity of the murderer.

Cook is a wonderful character here.  Witness his comment on another character:

I wished I had the opportunity to have spoken more with the man.  Of course, I may have ended up ordering him hanged, but up to then, he would have proved a fascinating man with whom to converse.  A pity I missed the opportunity.


Tuesday, June 26, 2018

Hateful in the Eyes of God, by Eric Rutter

"Hateful in the Eyes of God," by Eric Rutter, Alfred Hitchcock's Mystery Magazine, July/August 2018.

This is a terrific story, full of historic detail, plot twists, and much to reflect on.

It is London in the 1830s.  John Alcorn is a freelance reporter, a "penny-a-liner."  His specialty is the criminal courts because, then as now, scandal is always popular.  He is in the gallery when Charles Stanbridge is brought into the courtroom.  This fine, outstanding married gentleman has been accused of indecent assault, which is a reduced version of the charge of "the infamous crime,"  alias, homosexuality.  That greater offense could get a man sentenced to exile or even death.

Alcorn offers to sell his story on the case to the defendant, rather that to the press, a form of extortion which is perfectly legal.  But when Stanbridge apparently kills himself the reporter feels guilt and tries to learn more about the case.

And so he, and we, find out a good deal about the secret life of what we would call gay men, but what in this era were called sods or Mary Anns.  As I said there are plot twists I never saw coming, but the whole story is fascinating.

Monday, June 18, 2018

The End of the World, by Susan Breen

"The End of the World," by Susan Breen, in Malice Domestic Presents: Murder Most Geographical, edited by Verena Rose, Rita Owen, and Shawn Reilly Simmons, Wildside Press, 2018.

Cosima Bell lived in the thrall of her father, a pianist who became obsessed with the music of Liszt and dedicated his life to mastering the complex music.  (Cosima was named after the composer's daughter... creepy.)

When the story begins dear old Dad has just been convicted of murdering several young men in the basement.  Cosima insists to the press that she had no idea what he was up to but, well, let's say she isn't out trying to prove him innocent either. 

She has enough money to start a new life which she does by heading to a resort in Tahiti.Very peaceful and beautiful, except the couple a few cottages down keeps arguing about money.  Nothing unusual about that, except that the quarrels are about ten million dollars.  And the quarrels are getting nasty. 

If another crime occurs, will Cosima be trying to explain she didn't know anything about this one too?

A tricky tale that caught me by surprise.

Sunday, June 10, 2018

Kyiv Heat, by Alex Shaw

"Kyiv Heat," by Alex Shaw, in Noirville, Fahrenheit Press, 2018.

 Gennady Dudka is a top director of the Ukraine's Security Service.  He is too set in his ways to cope with new technology.  "Dudka's radio, like him, was old and refused to retire."  Just before the Kyiv Day holiday he receives a disturbing package from as it turns out, an old friend who is a retired KGB agent.

Dudka is under pressure to find out who set a bomb that killed a reporter.  His friend's information suggests it was Ukrainian spies working for the Russians.  But can the information be trusted or is someone being set up?  And if so, who is the schemer and who is the potential victim?

A neat little tale of the world in which the back of every cloak is targeted by a dagger.

Monday, June 4, 2018

Where the Strange Ones Go, by Steve Hockensmith

"Where the Strange Ones Go," by Steve Hockensmith, Ellery Queen Mystery Magazine, May/June 2018.

This is Hockensmith's second appearance here.

It's 1995 and a young and naive college student gets a job as a receptionist at a video matchmaker service.  (The story is peppered with sad and hilarious ads, like the woman who prefers lizards to other pets, or the man who offers to take you on a tour of Ed Gein's farm, the inspiration for the movie Psycho.)  

She quickly figures out that her main job is providing  a layer of protection between her slime devil boss and his dissatisfied customers.  But things have a way of turning around and the ending is full of clever twists.