Sunday, February 9, 2014

Assets Protection, by Kristine Kathryn Rusch

"Assets Protection," by Kristine Kathryn Rusch, in Alfred Hitchcock's Mystery Magazine, January/February 2014.  

Rusch is one of my favorite current authors of mystery short stories, and this caper story is a good example of why.

Carla is an ex-con, gone straight after a fashion.  She gets hired by businesses to test their security, especially their susceptibility to high-level shoplifting schemes.

At a conference she sees Grady, the abusive cop who arrested her.  He is now living high on the hog as the head of security for a department store chain.  It doesn't take Carla long to discover that he has a sneaky money-making scheme of his own, and so she sets out to derail him.  "She needed to show Grady just what it was like to lose."

To do this she needs the help of a low-level celebrity, and fortunately she knows one, an actor named Jimmy who used to share her lawyer before he got famous.  He doesn't need the money, but he does crave a little larceny...

I would enjoy seeing these two in action again.


Sunday, February 2, 2014

The Art of Authentification, by Christopher Welch

"The Art of Authentification," by Christopher Welch., in Alfred Hitchcock's Mystery Magazine, January/February 2014.

This is at least the fourth story by Welch in this series, but the first time he has made my best-of-the week list.  Bridgman is an art dealer in the Berkshires.  In each story he and his partner find themselves reluctantly involved in crimes related to art.

And let us pause to talk about one of the many things a mystery can do.  It can reveal details about some aspect of the world that most of us know nothing about.  In this case the subject is art authentification.

Bridgman's gallery contains some paintings by a recently deceased artist named Madie Balan.  The trust that supervises her estate insists that he can't legally sell them unless (and until) they authenticate them as genuine Balans.  But the members of the trust own some of her work, which means every work they declare genuine makes their own property less rare and therefore less valuable.

Conflict of interest?  You betcha.  But that's not the whole story, because determining whether the works are genuine may be impossible.  Apparently the artist sometimes started a work and let someone else finish it.  (Hey, so did Rembrandt...nothing new there.)  So the matter of real and fake is almost a matter of philosophy.

And I haven't even mentioned the murder. 

Two complaints about the story.  The protagonists don't actually solve it.  They merely accidentally cause the killer to reveal himself.  Yes, they fall into the category of amateur detectives, but that's a little more amateur than I prefer.

And second is a more personal gripe.  This story features characters named Bridgman, Balan,  Bess, and Bosch.  At two points the author and/or editor get confused and Bess becomes Beth.  There are twenty-six perfectly good letters in the alphabet.  Why torture the reader like that?

Wednesday, January 29, 2014

Sunday, January 26, 2014

Blunt Instruments, by James Powell

"Blunt Instruments," by James Powell, in Ellery Queen's Mystery Magazine, January 2014.


I say this with great fondness and admiration: Jim Powell is a nut.  Exhibit A is the latest of a long line of  stories he has written in honor of Christmas, one more fantastical than the next.  Plots against Santa Claus, plots by Santa Claus...

This story involves two professors at the University of Toronto and a theory for the origin of that most inexplicable piece of the holiday experience: the fruitcake.  I won't go further except to say that the origin is Not Of This World.

The story barely qualifies as a mystery -  or putting it another way, Powell tucks in a crime to make it fit into EQMM when it might otherwise have been happier in a fantasy magazine.  But I am not complaining, because if it had shown up there I might not have had the chance to read it, or report it here, and that would have been a shame.

Sunday, January 19, 2014

The Confidante, by Diana Dixon Healy

"The Confidante," by Diana Dixon Healy, in Best New England Crime Stories 2014: Stone Cold, edited by Mark Ammons, Katherine Fast, Barbara Ross, and Leslie Wheeler, Level Best Books, 2013.

This is the best political fiction I have read in some time.  (Insert a joke about Obamacare or the George Washington Bridge here if you wish.)

I remember almost twenty years ago thinking that someone could craft a nice piece of fiction out of the fifteen minutes of fame of Linda Tripp.  You may remember that she was the bureaucrat Monica Lewinsky unwisely confided in.  I never got around to writing such a piece but Healy has, combining it with traces of another political scandal of more recent vintage.

Peggy is a mousy young woman who works for a presidential campaign. She is flattered when the more vibrant worker Kim takes an interest in her.  They start meeting regularly and Kim begins to tell her secrets, secrets that could change political history...

Some lovely twists in this one.


Sunday, January 12, 2014

Downhill Slide, by Jeff Howe

"Downhill Slide," by Jeff Howe, in Moon Shot, edited by J. Alan Hartman, Untreed Books, 2013.

This book is a collection of science fiction mysteries (which gives me a chance to write about genre crossovers next Wednesday at SleuthSayers).  One frequent complaint about combining these two fields is that you can't write a fairplay mystery in a science fiction world, because the reader can't know enough about the environment.  This is a fairplay story, of sorts, and you will have to decide whether it follows the rules.


At first the plot sounds like one of those gook luck/bad luck jokes.

A miner gets killed on an asteroid, and that's bad.

But someone confessed, and that's good.

Except it turns out that the confessed killer couldn't have done it, and that's bad.

However, a detective is heading to the scene of the crime to interview the other suspects, and that's good.

But there aren't any other suspects.  No one else on the whole asteroid.  And that's -- well, that stinks.

There are some lovely twists in this story, including one that I seem to remember from a science fiction movie of a few years back.  But to be fair (there's that word again) I still didn't see it coming.

Sunday, January 5, 2014

Full Moon, by Lauren Davis

"Full Moon," by Lauren Davis, in Dallas Noir, edited by David Hale Smith, Akashic Press, 2013.

For those who came late, here's what noir is:  A loser tries to be more, gets involved in crime (on one side or the other) and gets screwed.

This is a pretty good one.

Danny Contreras is an investment broker, but not destined to be one long.  He is using drugs like they were dental floss and giving his Rolex to the dealer in lieu of payment.  On the way back to his apartment he has an accident and winds up with a ton of money.  He also has some bad guys following him.  And possibly another companion: a giant owl out of Mexican legend .  Whether the owl is real or in his head, it doesn't mean anything good.